Sentences with phrase «same after seeing this film»

Mandy sat down with Eric to talk exorcisms, remaking buddy cop film «48 Hours» with Joel McHale (a wishlist), and how listening to The Doors will not be the same after seeing this film.

Not exact matches

Take trips to the cinema to see the same film so you can discuss it after, write poems or little diaries for one another, eat dinner together, get drunk together — in reality, the only thing you lack is physical contact.

One would be hard - pressed to disagree with this notion after seeing Persepolis, a film based on Marjane Satrapi's graphic novel memoirs of the same name and adapted for the screen by Satrapi and fellow comics artist Vincent Paronnaud.

The film sets up some of the main characters early on pretty much in the same way we've seen in countless disaster movies, but it takes a real turn after the bombing and chronicles the incredibly complex and far - reaching operation that immediately went into effect.

Final Destination 3 sees the same age teens stuck in the same situation as the first two films, trying to figure out, mostly in vain, how to cheat death, after they've all escaped from a calamity meant for them.

This was not long after I'd read Stephen King's creepy short story of the same name and so I thought I was about to see a film version of it.

The film stars Adam Sandler and Drew Barrymore as two single parents who, after vowing never to see each other following a disastrous blind date, end up booking the same African safari vacation and are forced to share a suite with each other's families.

After literally years of being somewhat mystified by the first Pirates film's beloved status in the hearts and minds of millions, I'm at an absolute loss in coming up with reasons that the second entry, Dead Man's Chest, has whipped up these same millions of people into even more of a froth - mouthed frenzy, the likes of which I haven't seen before for a film this mediocre, even rivaling the collective fervor for Narnia, Harry Potter, and the Matrix sequels.

After big Gotham Award wins for Call Me By Your Name, Lady Bird and Get Out and Independent Spirit Awards nominations for the same films (plus The Florida Project) we saw this week those same films hit big with NBR and NYFCC too.

After that, she appeared in both «Tiny Furniture» and «The Myth Of The American Sleepover» in the same year, as well as leading Adam Wingard «s «A Horrible Way To Die,» 2011 saw her return to producing with both Joe Swanberg «s «Silver Bullets» and the Greta Gerwig - written «The Dish & The Spoon,» before making her directorial debut in 2012 with crime tale «Sun Don't Shine,» one of the best - received films at SXSW (and edited by «Ain't Them Bodies Saints» director David Lowery).

I liked Iron Man enough to be a little nervous about the sequel, especially after seeing the film's star, Robert Downey Jr., marooned in Sherlock Holmes, which reached for that same mix of cool special effects, kinetic camerawork, clever dialogue, and mildly kinky characters and missed by a mile.

Many people who mocked John Carter before it opened (and afterwards) haven't seen the film; the same thing happened with The Lone Ranger this summer — and for this writer, that's a movie that, mostly, deserves to be mocked, though it's best to do so after seeing the damn thing — and it'll happen again soon enough, to be sure.

That very same subject is explored in two other very different films I saw shortly after It Felt Like Love.

That same one can be forgiven if one had expected more from Trey Parker and Matt Stone, those deliciously subversive elves who nail popular culture in all its absurdist splendor on their television show, «South Park», and who had us all humming «Blame Canada» as we left the theater after seeing the film version, suggestively, but correctly subtitled: BIGGER LONGER & UNCUT.

We were filming in a nightclub in Glasgow across two nights and Scarlett was in the thick of that and after you've been there for a while and she's been doing the same thing four of five times, crossing the dance - floor, you begin to see people are aware that something is going on.

NYFF Director and Selection Committee Chair Kent Jones said, «Every year, I'm asked about the themes in our Main Slate line - up, and every year I say the same thing: we choose the best films we see, and the common themes and preoccupations arise only after the fact.

It is possible that once the film turns from out and out farce into more of a core relationship film that it might falter just a tad, but the script sets up their relationship so well and so unconventionally (it lovingly refuses to give in to the storybook ending), and Lemmon and MacLaine are so good at playing their parts that to me the momentum never falters (take, for example, the way MacLaine mimes the number three the same way Lemmon does after she sees him do it earlier; it's the little things).

By the same token, I also recall remarking to myself about how quickly the backlash cycle gets at film festivals these days, as evidenced by my enthusiastic reactions to Moonlight and Jackie being met by polar opposite reactions, either online or in person, maybe a day or two after I had seen them.

The morning after the sparsely attended screening of Jour après jour, I returned to the same cinema to see a pair of Pollet's earlier films: L'Ordre (74) and Méditerranée (64), the latter considered something of a legend and the centerpiece of his career.

Seeing actual footage from the film after years of anticipation was strange and amazing at the same time.

While the way Thanos wants to «rule / destroy the world» is a bit different than the numerous past bad - guys, it's still sort of the same premise we have seen comic - book film after comic - book film.

There are so many great films out there... and all the quality movies deserve recognition... but The Revenant is simply an astonishing achievement, and i am not surprised at all it just wins awards after awards.Let's see if it also wins the Oscar.I agree that this film is not for everyone, and many just don't like it.But movie is art, and just like art... some people love it and some not.Like a painting... even if we all look at the same painting, some of us will see more in it.It is the year of Alejandro G.Inarritu, the year of Leo..

So even the first film's structure is replicated, beat - for - beat: at the end of 21's second act, the pair's partnership flailed after a chase scene caused Schmidt to miss a school play; the end of 22's second act sees the same occur, only this time, it's because a chase scene causes Jenko to miss a football game.

Adapted from the novel of the same name by Deborah Moggach, the film stars Alicia Vikander, Dane DeHaan, Christoph Waltz, Holliday Grainger, Cara Delevingne and Judi Dench; take a look below after the official synopsis... SEE ALSO: Alicia -LSB-...]

Join us in watching this short film and then sharing with others the joy that comes with seeing the before images of animals who were desperate for relief followed by the after pictures of these same animals in clear, cool ponds in which they can freely swim and stretch their wings, in lush pastures in which they happily graze and forage, and in comfy beds in which they can peacefully relax.