Sentences with phrase «same age of the characters»

Where I can relate is I was the exact same age of the characters in both timelines.

Not exact matches

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

Psychologists who have studied attachment have found that when human kids have that same kind of licking and grooming - style bonding with their parents, especially in the first year of life, it gives them all sorts of psychological strength, confidence [and] character that, when they reach school age and even into adulthood, will make a huge difference in how well they do.»

It carries such a strong invocation of the «liberal metropolitan elite» character - type that the phrase was deliberately employed during the last election by none other than David Cameron with his jibe about «the same old condescending, bossy, interfering, we - know - best attitude of the Hampstead socialist down the ages».

I can totally agree with that analogy, because the film's main trio reminded me of a lot of the same type of characters from the coming of age comedy.

As Brown's aged, long - estranged mama, Davis — with the aid of terrific star Chadwick Boseman and some pretty expert makeup artists whose numbers Clint Eastwood should find immediately — manages to reinvigorate a set - up familiar from any number of tortured artist - biopics (i.e. absentee parent comes groveling years later to abandoned child - turned - superstar at the peak of his fame) with the same smart, electrifying clarity of character and tender yet tough - minded emotionalism that should be long - recognizable by now to anyone who has seen Doubt or Antwone Fisher or Solaris or Won't Back Down, or else Fences, King Hedley II, or Seven Guitars on Broadway, or, more likely, witnessed Davis» extraordinary, one - woman rescue job on Taylor's The Help.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Perez's most spellbinding moment takes place in the middle of a crowded shopping mall, when her character, Carla, spots a mother holding a baby about the same age as her dead son and hovers over the child like a ghost, apparently unseen despite being inches away; the look on Perez's face communicates both intense longing and boundless wonder, as if she's simultaneously working through the reality of death and suddenly comprehending the miracle of life.

The exciting part is a great actor can play a multitude of characters of any age or body type with the same success of Gary Oldman's [Oscar - winning] portrayal [of Winston Churchill] in «The Darkest Hour.»»

I was in «Pirates Of Penzance» about the same age as the characters in the film, and my brother and I were also in Benjamin Britten's «Noah's Flood» and I subsequently became aware of the actual place in England that is Penzance and it's a sort of summer, seaside destinatioOf Penzance» about the same age as the characters in the film, and my brother and I were also in Benjamin Britten's «Noah's Flood» and I subsequently became aware of the actual place in England that is Penzance and it's a sort of summer, seaside destinatioof the actual place in England that is Penzance and it's a sort of summer, seaside destinatioof summer, seaside destination.

Richard Linklater brought his style of a hang - out movie to middle - aged characters in this adaptation of the book of the same name.

Like George Clooney, who's the same age (57), Grant seems to be welcoming the onset of age and wrinkles as an opportunity to play juicier character roles.

Yes, the character is yet another one of those bad girls with a heart of gold, but where most actresses (let alone ones in her age range) can only nail one side or the other, Dunst is not only believable when either vixenish or vulnerable, she convinces that these are sides of the same person.

Marnie is a terrific character, brought to life not only by Sarandon (it's her best work in ages) but also by Scafaria, who refuses to let the woman lapse into the same sort of cartoonish caricature displayed by, for instance, Barbra Streisand in 2012's The Guilt Trip or even Sarandon herself in 2014's Tammy.

Aimed at an audience roughly the same age as the main character, the plot involves some violence, villains and moments of peril likely to frighten small viewers.

A production from the same group that made the «Ice Age» films, I have to give great credit to the filmmakers for keeping the look of the characters the same.

Always at his best as a character involved in the process of defining his place in a broken family dynamic (a plight closest to his own peculiar family experience), Nicholson's turn as Schmidt is as affecting an everyman for the aging new millennium as his disaffected Robert Dupea was for roughly the same generation about thirty - two years ago.

Interspersed with these two threads is the tale of a third character, a middle - aged Armenian - American cab driver named Razmik (Baker regular Karren Karagulian, also an associate producer here) who spends most of the same afternoon wearily picking up his own series of fares.

For example, when reading a book to a group of children aged three to four years, about a character who is having a difficult time, ask them how they would feel if they were experiencing the same things as the character.»

That right vouchsafes to families the options of private schooling and home schooling but not of no schooling, for it is balanced by «high duty» and by the «power of the state,» as recognized in the same Court decision, to «reasonably to regulate all schools, to inspect, supervise and examine them, their teachers and pupils; to require that all children of proper age attend some school, that teachers shall be of good moral character and patriotic disposition, that certain studies plainly essential to good citizenship must be taught, and that nothing be taught which is manifestly inimical to the public welfare» (emphasis added).

