Sentences with phrase «said field museum»
«Discoveries of new species of animals like Ichibengops are particularly exciting because they help us to better understand the group of animals that gave rise to mammals,» said Field Museum's Kenneth Angielczyk, PhD, associate curator of paleomammalogy.
https://www.sciencedaily.com/ Not exact matches
The development of the Museum Campus and residential high - rises along the south end of Grant Park in recent years has converged nicely with the renewed interest in Hutchinson Field, O'Neill said.
The helicopter landed a little before 5 p.m. at the peninsula that extends south of the Adler Planetarium and Astronomy Museum, east of Soldier Field, said Julian Green, a spokesman for the Chicago Park District.
«We were best described as distant neighbors, but planning for the Museum Campus got us talking about our common interests,» said Jim Croft, the Field's vice president for finance.
Netsch said the relocation would open new park land and remove a barrier that separates the Field Museum from Adler Planetarium and Shedd Aquarium.
«I'm pleased that after years of false starts, we finally have a plan that works for taxpayers, the [neighboring] museums, the Park District, the Bears and the other teams and groups that use Soldier Field and the surrounding area,» Daley said at press conference at Soldier Field.
A class of North Carolina middle school students on a field trip began singing «The Star - Spangled Banner» in an outdoor area when one of the museum's security guards stopped them and said they needed a permit before they could sing in unison, an act that would be considered a public demonstration.
«This study illustrates how little we really know about animals in the deep sea,» says lead author Janet Voight, Associate Curator of Invertebrates at The Field Museum in Chicago.
«If we are right about how this person had died thousands of years ago, we have dramatic proof that living by the sea isn't always a life of beautiful golden sunsets and great surfing conditions,» says John Terrell, Regenstein Curator of Pacific Anthropology at The Field Museum and one of the study's authors.
«Certainly anytime we have a situation like that where there's such overwhelming media attention, it's going to leave a memory in the population,» says George Burgess, curator of the International Shark Attack File at the Florida Museum of Natural History, who fielded 30 to 40 media calls a day that summer.
At first the researchers detected 16 hidden species, a number «already considered spectacular,» says coauthor Robert Lücking of the Field Museum in Chicago.
The discovery «highlights that even in groups as well - known as birds we've just scratched the surface of what we really need to know about biodiversity,» says avian systematist Shannon Hackett of Chicago's Field Museum, who calls the research «good detective work.»
«We can predict that many new small dinosaur species like Acrotholus are waiting to be discovered by researchers willing to sort through the many small bones that they pick up in the field,» said co-author Ryan of The Cleveland Museum of Natural History.
«We also wanted to learn more about the conservation status of these wonderful animals,» said Danny Balete, a Research Associate at the Field Museum who is based in the Philippines.
«They look very different than mammals today,» says team member and paleobiologist Kenneth Angielczyk of Chicago's Field Museum,» similar to the way a T. rex doesn't look much like a goldfinch.»
«I fully expected to see more diverse mammals immediately after the extinction,» said lead author David Grossnickle, a Field Museum Fellow and PhD candidate at the University of Chicago.
Not that deep and not that many of them,» says Janet Voight, associate curator of zoology at the Field Museum and an author of a new study on the octopuses published in Deep Sea Research Part I.
Scholars from Rice University, University College London and the Field Museum have found the first direct evidence that glass was produced in sub-Saharan Africa centuries before the arrival of Europeans, a finding that the researchers said represents a «new chapter in the history of glass technology.»
«It's a very strange animal,» says Olivier Rieppel, Rowe Family Curator of Evolutionary Biology at The Field Museum in Chicago.
Their large size makes them difficult to manage in the field and expensive to store in a museum,» Stewart said.
«There is no real precedent for what's happening to our planet at the moment,» says Roopnarine, who co-authored the study with Kenneth Angielczyk, PhD, of Chicago's Field Museum.
«It was probably the first vertebrate that was able to fragment its prey before swallowing,» says zoologist Mark Westneat of the Field Museum in Chicago.
It has been proposed they heavily impacted the Central Highland forests,» says Steve Goodman, MacArthur Field Biologist at The Field Museum in Chicago, who co-authored the study and has been studying Malagasy animals for thirty years.
«Madagascar is the sort of place that even the guys at DreamWorks couldn't come up with,» says Goodman, a biologist with the Field Museum in Chicago.
«We took on a lot of debt, more than we could sustain, to do some really exciting things, but now we're paying for it,» says Mark Westneat, a Field Museum curator and chair of zoology.
While previous studies had suggested that females sometimes had cubs with outsider males, Lyke's is the first strong genetic evidence, says Bruce Patterson of the Field Museum of Natural History in Chicago.
«Although we tend to think of paleontological discoveries coming from new field work, many of our most important conclusions come from specimens already in museums,» says Dr. Christian Kammerer, Research Curator of Paleontology at the North Carolina Museum of Natural Sciences and author of the new study.
Adolphe has often linked science and music, with pieces such as Tyrannosaurus Sue: A Cretaceous Concerto (for Chicago's Field Museum) and Oceanophony (for the Scripps Institution of Oceanography), but he says the landscape of the brain can provide almost limitless inspiration.
