Not exact matches
At the
same time, the Frankfurt book fair continued to be a popular meeting place for
publishers and book
agents of all kinds, Catholic
and Protestant alike, a notable case of capitalism trumping theology.
This is important to understand because the information that goes into a book proposal is the very
same information that literary
agents use to sell books to
publishers; it's the
same information that
publishers use to promote books to bookstores, readers,
and the media.
But that's not always the
same, which is why I say to check the sites for wherever you are submitting if you are going the traditional route
and trying to find an
agent or
publisher.
Assuming an
agent /
publisher's vetting, continue the print career (if you have one), while attempting to negotiate for your erights, or at least a higher ebook royalty... WHILE at the
same time using ebooks to get out previous work, or recent work that went nowhere with your
agent but was considered salable (as with my thriller SAVAGE NIGHTS, now on Kindle
and soon all the formats),
and also perhaps some new work targeted for ebook format only.
If you attempt to pursue getting your work published the
same way writers did ten or more years ago (querying
agents and publishers), then you're almost certainly going to be frustrated
and find it an exercise in futility.
Agents and most
publishers want to invest in career authors who write multiple books, mostly within the
same or similar genre.
Editors, authors,
agents,
and publishers may submit more than one book, in the
same categories or different ones, but an entry fee is charged for each book entered.
But more telling is that these
same publishers are crying because Amazon is «gnawing away at the services that
publishers, critics
and agents used to provide.»
At the
same time, I still chose to secure the help of an
agent,
and am working with him to find a traditional
publisher for my big fat epic fantasy novel,
and another large YA fantasy novel.
John Grisham was rejected by about 15
publishers and the
same number of literary
agents.
ThrillerFest VI took place at New York City's Grand Hyatt Hotel between July 6th
and 9th, but those few days were nothing compared to the year - long preparation for the event, as well as the far reaching results of throwing authors,
agents, editors,
publishers,
and all - around master craftsmen in the
same venue for four days.
Trotting out many of the
same anecdotes Ken Auletta used in his 2010 New Yorker article, writer George Packer cites innumerable unnamed
agents and publishers who worry Amazon doesn't really care about books as they do.
ThrillerFest VI took place at New York City's Grand Hyatt Hotel between July 6th
and 9th, but those few days were nothing compared to the year - long preparation for the event, as well as the far reaching results of throwing authors,
agents, editors,
publishers,
and all - around master craftsmen in the
same venue for four... [Read more...]
Admittedly, fewer people are being published at the moment in the
same way as fewer houses or automobiles are being sold but that doesn't mean that the days of
agents and publishers» editors are numbered.
The rejection with no notification sounds familiar, unfortunately, since many
agents and publishers do the
same thing, leaving an author frustrated after months of no response.
I really felt it was one of the more mainstream - type books I'd written in a long time (HA HA HA HA I used «I»
and «mainstream» in the
same sentence pardon me),
and might just have a chance with
agents /
publishers.
-- If you want to be a writer or an author, — If you intend to submit manuscripts to
agents and / or
publishers, — If you intend to self - publish a book, the answer is still the
same.
He reminded us that one could be both
publisher and agent at the
same time, «but one can not be both at the
same time for the
same client.»
The point is this: whether you choose to query literary
agents or to publish through Amazon, et.al., you
and the big mainstream
publishers share the very
same goal: to sell lots of books to lots of strangers.
It may be that your enthusiasm as an
agent was off, that nobody else has the
same enthusiasm for that client's work... For whatever reason, you may have put in all this work
and can't get a sale from a
publisher, but you want to continue helping the client.
Harder to land an
agent (many of whom won't even respond to queries they aren't interested in anymore);
agents are flooded by queries; submissions from
agents take much longer to be evaluated by editors;
publishers are much more risk - averse
and seemingly chasing after the
same trends.
Writers,
agents,
publishers and institutional brands are all grappling with the
same dilemma: how to produce high - quality books
and state of the art digital content whilst at the
same time judiciously managing their costs.
My second thought was that the two articles I read,
and the dire predictions
and «woe - is - me» lamenting therein, were mostly coming from those
same middlemen:
publishers and agents.
June 29 San Francisco: digi.lit: Litquake's Digital Publishing Conference: «Litquake's digi.lit is a full - day conference that will explain
and demystify the new digital publishing landscape.digi.lit will put you in the
same room with authors,
publishers, editors, marketers,
agents,
and booksellers who are defining the future of reading
and publishing.»
The
Publishers Rights Corner is adjacent to the Literary
Agents & Scouts Centre (LitAg)
and shares the
same opening hours from 9.00 a.m. to 6.30 p.m..
She eventually landed an
agent who submitted her book to over a dozen
publishers, they all rejected it for the
same reason, so the book of her dreams landed in a drawer
and Darcie got on with her life.
Everyone is trying to jump on this —
publishers &
agents alike —
and hope that some authors will think there's value in the
same old
same old, but I'm concerned for the aspiring author who does nt have the experience who thinks the big named
agent is repping them, when not everything is disclosed.
Orna Ross, Founder
and Director of ALLi comments: «Toby was a highly dynamic
and creative
publisher at Atlantic Books
and is already demonstrating the
same qualities as an
agent.
Here is a little excerpt: This year I've been working more
and more with authors,
agents,
and publishers, all of whom pretty much share the
same goal: sell more books!
There is the issue of whether or not
agents and publishers will accept a manuscript by an author who has self - published, at least if that individual intends on keeping the
same name on their work.
Literary
agents receive the
same powerful publishing, metadata management
and aggregated sales reporting tools Smashwords offers
publishers, yet
agents are designated as
agents, not
publishers.
What's significant in relation to Locke hitting the million - seller Kindle ebook mark is that it showcases that while choosing the Kindle Direct Publishing route removes
agents and publishers from the equation, Locke makes less money with his 99 - cent gambit than he would selling the
same number of books with a traditional
publisher.
Writing conferences are one of the only reasons readers, writers,
publishers,
and agents all meet in the
same building.