Untitled from 1962 is a complex tangle of
rusted metal scraps exploding from a support of stapled brown paper, an early example of Chamberlain's iconic car part collages that retains the Leo Castelli Gallery label on the reverse.
Untitled Relief (1962) is an early example of this departure in stature and form, a complex tangle of
rusted metal scraps exploding from a canvas of stapled brown paper.
Not exact matches
Tatty coaches full of carrot - crunchers up for the Xmas wallet - fuck, pale - skinned,
rust - grazed Transit vans with England flags taped across their back windows, boogaloo bruvvers in Seven Series BMWs, throw - cushion specialists in skateboard - sized Smart cars, Conan - the - fucking - Barbarian motorcycle couriers, warped flat - bed trucks piled high with
scrap metal, one - eyed old Routemaster buses — the whole stinky caravan of London wholesale - to - retail, five credit - worthy days before Christmas was intent on crushing this bit of Yank, wannabe roadkill... So Dave slewed the Fairway over to the nearside lane and waited to see whether he'd make it.
The buildings are cobbled together from a variety of
rusted scrap -
metal, water is a highly prized commodity and people are desperate, scratching a living where they can and how they can, barely surviving the harsh environment.
These consist of crushed
metal (sourced from new industrial steel tubing, the cutting - room floor parts of previous works, or found
scrap metal) with surfaces that are either left as - is — in the case of the raw,
rusted found pieces — or painted with light - absorbing, velvety car paint.
Cat's Paw collages three forms of the same
metal:
rusted steel
scrap, flawlessly matte bent steel tubes, and a glossy black steel disc.
Plus one of the yellow
metal chairs on patio next to the house has a
rusted broken leg which should be
scrapped for safety purposes.