Sentences with phrase «same as narrative»

The term «Narrative Therapy» has a specific meaning and is not the same as Narrative psychology, or any other therapy that uses stories.

Not exact matches

The film and its two predecessors, 2008's Cloverfield and 2016's 10 Cloverfield Lane, are share the same producer (Abrams) as well as a somewhat mysterious monster - movie narrative connection.

The narrative of higher rates being a headwind for gold seems to be falling apart, as the 10 year yield in the US seems to be on an upswing, and gold is rallying at the same time that bond values fall.

What is less clear to me is why complementarians like Keller insist that that 1 Timothy 2:12 is a part of biblical womanhood, but Acts 2 is not; why the presence of twelve male disciples implies restrictions on female leadership, but the presence of the apostle Junia is inconsequential; why the Greco - Roman household codes represent God's ideal familial structure for husbands and wives, but not for slaves and masters; why the apostle Paul's instructions to Timothy about Ephesian women teaching in the church are universally applicable, but his instructions to Corinthian women regarding head coverings are culturally conditioned (even though Paul uses the same line of argumentation — appealing the creation narrative — to support both); why the poetry of Proverbs 31 is often applied prescriptively and other poetry is not; why Abraham, Isaac, and Jacob represent the supremecy of male leadership while Deborah and Huldah and Miriam are mere exceptions to the rule; why «wives submit to your husbands» carries more weight than «submit one to another»; why the laws of the Old Testament are treated as irrelevant in one moment, but important enough to display in public courthouses and schools the next; why a feminist reading of the text represents a capitulation to culture but a reading that turns an ancient Near Eastern text into an apologetic for the post-Industrial Revolution nuclear family is not; why the curse of Genesis 3 has the final word on gender relationships rather than the new creation that began at the resurrection.

She then follows the biblical narrative into the complexities of Israel's coalescence into a «nation»» turning aside to critique the modern (and especially German) critics who often read the Bible as though ancient Israel had developed in the same way modern nation - states develop.

forms of plot development) which were not necessarily the same as the techniques used in modern Western narrative.

In fact, the number of theologians and exegetes is increasing who consider that nothing more is expressed in this feature of the biblical narrative than the important truth that Eve is of the same equal nature with Adam, «made of the same stuff», as we might say today, using a similar figure of speech to the dramatic one in Scripture.

And the gospel narratives about the resurrection of Jesus portray a «body» which was indeed very strange — a «body» which in one sense is presented as quasi-physical, to be sure, but, which also can appear without movement from place to place, a «body» which bears the marks of his passion, but which is not exactly the same as the body which hung upon the cross.

It is therefore remarkable that, while they vary in detail as honest witnesses will vary in reporting matters which have touched them deeply, they follow the same thread of narrative.

Why should we not read this narrative in the same way as we have read the other narratives in this book?

These first five verses also appear to be from a later source (they are omitted too in the same manuscript of the Greek translation), but the information imparted, though premature and out of sequence, is certainly in essence true, as subsequent narratives testify.

Against the plausible argument that the physical phenomena described in the narratives require a location in volcanic regions, it is countered that the same phenomena may be given a natural explanation as manifestations of violent storms.

If through the biblical narrative God is trying to reveal God's self as a hierarchy, then the trajectory of the Bible, our lives, and eternity itself is towards divinely sanctioned more of the same.

«We arrive at the same dating if we reflect that Paul himself had already received such pieces of the community tradition as were passed on to him, and that one of these pieces, that relating to the Lord's Supper, I Cor 11:23 ff., exhibits precisely the type of narrative that we know from the Synoptic Gospels.

When I spoke to Jeff Sherman of the Westgate Superbook on Tuesday he shared the same betting narrative as both Esposito and William Hill but sounded like he enjoyed the steady flow of Cavs money.

Do we emphasise the same narrative as the terrorists, of a culture war between societies bringing our country to its knees?

Jimmy Vielkind: «The governor's calculation is the same as always: it's better to get something done — the core of his political narrative — than be the good torch - bearer.

Paradoxically, at the same time as recognising the interconnectedness of the world and its problems, the social liberal narrative must also be about localism.

The governor's calculation is the same as always: it's better to get something done — the core of his political narrative — than be the good torch - bearer.

Like as far back as 2007 with some posts using two different couples in same narrative post and no date with just one click on first photo to read full narrative.

It has you longing for the narrative consistency of Rodney Dangerfield's Back to School, a movie that has the same general plot — parents attending the same college as their kids.

The vapid plot line follows the same narrative arc as «Tootsie» but hasn't the heart or purpose of that film.

No, «Moonlight» is truly a movie, ultimately a symphony of images that punches in the same weight class as such visionary narrative experiments as «2001: A Space Odyssey,» «Badlands,» «All That Jazz,» «The Limey,» «Three Times,» and perhaps most obviously the work of Wong Kar - Wai, possibly the world's greatest practitioner of sensual melancholy.

