Sentences with phrase «same camera shot»

We compared photos shot with digital zoom with ones from the same camera shot with only optical zoom and then cropped to match.

Not exact matches

Using the same technology that allows two cameras to be strung together to shoot in 3 - D, Schmidt designed a 48 - camera array that captures «time slice» images.

I have the same problem when it comes to taking pictures of «life» things... I have the hardest time being able to justify whipping out the camera when I'm trying to be in the moment, but then I regret not having captured some shots because they're so great to look back on.

These cakes were delicious to eat while at the same time fun to shoot — in a camera kind of way.

So I got a 4 x 5 view camera, the same one I'm still using, and started shooting color stills.

Taken with Juno's star - tracking navigation camera, the shot reveals that «heaven looks the same to us from Jupiter,» said Heidi Becker, leader of Juno's radiation monitoring team at NASA's Jet Propulsion Laboratory in Pasadena, Calif..

Be camera - ready: «Just as you would dress up and make an effort for a special date, do the same for your dating photo shoot,» Saskia says.

The only thing different is when the camera switches shots, it just focuses on the same couple again to rely more information, instead of a different couple like the old commercials.

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

Same documentary feel, same hand held camera shots, same grainy footSame documentary feel, same hand held camera shots, same grainy footsame hand held camera shots, same grainy footsame grainy footage.

For Faces by a Person Unknown Paolo Gioli re-photographed footage from a turn of the 20th century film he had found in 1972, using the same camera the original footage was likely shot on.

In both «types» of movies, Assayas displays the same gaze: the camera always glides over people, never letting you believe that you can get «inside» them, what they think, what they feel; and, whether big (the kidnapping of the OPEC delegates in Carlos) or small (the decision of which heirloom to give to a deceased mother's old retainer in Summer Hours), «events» are shot in the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic space.

But at the same time, unlike Catching Fire, the two - part finale of this franchise didn't have any sequences shot with IMAX cameras, so that really doesn't make the giant screen worth it other than the sound quality.

But Jordan, who starred in both of those films, says it was still «surreal» being on the set of a $ 200 million movie with the same director who, five years ago, was shooting a $ 900,000 indie with, as Jordan puts it, «some duct tape and one camera.

Nolan: One of our greatest resources was IMAX and their relationship with NASA because over the last 30 years, they have the same cameras we used to shoot the film.

It is not difficult to see his fascination for Robert Mitchum, whose life and career he remembers by heart; but then he can also recount to you in the same breathe how Gary Cooper, supine on a mountain ledge, dozed off and started snoring while Richard Widmark was still talking to him as the two awaited the cameras to be set for the shooting of Henry Hathaway's 1954 western The Garden of Evil.

Both Lanthimos and Farrell are back together again in The Killing of a Sacred Deer, a movie that starts in a similar vein as its predecessor, the actor delivering lines in the same monotone as before, the camera tracking him in off - beat steadicam shots laden with cinematic meaning.

The film was shot with two different cameras at the same time, one 35 mm and one HD.

The scenes were shot by the camera teams who film actual big - bout boxing matches with the same equipment.

To counter the common rap that he makes the same film over and over, The Day After, which competed for the Palme d'Or, is one of his most melancholic works, filmed in moody black and white, while Claire's Camera, shown out of competition, is its tonal opposite, a light and sunny divertissement shot on the fly during last year's Cannes.

Shot on the relatively new Arri Alexa, the same digital camera that was used for Melancholia and Drive, Jack and Jill looks at least as crisp as any promos the main character might have made himself, if such praise can be lavished upon such a slapdash production, much of which appears to have used the first take every time.

The aggregate effect of all the juggling is that The Commitments becomes alternately a soapbox for Parker using his green cast as a bullhorn and an extended concert video shot with the same two - camera set in various pub sets featuring a band that, for the most part, turns R&B classics into their mechanical pod counterparts.

But in the end, Bay just can't help himself, and it's not long before we are subjected to the same swirling camera shots and, yes, preposterous explosions that have made his name.

At the same time, American U-2 pilot Francis Gary Powers (Stowell) is shot down over Russia while trying to take illegal photographs with cameras mounted on his plane.

THE BLU - RAY DISC Quarantine was shot with the Sony F23, the same next - generation HD video camera that was used on Speed Racer, and it produces appropriately silky imagery.