Ng's saga takes place in 1997 - 98, when Ng herself was a senior in high school, making her the same age as her studious, Yale - bound character, Lexie, the oldest of the four Richardson children.

Well, in writing Gossamer, I created a number of different characters, and being a woman about the same age — and one who lives with a dog!

Those of a certain age may remember actress Lorraine Chase who famously arrived in paradise from Luton airport in a Campari TV ad — but 40 years on, many passengers still view the country's fifth biggest with the same disdain her character did.

The Way of Life FREE EDITION makes the player relive the same life's experiences from the point of view of three characters of different ages: an adult, an old man and a child.

Plus, the graphics and animation in Broken Age are fucking flawless and seamless with a lot of character, while in Kentucky it seems to mostly be trees and characters standing around generically swaying from side to side in the exact same way!

One of the most exciting and unique things about the xenosaga series is that you can look foward to seeing different character models with each new game because appearence of the characters change with each game, not because the characters have aged but for other reasons.There is one special thing that xenosaga episode three has that should have been in the other xenosaga games is the swimsuit mode because it allows you to watch movie scenes with the characters in there swimsuits but for some reason not all of the movie scenes in xenosaga 3 can be viewed in swimsuit mode, I guess it would have made the movie less serious or something.My favorite movie scenes in xenosaga are blue testament, white testament, KOSMOS verses Black Testament, any movie with Luis Virgil becaus ehe is my favorite character in the game because he's passionate and i don't think that he is a bad guy since he was able to brek free from being a testament and the only real reasons why he became a testament was because he wanted to be able to visit that old church on miltia and to gain power to prevent death.I also love Luis Virgil and all of the movie scenes that he appear in becaus they are very dramatic.The best thing about the xenosaga series is thst the story is very dee, interesting, and shocking and anyone who has played the game in order from episode one through three will definitely say the same thing.There is no doubt that anyone who has completed episode one and two will be stunned when every secret and mystery is unraveled in episode three.The one thing that I can't seem to under stand is why do some of the characters have to travel back to the earth in the end, will shion and the gang make it back to earth or will there descendants finish the mission and find earth in the end, Chaos and Nephilim told the group that the key to saving humanity lies on earth, what I want to know is what is it and how will it be used to save the universe, Even in the end new mysteries arose and remained unraveled.If there is any one outher who has has the awnswer to any of these questions please let me know when you write you're review or else there has just got to be a xenosaga four on the way, (crying) they just can't leave the story end this way.The only thing that dissapointed me about the game at first was the battle system because on the back of the case of xenosaga three said that the best aspect of the previous battles systems from episode one were combined to form a new battle system, If namco had really done this Xenosaga episode three would have had a better battle system in my opinion because I belive that the best aspect of xenosaga episode one were the special atacks wich are better than the those of episode three and the best aspect of episode three as the break system wich was also better than those of episode three.I think that namco should have given xenosaga episode 3 the battle system of episode 2 combined episode ones style of special attack, but doing this would have probably made the battle system of xenosaga episode three boring because the same old tactics would have to be used in a new game and the battle system most likely would not be as realistic as it is but it would probably be cooler.However the ability to summon all four Erde Kaisers including the new Erde Kasier Sgma my most favorite summon in the world at will and use new Ether and Tech attacks along with the new Counter and Revenge abilities gave xenosaaga episode three more than boost that it needed to have an descent battle systemThe E.S battle system of xenosaga episode 3 is way more better than those of episod one and two though, I must say that Namco really outdid themselves with the E.S battle system of xenosaga episode because the other E.S battle system from the two previos games weren't good, luckily they made up for it with the character battle system.In episode one I never really wanted to use anA.G.W.S, lucky for me they were optional but in episode two sadly it is manatory that you pilot an E.S to progress in the game in Episode three you piloting an E.S is also mandatory to progress in the game but the difference between the three episode is that will be sorry in episode three you will ge glad that you are using an E.S because their battle system is extremely cool.Xenosaga is most definitely one of the besrt RPG games in the world andit is far more better than any final fantasy game that Square Enix has ever made but for some reason it still score lower than Some Final Fantasy and other Sqare Enix games on this site.I bet that if xenosaga was actually named Final Fantasy and had a subtitle it and if it wre made by sqare Enix it would have probably been more famous and it would have scored higher even though it is still the same gameIn the end with every thing being written said and done all i can say is that I feel more at peace now that I have defended this underated game.All I have to say now is that TURN BASED GAMES RULE!

This I saw with my youngest son now age 11, a character is describing a the corporate profile of the all inclusive evil world ruling corporation that is cleverly transportable to World Government symbolism as well, appeasing conservative and liberal stereotypes at the same time.