«Rather than simply layering in exposition to the narrative or telling you how to feel, the music becomes a character with the same arcs and challenges as the actors on the screen.»

In terms of character arcs and narrative, Uprising is almost the same movie as Independence Day: Resurgence.

For while it is technically a sequel, taking place in the same world as Scott's film and extending the narrative to thirty years later, Blade Runner 2049 at the same time wants to provide a sumptuously studied remake of Blade Runner, copying countless elements from it in order to evoke rich sense - memories of the original film.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Similarly, the movie settles into the same narrative arc as a typical «Behind the Music» episode: total obscurity, a big break, massive success, utter collapse, optimistic coda.

The narrative plays out exactly the same as the 1976 film.

While I found it interesting to form my own rationale as to what the film is about, by the same token, I often am reluctant to actually recommend films that don't work on fundamental narrative terms without having to read personal philosophical theories into them.

Writer / director Stephen Gaghan has followed the same narrative policy as he did in Traffic (2000), connecting the dots between the alienating anonymity of great power and its human cost.

At the same time that it works as a narrative, Walkabout is just as good as a film about nature, languishing on scenes depicting the exotic creatures one might find in the Australian outback.

Unlike The Silent Revolution, The Captain's narrative focus is not on the victims (who eventually become victors) of history but the perpetrators — a true rarity in the history of German cinema that is made even more remarkable by the fact that the film does not concern itself with the famous culprits (as does Oliver Hirschbiegel's Der Untergang [Downfall, 2004]-RRB- but, rather, with the «unknown» wrongdoers, that is, the «little guys» who, once afforded the opportunity, displayed the same murderous tendencies than their more famous leaders.

In much the same way that Gus Van Sant's «Elephant» used Columbine as a starting point to tell its own story, «Dark Night» uses the Aurora movie theater shootings to craft a narrative about suburban ennui and the environment that produces violence.

that covers a lot of the same material as the commentary (at least at first) as it follows how the film was born because they wanted to merge the different casts into one narrative.

Based on the non-fiction bestseller of the same name, «Fast Food Nation» is a poorly written narrative that would have been better off as a documentary.

Despite all my aforementioned praising of this show, it exhibits the same pratfalls that many TV shows have with displaying women as «objects of male desire» as Laura Mulvey described in her famous essay «Visual Pleasure and Narrative Cinema.»

But Polley seems to share her sister's caution to some extent, and so insists over and over that Stories We Tell is really «about stories,» and how different people in the same family construct narratives — as though this theme will lend her story more meaning.

A few of the fight scenes feel a little «same - same» as you notice fight choreography repeating, but Evans manages to provide enough variety in the execution to ensure each sequence heightens the escalation of the narrative.

From a purely narrative standpoint, it has to be admired for its sheer audacity and sense of assuredness in recreating the kind of intricate, multi-modal, long - form storytelling that comic books have been utilizing for decades; a wrong step at any point could have brought the whole thing down, as we witnessed last summer with Universal's «Dark Universe» non-starter The Mummy (2017) and, to a lesser extent, rival DC's fitfully successful, but mostly disappointing attempt to do the same thing with its stable of comic book characters.

As the narrative is at once challenging and accessible — it's loosely based on the 2000 novel of the same name by Michel Faber — the pic's atmosphere reliably ties the piece together.

«The new film does indeed tell the same tale as J. R. R. Tolkien's lean «Rings» precursor, charting the exploits of Frodo Baggins» uncle Bilbo (Martin Freeman) some 60 years before the quest to destroy the One Ring, but the narrative soars because it also operates as something tangential to the almost - decade - old movie trilogy, setting the stage while also expanding this rich universe.

While not quite as great as some of its proponents say it is (and having slightly less impact if you saw some of the same narrative tricks used in its 2010 prequel), Nier Automata feels like it's on the cusp of greatness and maybe misses getting there by a hair.

This film's heart is clearly in the right place, but to plant a marginalized character in the foreground of a narrative is not quite the same as making that character live and breathe.

«Apocalypse Now» will be a physiological thriller that throws players into the film's narrative, in the same vein as Telltale Games» choose - your - adventure format.

But, then, The Master isn't in the same key as its predecessor either, and if anything, its rather straightforward narrative makes it Anderson's most accessible film since Boogie Nights.

The TV show centers on the same characters as the «Sookie Stackhouse» series, but stories often wildly differ from the narratives of the books.

Meanwhile, Mary J. Blige «s nomination in the same category for the song «Mighty River» from Mudbound currently stands as Netflix's best chance at winning their very first Oscar for a narrative feature.

«The dialogue is relentlessly fancy without being witty, and the specious moralizing of the plot looks like it was tacked on to appease square adults; the real narrative force behind this movie is nihilist camp, as in Roger Corman's 1966 The Wild Angels but without the same degree of filmmaking skill... its inanities and glib pretensions are so thick that it mainly comes across as tacky and contrived.»

The Superman game will be set within the same narrative universe as the Arkham games and will feature Easter eggs that call back to Rocksteady's Batman series.