(For the record, a lethal drinking game could probably be devised around the number of times Franco zooms to different parts of the same shot to avoid the inconvenience of relighting or moving the camera around.)

At the same time he tries something new with his camera, such as a gun POV camera shot.

So instead of watching how newfound fame affects relationships, the crumbling of careers, or the behind the scenes workings of a team, the same old story rears its ugly head, this time wrapped in fancy camera shots that mask the shortcomings of the film.

We experienced the same results while using the video camera to shoot a video outside of our offices in Manhattan and inside under fluorescent lighting.

You can click on the photos below for some real world shots taken with the 9790's camera (resized down a bit and saved at slightly lower quality to save on file size, though visibly they should look the same).

Like other Samsung devices, the Note Pro 12.2 comes with a smorgasbord of camera features, including Panorama Mode, HDR, Best Face, Best Photo and Drama Shot, which makes it look like a person is moving by showing them in various positions within the same picture.

It has the same 8MP camera, with HTC's ImageSense chip, which opens up to f2.0 and can capture still shots while recording video.

Even $ 2,000 DSLRs have only 3 inch low resolution screens, which are less than one tenth the area of the iPad screen, so you really don't know how good your photo is until you download it later on after the opportunity to take a better shot is gone (the same problem that film cameras had).

The camera, which uses the same sensor as the Google Pixel, takes great photos, which rival shots taken on a Samsung or Apple phone.

Unfortunately the iPad mini with Retina display doesn't use the same iSight camera sensor as the iPhone 5s, but with iOS 7's camera app and the image signal processing of the A7 chip, the Apple tablet is expected to take beautiful shots.

There is also a 3 - megapixel front - facing camera, while the back camera shoots 5 - megapixel images, delivering video chat and HD video recording capabilities at the same time.

Video shot using the rear camera exhibited the same haziness.

The rear camera is 8 megapixels, the same as the iPhone, though shots weren't as good.

As we mentioned back in the hardware walk - through, the TF700 has the same 8 - megapixel, f / 2.2 camera module as the TF300, except this guy also includes an LED flash for slightly better low - light shots.

This potentially means you'll be able to set up a Honeycomb tablet as a live monitor, for example to shoot images on a connected camera and view them on the device for editing and sharing all at the same time.

About that - the 8 MP rear facing camera can shoot full HD, 1080p video, while clips in the same encoding can run smoothly on the 1280 x 800 screen.

The in - game crowd can now predict shots and saves using the same logic as the Director camera in Spectator mode

Arguably it's even better to head into the game without having every played The Stanley Parable since even that will somewhat color your expectations in much the same way that someone going into the latest Michael Bay movie has certain expectations regarding insane explosions and low - down, spinning camera shots.

The actual pointing and shooting of Another Episode is serviceable for the Vita, but still came off as somewhat stiff due to the fact that the Vita's analog sticks don't have quite the same amount of leverage and precision of its console counterparts, and slightly shaky due to some tricky automated camera movements that can hinder your line of sight.

While other rail shooters are content to basically serve up the same old formula, the ambitious Extraction aims to create something new, adding a jittery camera and an intriguing story to the standard shooting gallery mechanics.

Set in a 1930s - like Shanghai square, the film, made with seven cameras shooting at once, offers different angles of the same general scene.

All shot with a fixed video camera, the subjects of these early works are, in fact, very simple: one video, for example, shows the head of a large doll beaten by the windshield wiper of a car (Mia testa, mio cuore [My head, my heart], 1993), while the same doll is again shot in Soap (1993), this time in circular motion inside a washing machine.

In quiet, contemplative tones and shot in black and white, My Education: A Portrait of David Hilliard uses multiple camera angles to reveal different, contrasting views of the same subjects, and the film raises questions and invites discussion about a fraught moment in American history that continues to ripple through society.

Jeffrey Stockbridge's first solo exhibition at the gallery coincides with the publication of his book by the same name, and features several large format color photographs (shot with a 4 × 5 film camera) of men and women caught in the grip of drug addiction and prostitution along Kensington Avenue in North Philadelphia, Pennsylvania.

Martin Creed's Work No. 1701 (2013)-- a short film shot from a single camera position, showing a succession of people crossing the same street in New York — is positioned near the entrance to the exhibition.