I also checked the spark plugs and other then
some rust on a few of them they look ok.
Not exact matches
But given the play
of Case Keenum and the potential
rust on Bridgewater's game, the Vikings are only a
few poorly timed losses away from having to make some uncomfortable decisions.
I chose to add a touch
of rust in a
few places
on each letter.
«To The Wonder» (Terrence Malick) «Cloud Atlas» (The Wachowskis & Tom Tykwer) «Argo» (Ben Affleck) «The Silver Linings Playbook» (David O Russell) «Love, Marilyn» (Liz Garbus) «Free Angela And All Political Prisoners» (Shola Lynch) «The Place Beyond The Pines» (Derek Cianfrance) «Midnight's Children» (Deepa Mehta) «Hyde Park
On Hudson» (Roger Michell) «Great Expectations» (Mike Newell) «Inescapable» (Rubba Nadda) «Twice Born» (Sergio Castellitto) «English Vinglish» (Gauri Shinde) «The Perks
Of Being A Wallflower» (Stephen Chbosky) «Thanks For Sharing» (Stuart Blumberg) «End
Of Watch» (David Ayer) «Imogene» (Robert Puccini and Shari Springer Berman) «A Late Quartet» (Yaron Zilberman) «Much Ado About Nothing» (Joss Whedon) «Frances Ha» (Noah Baumbach) «The Time Being» (Nenad Cicin - Sain) «Writers» (Josh Boone) «At Any Price» (Ramin Bahrani) «Venus And Serena» (Maiken Baird) «Byzantium» (Neil Jordan) «Quartet» (Dustin Hoffman) «Ginger And Rosa» (Sally Potter) «A Liar's Autobiography» (Ben Timlett, Bill Jones, Jeff Simpson) «Foxfire» (Laurnet Cantet) «In The House» (Francois Ozon) «The Impossible» (JA Bayona) «Hannah Arendt (Margarethe Von Trotta) «Mr. Pip» (Andrew Adamson) «Capital» (Costa - Gavras) «The Attack» (Ziad Doueriri) «Zaytoun» (Eran Riklis) «The Deep» (Baltasar Kormakur) «Dreams For Sale (Nishikawa Miwa) «The Last Supper» (Lu Chuan) «Anna Karenina» (Joe Wright) «The Reluctant Fundamentalist» (Mira Nair) «The Company You Keep» (Robert Redford) «Jayne Mansfield's Car» (Billy Bob Thornton) «A Royal Affair» (Nikolai Arcel) «Dangerous Liasons» (Hur Ji - Ho) «Thermae Romae» (Hideki Takeuchi) «Caught In THe Web» (Chen Kaige) «Dormant Beauty» (Marco Belloccchio) «Everybody Has A Plan» (Ana Piterbarg w / Viggo Mortensen) «Kon - Tiki» (Espen Sandberg) «Reality» (Matteo Garrone) «A
Few Hours
Of Spring» (Stephan Brize) «The Hunt» (Thomas Vintenberg) «The Iceman» (Ariel Vromen) «Lore» (Cate Shortland) «No» (Pablo Larrain) «Outrage Beyond» (Takeshi Kitano) «
Rust And Bone» (Jacques Audiard) «The Sapphires» (Wayne Blair) «Tai Chi O» (Stephen Fung)
Rust has left
fewer examples
of the classic Mini
on the road in the U.S. today than you would guess, yet a thriving subculture does exist in numerous ownership clubs in every state.
so far I have been stolen from, mistreated, mislead, ignored and lied to, told that the reason the metal part
on my brand - new seat in my brand - new car was
rusted after only a
few days
of taking it from the show room floor was because I live in Miami.
Finish appears rough
on top
of rather wavy body panels which also harbor some
rust beneath the paint in a
few areas.
It was immaculate without a spot
of rust on even the exhaust even though it was 3 + years old.Spent the next day looking at a
few more and came back to buy here.
It is a extended cab longbed dually, both rear doors open, truck has a little surface
rust on the bottom
of the driver door and that is it,
few lil scratches and dings but very good for the year.
The age
of the vehicle does have its issues, from the small
rust spot
on the bumper to the wear showing
on the leather seats in a
few areas.
Installed among a number
of large, monochromatic pictures, now known as the White Paintings (1951), and a
few Elemental Sculptures (ca. 1953)-- objects combining stone, wood,
rusted metal, and found objects — was a selection
of his Black paintings, an imposing series
of large canvases layered with newspaper and dark paint
of varying finish and consistency.1 Among the works
on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one
of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.
In one
of The Armory Show's
few overtly political moments, a powerful and timely painting by Titus Kaphar hangs
on the booth's outer wall; the work (The Cost
of Removal, 2017) was inspired by President Trump's hanging
of a portrait
of Andrew Jackson in the Oval Office and sees Jackson
on a horse with the names
of his slaves penned
on shreds
of canvas tacked
on by
rusted nails.