«Africa remains a giant question mark in terms of land - dwelling animals at the end of the Age of Dinosaurs,» Eric Gorscak, a postdoctoral research scientist at the Field Museum, said in a statement.
The author of Dr. Mütter's Marvels, Cristin O'Keefe Aptowicz, has said that the inspiration for her book came from a school field trip taken to Philadelphia's Mütter Museum.
Aptowicz has said that she fell in love with her subject after a school field trip to the Mütter Museum.
To the many inquiries I've made to Johns over the years of my search for the Short Circuit flag, he responded once to say he had no involvement in the decision to replace his flag with Sturtevant's, a decision that stems from 1967, the year Rauschenberg fielded a request from Finch College Museum curator Elayne Varian, who wanted to include Short Circuit in a traveling exhibition, «Art in Process: The Visual Development of a Collage.»
Said the board, «Ghez has played a pioneering role in the field by introducing and giving young artists such as Jeff Wall, Mike Kelley, Isa Genzken, Thomas Struth, and Kara Walker their first museum exhibitions.»
«This is the finest selection of Palmyra sculpture outside of Syria,» said Mr. Potts, who earned his Ph.D. at Oxford in Middle Eastern art and archaeology before entering the museum field.
«The Baltimore Museum of Art has been a pioneer in reinventing the museum experience for 21st - century audiences while remaining committed to its outstanding collections and contributions to the field through special exhibitions and research,» said BeMuseum of Art has been a pioneer in reinventing the museum experience for 21st - century audiences while remaining committed to its outstanding collections and contributions to the field through special exhibitions and research,» said Bemuseum experience for 21st - century audiences while remaining committed to its outstanding collections and contributions to the field through special exhibitions and research,» said Bedford.
James Cuno, president and CEO of the J. Paul Getty Trust, said of Thelma Golden, «Thelma is a creative and influential leader in our field, who has led the growth of the Studio Museum, making it one of our nation's most dynamic visual arts institutions, inspiring to professionals and public alike.
«Jorge is a respected scholar in the field of Spanish Colonial art, and we are delighted to bring his expertise to our museum,» said Christoph Heinrich, Frederick and Jan Mayer Director at the DAM.
Nasher XChange will extend the museum's core mission beyond its walls and into Dallas» diverse neighborhoods, alongside key community partners, to present key advances in the rapidly expanding field of sculpture, raise the level of discourse on the subject within the city, and contribute to broader national and international conversations on public sculpture,» said Nasher Director Jeremy Strick.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
«Steven stood out from a competitive field of international candidates for his proven executive skills, remarkable long - term museum experience, independent curatorial projects and his engaging personality,» said Rick Moore, president of the Linda Pace Foundation.
In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.»
Commenting on the Kronn donation, IMMA's Director, Enrique Juncosa, said: «David Kronn's commitment to making IMMA the future home of his photography collection positions us as a major force in the field and comes at an opportune moment, when the museum would not have the resources to buy such prime works.»
At 8, he went on a field trip to the Dallas Museum of Art, where he encountered Rothko's Orange, Red and Red.When his teacher asked what he saw, he said, «I don't know, but I feel sad.»
According to Jori Finkel in the NY Times, «When Los Angeles» Hammer Museum Director Ann Philbin and Chief Curator Gary Garrels started building a collection, they chose to concentrate on drawings, photographs and works on paper, leaving the more expensive fields of painting and sculpture to play a supporting role... The goal is to be financially savvy «without sacrificing quality,» said Ms. Philbin, who was previously head of the Drawing Center in New York.
«David Brenneman possesses an exceptional amount of experience and expertise in the art museum field, and he has spearheaded the development of several innovative projects and exhibitions that have proven special in their ability to appeal to longtime arts patrons, while also attracting new audiences to the museum,» IU President Michael A. McRobbie said.
We are the only major museum in North America to have a curatorial department specifically devoted to the field,» said Michael E. Shapiro, Nancy and Holcombe T. Green, Jr., Director of the High Museum omuseum in North America to have a curatorial department specifically devoted to the field,» said Michael E. Shapiro, Nancy and Holcombe T. Green, Jr., Director of the High Museum oMuseum of Art.
Their relationships in the museum space create streams, as each of these fields have their own properties, however there is an opportunity for getting closer, intertwined or even contaminated, establishing common ground», says the curator about the show «Geografias da Criação».
«Amada has an outstanding reputation in the field,» said David Rubin, the Brown Foundation curator of contemporary art at the San Antonio Museum of Art.
«Starting in the 1970s, there was a terrific reaction against Color Field painting and abstract art in general, which was in turn a rejection of Clement Greenberg,» said the art historian and critic Michael Fried, who organized the exhibition «Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella» at the Fogg Art Museum at Harvard in 1965.
«We're art historians; there's a lot of new artists for collectors and museums but what's interesting is how we're noticing trends in the rediscovery or appraisal of certain fields and scenes,» said the chief curator.