Sentences with phrase «sacred icons in»

Not exact matches

And so, in time, a portrait came to be accepted as a representative presence of a sacred model, one that inspired devotion and prayer — an icon.

Most Likely to Help Us Find God in the Everyday: Jennifer Fulwiler with «Praying Like You're Illiterate»» I don't know how long I sat there soaking up each aspect of the icon, but when I was finished I felt as enriched as if I had read chapters of sacred theology.

In Greece, I'm told, many Byzantine icons have been literally «defaced» by the pious who fleck off little pieces of the «holy» object (particularly about the eyes) and keep them as sacred relics.

In Mother Theresa, Hitchens recognized perhaps the greatest living icon of Christianity, charity personified — a sacred symbol he sought to profane.

The sacred temple is undoubtedly among the long list of icons not - to - be-missed in Bali.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

While in Nepal, Rachel studied ancient copper casting techniques practiced by Newari Buddhist icon makers and sojourned to sites that are sacred to Buddhist and Hindu pilgrims.

Inspired by Masheck's remarkable essays on the relationships between modernist painting and icons and other pre-Old Master sacred art — what he dubbed «hard - core» painting — I wrote almost exclusively in support of abstract painting.

Opening: «Kamakura: Realism and Spirituality in the Sculpture of Japan» at Asia Society A survey of sculptures from Japan's Kamakura period (dating from 1185 to 1333), this exhibition brings together a group of unique realist icons imbued with sacred powers.