Not exact matches
The next step, he said, is to demonstrate the
same results among those called protananamolous, who suffer from a less common form of
color blindness involving an overabundance of red
pigment genes.
Demonstrating Cpf1's noticeable specificity, another research team from the
same IBS Center succeeded in bringing Cpf1 RNP - mediated mutations into mouse embryos: The researchers targeted Foxn1 (a transcription factor that regulates the immune system, including the growth of skin hairs), as well as Tyrosinase (an enzyme that catalyzes the production of melanin, a natural
pigment that determines the
color of skin).
Researchers analyzed the genomes of 16 related orange and white tigers in captivity, fully mapping those of the three parent tigers to show that a mutation in one
pigment gene called SLC45A2 is at play — the very
same gene that drives lighter
coloring in people of European ancestry, chickens, and some mice.
They first pooled together information about
colors in related modern snake species in the
same family, Colubridae (which contains 70 % of all known snakes): specifically, which combinations of
pigment cells produce which
colors.
It's vibrant
colored stems and leaves are from betalain
pigment — the
same pigment found in beets.
When threatened by predators, most octopuses release a thick cloud of black ink, composed of melanin (the
same pigment that gives humans their skin and hair
color).
Lexus says the paint contains no actual blue
pigment but rather, «its unique construction reflects blue light» the
same way the sky or the ocean appears blue but contains none of that
color.
Blue eye
color in humans isn't the result of a blue
pigment, but a low concentration of melanin in the stroma of the iris and an effect known as Rayleigh scattering (the
same type of light scattering that makes the sky appear blue).
Otherwise, the elements and criteria of the work are much the
same;
pigment color and property, paint binder of oil or gum arabic, form or composition, and asymmetrical balances, dissonances, and harmonies.
While his basic working method remains the
same —
color pigment baked onto aluminum — Morrison, to his credit, has matured beyond earlier pieces that consisted primarily of long bands of
color on groups of horizontal or vertical bars.
I use the
same palette of
colors in oil and watercolor, and I've never worried about transparent or opaque
pigments, since I'm not glazing.