What if the intent, watchful one on the right sees a halo of self righteousness about the head of the one on the left, and feels love and
sadness over the truth and grace missing when he draws close and encounters a publicly presented picture of «happy face»?
Name - dropping Rosie Grier's «It's All Right To Cry» from Marlo Thomas's well - remembered but horrifically obsolete Free To Be You and Me (and Marshall Tucker Band's now - rhetorical «Can't You See») suggests a genuine
sadness over ideals left castrated and bleeding beneath an avalanche of depressing
truths about the state of our eroding union.