Not exact matches
«Some were able to memorize almost the entirety
of two pages
of a complex
musical score — despite only 20 minutes
of practice,» Aiba
said.
Needless to
say, this film is hardly as driven by its
musical aspects as its 1969 counterpart, and makes sure to remind you by underusing Richard Addinsell's
score, which, upon actually being used, is typically not fleshed out to the fullest, and is all too often tainted by a degree
of conventionalism that further disengages, but ultimately does only so much damage to Addinsell's efforts, which are still spirited enough and recurring enough to play something
of a hefty part in breathing some liveliness into this generally dry project.
Waititi
says: Let's just have some Flash Gordon fun (the
score even borrows some
of the same
musical ideas).
I also felt that the
musical score was somewhat forced for the purpose
of provoking on the emotional level and was only there to make up for the lack
of it in the film, it did seem quite unnecessary in parts where I thought silence could have worked better, but thats not to
say of course that it was brilliant to listen too, and the changes were spot on to suit the changes determined in the film but for a simplistic kind
of story it seemed excessive.
Even better is the return
of the guttural sound
of The Blaster Beam, Craig Huxley's instrument so familiar to fans
of «Star Trek: The Motion Picture» and «Dreamscape,» Given that much
of the action is driven by dialogue and character, It
says something about Trachtenberg's confidence in McCreary's
musical storytelling ability that the whole opening plays only with
score with
score, setting up a highly dysfunctional nuclear family, locked in by doomsday.
Ocarina
of Time also set world records for high review
scores, although personally I do not like the game very much, apart from two elements — the titular ocarina, which was perfectly designed for the controller and taught the player some actual
musical skills, and the horse Epona, about which I will have more to
say later in this serial.
Say whatever you want about the Call
of Duty series, but you have to admit that their
musical scores are nothing short
of sheer bliss to the ears.
Now, I won't go so far as to
say that FFX has the best
score of the entire series, but I do believe the inclusion
of Masashi Hamauzu and Junya Nakano as composers has invigorated a
musical dynasty that has long grown stale.
«If I were to pinpoint the exact moment that initiated the process
of bringing this exhibition to fruition, it would be the acquisition
of the artist's graphic
score Graffiti Composition,»
says Whitney curator David Kiehl, referring to a project undertaken from 1996 to 2002, in which Marclay papered the streets
of Berlin with 5,000 sheets
of blank staff paper, used for
musical notation.