Sentences with phrase «same collective work»

Not more than three from the same collective work or periodical volume during one class term.

Not exact matches

Also driving the trend is a collective cultural disgust with «obscene comp programs — the Monopoly money, the pay schemes that screw the little investor» — that have been proffered in recent years, says Charles A. (Chuck) Coonradt, author of The Game of Work and CEO of a consulting company by the same name in Park City, Utah.

I believe our collective compassion has a short attention span in the church and that even those who want to be supportive of justice work grow weary of the same cause if it is not resolved within a certain time frame.

As a group, you're all part of the same agenda, working towards an end goal, your different backgrounds and experiences adding to a collective that is bigger than the sum of its parts.

But I think the neutral theory works because overall communities are saturated, so that any species that increases in abundance does so at the expense of a collective decrease by the same amount of everybody else.

The new location will be in the same building as Brown's Data Science Initiative and directly across the street from the new home of Brown's Jonathan M. Nelson Center for Entrepreneurship, stimulating opportunities for collective work that will support discoveries and their impact on society.

The script, written by Justin Marks and produced by Walt Disney Pictures is based on Kipling's eponymous collective works, as well as a live - action - CGI reimagining of Disney's 1967 animated version film of the same name.

(It wasn't always the case: 30 years ago, the Academy was nominating such spectacularly off - kilter work as Ann - Margret in «Tommy,» while the same collective mindset that resulted in a nod for Diane Ladd in «Wild at Heart» in 1990 might have been kinder to Watts.)

When students make poor decisions, we work hard to use restorative practices and learning opportunities for the individuals and the community, much in the same way that, at home, my children's siblings teach each other and learn from their collective experiences.

Through our collective hard work and commitment, KIPP's four - year college graduation rate is above the national average for all students and four times higher than students from the same communities and economic backgrounds who did not attend a KIPP school.

In a statement Weingarten said, «This is the same group that has worked for five years to stifle the voices of teachers, and strip them of collective bargaining and other rights and tools to do their jobs.»

One earlier studies incorporated approximately the same measures used in the present study of teachers «capacity, motivation, and work setting.45 Instead of collective leadership, however, that study used a measure of individual leaders «transformational practices.

And in the same year she was part of a team of artists working for THE FLOATING LAB COLLECTIVE to construct a project called «Book of Latent Promises» for the Ghetto Biennial, which took place in Port - au - Prince, Haiti.

Issues of labor, production, and commerce are often central to the collective's work: in the video The Assistants (2011), conceived as a kind of «self - portrait,» the poet Douglas Park reads from Italian philosopher Giorgio Agamben's text of the same name, which considers the position of the «assistant» in folklore and literature.

Although her husband was also an artist working in the same collective, they maintained separate successful careers, often influencing each other's work.

Although different in form and ostensible subject matter, my works address the same overarching theme: they explore the role of historical circumstances, ideologies and cultural stereotypes in creation of personal and collective identities.

Spiral: Perspectives on an African - American Art Collective presents works by members of the historic Spiral group, taking as its starting point a recent exhibition of the same name at the Birmingham Museum of Art in Alabama.

At the same time, he sensitized the Ashida family as a means of directing attention to a group of students that would come to make up those collectives, who were themselves brought closer to the art world and to different artists then working with Arena México, such as Jason Fox, Huma Bhabha, Chris Hammerlein, Fabrice Hybert, Matthew Antezzo and Davis Birks, among others.

After repeated visits, however, they come to provide a useful organizing structure; while it's true that the ceramic works are grouped in the final gallery, that the poetry lines the walls of that same space, and that the jewelry is together in one case, they are all contained within a single show, marked by their collective belonging.

Activism and Camouflage denote works that are overtly political — like the Gran Fury collective's famous 1987 New Museum installation «Let the Record Show...» which is re-created in the exhibition with the same pink triangle and the words «Silence = Death» in neon — and on the opposite end of the spectrum, works in which artists «bury references to AIDS or sexuality so thoroughly that they often claimed that their work had no personal or expressive meanings at all,» according to the wall text.

Zezão explains how his route through art led him increasingly further collective work, but at the same time, being a self - taught artist, he believes the street was his university and his personal experiences determined his trajectory.

The show also pays homage to cult footnotes mostly forgotten by the general public, like the short - lived art school collective Art Club 2000 — seven Cooper Union students who emulated the brand strategy of The Gap in work like a series of photographs in which they all wear the same uniform.

As part of that effort, starting this month, the work of collective Tim Rollins and K.O.S. (Kids Of Survival) will be on view in Unbound: Tim Rollins & K.O.S., a special exhibition curated by the museum in collaboration with the artists, while at the same time, a major acquisition by the group, A Midsummer Night's Dream, will also be unveiled.

If you had taken the trouble to read the all the post, you would see that the mechanisms of how innate skepticism detects collective deception, or incorrectly triggers on characteristics that are not indicative of collective deception, are completely independent of what the topics at issue are (i.e. work the same for any), and indeed these detection mechanisms are framed using principles that themselves stem from evolution / cultural evolution (so not from contested topic domains such as CC etc. that I or anyone else agrees or disagrees with).

Initial ownership, joint authorship, collective works, and partial transfer are largely the same in the US as in Canada.

On the other hand, at the bust end of financial cycles, when finding a new job has become increasingly difficult, the wish to continue working for companies has triggered a significant increase in the number of claims seeking dismissals to be declared null and void due to violations of fundamental rights or, in case of collective dismissals, due to the existence of procedural errors that could lead to the same conclusion: annulled dismissals.

The Agency Workers Regulations 2010 give two sorts of rights: Day 1 rights (e.g. same access to collective facilities and amenities) and, more significantly, 12 - week rights, i.e. after a 12 - week qualifying period the right to the same basic working and employment conditions in relation to certain terms.

(This is not always the case, obviously, but it is a prevailing attitude in the collective mind - set of the public... I'm defending my choice of working within this industry all the time... I sometimes get into some heated exchanges with folks as I stand up for the fact that there are many good folks in this business; but I do have to concede that there are also those who don't belong here, especially to those folks who tell me why they think negatively of our industry; it always boils down to one or more personal negative experiences, and if not that, to stories that they have heard about same from other disillusioned consumers.

In what other universe would a PROFESSION that has a MANDATORY association membership have taken the collective works of those members to create, develop AND PAY FOR a database of information with a public interface (the MLS) only for the same overzealous government to step back in and say — that looks good!