Sentences with phrase «said about the film»

I don't have much «good» to say about the film other than I liked it.

But you see... I don't care what «advocates» have to say about the film... I only care about what the researchers actually said.

This lends to what critics have said about this film being cliché ridden.

Well, not much can be said about this film without actually giving the goodies away, so it is best to keep it minimalistic.

The film isn't great, but it certainly isn't as bad as what many critics have said about the film.

But that's about all there is good to say about this film.

What can be said about this film that hasn't already been said, it is very much the «Batman and Robin» of the Superman franchise and proceeded to kill the franchise until 2006.

Elysium will mark the young directors second film and ever since its announcement not much has been said about the film other than it was going to be in the sci - fi genre with a lot of underlying sociopolitical messages.

I was recently able to sit down with director Karyn Kusama and writers Phil Hay and Matt Manfredi to see what they had to say about the film and the psychology behind it.

Check out what Olyphant had to say about the film in a quick interview below.

There's not a lot to say about the film's 5.1 DTS - HD MA soundtrack (English only), except that it's everything you expect from this kind of movie.

There's just not much else I can say about the film, so let me know what you guys thought.

I don't have anything too negative to say about the film other than I thought that the film needed more scenes with Brianna Hildebrand.

In addition, see what critics have to say about the film, so far.

The same can be said about the film version of these books, Master and Commander, although the actual battle scenario takes up the a good deal of the running length.

What can you say about a film that is so vividly real, and so intense, that it holds you spellbound for two hours, without letup?

I literally don't have one bad thing to say about the film.

The story is all there but the energy is missing, a strange thing to say about a film that is packed with the antics of the bad boy bands of the 70s.

Tully is a walking film script, and the best thing that can be said about the film is that a group of very talented actors works very hard to make its contrivances pass as plausible.

The best thing one can say about this film is that it is elevated by another impressive performance by Jennifer Lawrence, who actually gives her character some nuance, despite the weak dialogue and silly confrontations drummed up by Suzanne Collins.

Then again, when the best you can say about a film is that it's faithful to the source material, perhaps you know something's wrong.

What more is there to say about a film that needs absolutely no introduction?

Lots of negative things have been said about this film but I think they are all missing the point.

Starring: Emily Browning, Abbie Cornish, Jena Malone Directed By: Zack Snyder Written By: Zack Snyder, Steve Shibuya Rating: PG - 13 (US) Running Time: 1 hr 50 min Two Pence: Lots of negative things have been said about this film but...

What can one really say about these films in bite - size form, other than to continue to marvel at the simple brilliance of the idea, and to wonder how the intervening years, and the knowledge of the camera's returning presence, will affect the subjects this time.

I don't know what else I can say about this film that I haven't said a hundred times, so just read my review if you want to know my complete thoughts on the matter.

«I wanted story, structure,» Milos said about his film adaptations of E.L. Doctorow's Ragtime and Peter Shaffer's theatrical bonfire Amadeus.

Here's what Deadline says about the film:

Little remains to be said about the film's flopping.

Variety had this to say about the film:

Contrary to what most are saying about this film, I could have kept watching it for another hour easily.

There are lots of other things I could say about the film — most of the music seems incongruous and yet is utterly fitting, which I love.

Haynes, for his part, has got nothing but great things to say about his film's young starlet:

Why do people care so much about what one has to say about films?

While there is something to be said about the film's truly madcap and increasingly absurd multilingual clusterfucks - and they are perhaps the most potent and precise of any Palme d'Or nominee in years - those that know Ade's previous films (The Forest for the Trees, Everyone Else) should also expect a work that is achingly human and nuanced, working marvelously as both an intimate and awkward study of a father - daughter relationship and as an immersive look into the corporate landscapes of post-wall Europe.

Soft - spoken but intense, Taylor had obviously pondered the deeper significance of the film, but he also had some interesting things to say about film acting in general and about his other film, the sequel to LAURA CROFT.

I assumed that the discussion of distribution difficulties would be a long shot; I didn't expect there to be so little said about the film as a whole.

«It always kind of felt like our little intimate thing, to be honest, until just now being released finally,» Dylan said about the film.

Here is what cast members Matthew McConaughey, Anne Hathaway, Michael Caine, Jessica Chastain and Mackenzie Foy, plus director Christopher Nolan and producer Emma Thomas had to say about the film... On making Interstellar... Christopher Nolan: My interest in Interstellar was a couple of key things.

Much has already been said about the film main relationship between the elegant Carol (Cate Blanchett at her most graceful) and Therese (Rooney Mara captures doe eyed innocence in a bottle).

I'll start off by saying what almost everyone else has said about this film: it was nowhere near as bad as I thought it would be.

Téchiné said about the film's emotion, «I prefer the public to be moved when Manu runs, climbs a tree or has a laugh than when he is sick.

«It's always easier when you have somebody like Forrest Whitaker writing a letter or making a phone call,» Jordan said about the film's famous producer and mentor to Coogler.

What can you say about a film that so swears about its cerebralism as to discuss sickle cell anaemia at some length, and then picturises a disturbing sequence of a 14 - year - old being admired by two sexual predators against an astonishingly and unironically sunny number?

Luckily, this isn't all that the Deathly Hallows is, so there's more positive to say about the film than negative.

SA: First, I want to say about this film, as you pointed out, is a very specific portrayal of women in that what Terako goes through in her sleep; it's on a very physiological level.

It's masterful... something I never thought I'd be saying about this film.

Now, there is a lot to say about the film itself but the most important thing to address is simply the two leads played by Miles Teller and Shailene Woodley because without these two, I don't think the film would have been as good as it was.

I'm not a big fan of Statham post Snatch, but one thing I can't say about his films is that they aren't entertaining, and this wasn't.

If there's one good thing to be said about the film, though, it's the performances by the two lead actors.