Through unabashed brushstrokes and slashes of vibrant color, Frank's surrealistic dreamscapes disrupt
the sacred space of the home and psyche, alluding to the cracked lens through which we view feminism, gender and equality.
Not exact matches
The «Circle
of Protection» refers to the
sacred space surrounding «programs that meet the essential needs
of hungry and poor people at
home and abroad.»
We need to envision the interconnected flourishing, the shalom,
of all Earth's creatures, not just those who feel at
home in
sacred spaces.
If you practice at
home, create a
sacred space for yourself: Find a time when you won't be interrupted, turn off your phone, and move through your practice, focusing on the inhalation and exhalation
of each breath.
Kate Hoffman's Dream
Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns
of Islamic
sacred geometries cut into TIME Magazine photos
of war oscillate between greater ambiguity and flirting with the didactic depending on the density
of the cuttings; Sandra de la Loza's photographs
of Stoner Spots underscore the politics
of leisure through the exploration
of pot - safe
spaces, with a subtext
of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple generations
of photocopying through the prism
of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.
For this exhibition, Giorno's personal shrine from his
home, which is decorated with intricate brocade from the
sacred pilgrimage site
of Benaras in India, has been relocated to the gallery
space.