Sentences with phrase «said about modern art»

Not exact matches

He has been outspoken about modern art, leaving a note at a Tate exhibition saying British art was «lost» if this was the best it could produce.

They say that everyone's a critic, and there's something fun about experiencing art — both classic and modern — in company.

They say that everyone's a critic, and there's something fun about experiencing art — both classic and modern — in company, with the person you like.

Indeed, in the Q&A that followed the screening of In the Fade that I attended at New York's Museum of Modern Art, Akin went so far as to say that he wanted Katja to be a blonde - haired, blue - eyed avatar of himself; he wanted to cast a woman who would be a Nazi's ideal as the sworn enemy of Nazis, and to inject his own anger about the way he is treated as an «other» by neo-Nazis and their ilk into the character of an Aryan - looking woman who would otherwise be embraced by them.

«Outrage» (1950): Introducing this little - known drama, directed by Ida Lupino, about a woman's harassment and subsequent rape, Museum of Modern Art curator Anne Morra said the movie «speaks to MeToo issues 70 years ahead of its time.»

Mission's Kimberly Campisano, one of the teacher - advisers involved in the project, says, «Working with the San Francisco Museum of Modern Art has given me the opportunity to share what I know firsthand about the urban teaching experience, and the importance of art in activist education.&raqArt has given me the opportunity to share what I know firsthand about the urban teaching experience, and the importance of art in activist education.&raqart in activist education.»

This raises very serious issues about what is going on at MoMA [the Museum of Modern Art, New York],» Sen. Charles Grassley (R - Iowa) said in a statement to ARTnewsletter.

Catharina Manchanda, the museum's curator of modern and contemporary art, said she began thinking about the ideas of history and representation in art during the Obama administration.

In related articles, I look more at the birth of the modern museum, the sale of the Rose Museum at Brandeis, and what these say about commercial pressures on contemporary art.

However, SculptureCenter really does suggest what a group show can say about New York City, where even modern art can not «make it new» or dirty enough to be now.

Here's what Brian has to say about some of the other biggest names in Modern and Contemporary art.

«It's an accident,» Mr. Stella said recently, when asked about his show, which opens at the Whitney on Oct. 30 and was organized with the Modern Art Museum of Fort Worth.

«In my years after leaving art school, I found a way of learning about the use of use of colour in modern art by copying a Seurat,» she said, referring to Georges Seurat's Bridge at Courbevoie, in the Courtauld Institute.

THE sculptor Richard Serra, a stickler about the differences between art and architecture, once described most public sculpture in urban architectural settings as «displaced, homeless, overblown objects that say, «We represent modern art.

«It made the art world breathe and live for me,» says Benezra, who finds modern and contemporary art engaging because «it allows you to think about your own time in a very active way.»

The following text is transcribed from a leaflet accompanying Hodgkin's 1976 prints exhibition at Modern Art Oxford Howard Hodgkin has said that he particularly likes this text about his printmaking, 1st January 1976

«Gauguin wrote about being in Tahiti and seeing women bathing,» said David Norman, chairman of Sotheby's Impressionist and Modern art department worldwide.

Gwen Chanzit, the DAM's curator of modern and contemporary art, began thinking about the show in 2008 — though she says she never set out to do a «women's show.»

«He's really among the top two or three most brilliant practitioners of the monotype,» says Hilarie Faberman, curator of modern and contemporary art at Stanford's Cantor Center, which owns about 40 of Oliveira's drawings, paintings, prints and sculptures.

About the Abstract Expressionist movement and his fellow artists Motherwell said: «But really I suppose most of us felt that our passionate allegiance was not to American art or in that sense to any national art, but that there was such a thing as modern art: that it was essentially international in character, that it was the greatest painting adventure of our time, that we wished to participate in it, that we wished to plant it here, that it would blossom in its own way here as it had elsewhere, because beyond national differences there are human similarities that are more consequential...» (5)

Frances Morris, the director of Tate Modern, said Bruguera was well known for «the highly original and compelling way in which she addresses major political concerns of our time, not only within debates about art and art history, but also in the hope of effecting real change in the world around us.

Broader audiences may benefit from a global approach to looking at modern art's history by having opportunities to learn about hitherto unknown artists, he said.

«There were efforts before the crisis to show Athens is not just about famous landmarks but is also a culturally vibrant modern city,» said Augustine Zenakos, co-founder of the Athens Biennale that promotes contemporary visual art and design.

, Hal Foster • Typotranslating the Green Box, Sarat Maharaj • Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris, Benjamin H. D. Buchloh • Interviews with Ed Ruscha and Bruce Conner, Elizabeth Armstrong • Echoes of the Readymade: Critique of Pure Modernism, Thierryde Duve • Concept of Nothing: New Notes by Marcel Duchamp and Walter Arensberg, Molly Nesbit and Naomi Sawelson - Gorse • Interviews with Sherrie Levine, Louis Lawler, and Fred Wilson, Martha Buskirk • Thoroughly Modern Marcel, Martha Buskirk • Conceptual Art and the Reception of Duchamp, October Round Table • All the Things I Said about Duchamp: A Response to Benjamin Buchloh, T. J. Clark • Response to T. J. Clark, Benjamin Buchloh

«Figuring History poses crucial questions about artistic, social, and political narratives,» says Catharina Manchanda, SAM's Jon & Mary Shirley Curator of Modern & Contemporary Art.

Regarding the future direction of the New York - based gallery, and what the Paris exhibition may reveal about it, the institution's director, Glenn D Lowry, says: «The disjunctive nature of modern and contemporary art can — and should — be reflected in the galleries.

(10) It would be better for Britain to support living artists than raise millions to save Old Master paintings from going abroad; (11) In general, buy art for pleasure, not as an investment; (12) Few video artists have improved on works by the great pioneers of video art, namely: Bruce Nauman, Andy Warhol, Vito Acconci, Joan Jonas etc; (13) Blue Electric Chair is Any Warhol's best painting; (14) His favourite non-blockbuster art show was Clyfford Still's retrospective at the Metropolitan Museum of Modern Art, NY, (Nov 1979 - Feb 1980); (15) The fact that only 5 of the last 40 Turner Prize nominees have been painters, says more about curators than about the state of painting todart for pleasure, not as an investment; (12) Few video artists have improved on works by the great pioneers of video art, namely: Bruce Nauman, Andy Warhol, Vito Acconci, Joan Jonas etc; (13) Blue Electric Chair is Any Warhol's best painting; (14) His favourite non-blockbuster art show was Clyfford Still's retrospective at the Metropolitan Museum of Modern Art, NY, (Nov 1979 - Feb 1980); (15) The fact that only 5 of the last 40 Turner Prize nominees have been painters, says more about curators than about the state of painting todart, namely: Bruce Nauman, Andy Warhol, Vito Acconci, Joan Jonas etc; (13) Blue Electric Chair is Any Warhol's best painting; (14) His favourite non-blockbuster art show was Clyfford Still's retrospective at the Metropolitan Museum of Modern Art, NY, (Nov 1979 - Feb 1980); (15) The fact that only 5 of the last 40 Turner Prize nominees have been painters, says more about curators than about the state of painting todart show was Clyfford Still's retrospective at the Metropolitan Museum of Modern Art, NY, (Nov 1979 - Feb 1980); (15) The fact that only 5 of the last 40 Turner Prize nominees have been painters, says more about curators than about the state of painting todArt, NY, (Nov 1979 - Feb 1980); (15) The fact that only 5 of the last 40 Turner Prize nominees have been painters, says more about curators than about the state of painting today.

In a legal action filed in January against the Qatari family's agent, Mr. Gagosian said that he had bought the 1931 sculpture in May 2015 for about $ 106 million from Picasso's daughter Maya Widmaier - Picasso, and then sold it to Mr. Black, who expected to receive it after the closing of the Museum of Modern Art's acclaimed «Picasso Sculpture» show — in which the piece was featured — on Feb. 7.

Talking about the new pieces, Barbara says: «I'd describe my collection as Art Deco Modern.