Sentences with phrase «same early scene»

During that same early scene, two of the story's main villains are introduced.

Not exact matches

nice to see you crawl out of your hole just in time to offer your 2 cents worth once again... unlike yourself I started following this team long before Wenger arrived on the scene and will continue to do so long after he's gone... in his earlier years I admired the cerebral elements he brought to the EPL, which at that point was more brutish than beautiful, and I respected the seemingly tireless efforts of Arsene, Dein & staff to uncover and develop talent without sacrificing the product on the field... likewise I appreciated that such a youthful manager wasn't afraid to bring strong personalities and / or world - class players into the fold without being fearful of how said players would potentially undermine and / or dilute his authority... unfortunately this all changed about 10 years ago and culminated in the removal of all our greatest players, both young and old, without any real replacements coming in... from Henry to RVP to Fabergas and Nasri, it was easy to see that this club was no longer interested in competing at the highest levels... instead of being honest, minus the ridiculous claims regarding the new stadium, Wenger chose to side with management and in doing so became the «front man» for this corporation pretending to be a world - class soccer club... without the «front man» this organization would have been exposed numerous years earlier, so his presence was imperative if the facade was to continue... it's for this reason and more that I despise what this once great man and Kroenke has done to my beloved club... the gutless, shameful and manipulative way they have treated the fans, like myself, is largely indefensible and this is why I felt it necessary to start offering my opinion in a public format... trust me, I resisted the temptation for many years but as long as the same shit continues to exist I will voice my opinions and if you don't like it maybe you should look for a different team to pretend to follow

(3) this team is rotting from the inside out and it's going to take some unprecedented moves on the part of this board and the fans to facilitate the necessary changes... this club must rid itself of it's absentee billionaire landlord before we become just another sporting wasteland in this man's collection of flailing clubs... when this is done it will expose just what exactly has been going on behind the scenes and I'm afraid of what will be uncovered because if Wenger's business model is as antiquated as his football philosophy it could look an awful lot like and old Monty Python sketch in the backroom... we need to replace the owner with someone who actually cares about this club and isn't afraid to wear their emotions on his or her sleeves or spend their own money to achieve greatness... this new owner needs to find someone who represents the same sort of cutting edge that Wenger represented in his early years then pair that individual with someone who knows how to conduct transfers in the modern era... then and only then will we find a way to escape the malaise that has permeated our once storied club for way too many years

Earlier designs involved taking several hundred low - resolution images of the same scene, and using a «super-resolution technique» to create a final, higher resolution image.

«The CMB sky is a snapshot of the early Universe, it is a single frame in the movie of the Universe, and we have shown that Rayleigh signal gives us another fainter snapshot of the same scene at a slightly different time,» co-author Kris Sigurdson explained.

Compounding the problem are the slow push - ins and pull - outs and willy - nilly insertions of scenes from the film that sometimes complement the pullquotes but at other times (as in an early insert of the «surprise» flashback over Perkins's difficult admission that her ex-husband's stepfather used to hide in closets to scare him) minimizes Thom's abuse and exposes the relative silliness of the film at the same time.

In a comparison of the same scene with the Dolby 5.1 and the DTS from the earlier edition, the DTS definitely offers a crisper, cleaner presentation of the dialogue, as well as providing extra depth and richness to the track as a whole.

The narrative grounding sheds some light on the Ancestor's early days, and will be presented in the same style of cut - scenes you've seen elsewhere in the game.

Christian Bale is, of course, intense and serious as he portrays the inner pain of Moses, even in the earlier scenes when he and Ramses fight on the same side.

Nicholson wears his devilish, ear - to - ear grin from his first scene to last, and one has to assume that's his reaction to the presumably enormous size of his paycheck and not the material, which never elicits anything more than a slight guffaw — and most of those just come from the early shock value trippiness of seeing Sandler and Nicholson share the same screen.

Cage reveals the same general desire to be taken seriously as an actor again here that was already on display in the recent «Joe» and «The Dying of the Light,» right from an early scene in which his Colin Pryce makes an emotional testimony before Congress about the impact of the BP spill on local fishermen and tourist business.

It's to her credit that she handles the hard - bitten scenes in this film with the same aplomb as she does the earlier, ditzier material.

(Given the early Eighties milieu, that scene really called for a bittersweet new wave ballad like Yaz's «Mr. Blue,» Bananarama's «Cheers Then» or the Human League's «Open Your Heart,» which has practically the same words as that great Michael Stahlbarg speech.)

In the theatrical version, the song that Meurice plays on the jukebox in an early scene is the Four Tops» «It's the Same Old Song,» which recurs twice more in the film («but with a different meaning...»).

, with early scenes of easygoing camaraderie gradually turning into something darker; and it has the same everyday, naturalistic depiction of violence which Meadows utilised in

Tsui sets his avoidance dances in confined spaces (tiny apartments, backstage dressing rooms), but To's are set out in the open: a fountain in a public park, a street corner, a sidewalk (a similarly choreographed scene plays out as well early in Romancing in Thin Air, itself a kind of compendium of all of To's romantic comedies, where Sammi Cheng and Louis Koo wander outside the grounds of the hotel, oblivious to each others» presence despite occupying the same film frame).

Aside from Star Wars, the early scene showing a group of kids searching for the remains of Autobots or Decepticons (they're all the same when blown into pieces) shows that Stephen King's coming - of - age classics are as fair game as George Lucas's.

Earlier this month, Crime Scene Pictures announced they are producing Suspiria, based on Dario Argento's 1977 film of the same name with David Gordon Green attached to direct.

One of my favorite scenes in the book takes place early on, while one of the main characters is on a car trip — the same trip that reminded my workshop of early scenes in «The Resident.»

The inevitable deterioration of the relationship is heavily signposted by the earlier scenes with Liberace's former disgruntled lover / protégée Billy Leatherwood (played by Cheyenne Jackson and based on Vince Cardell), not to mention the overt reoccurring motif of Liberace's home being full of dog shit from the many dogs he owns — the same dogs that first gave Liberace the excuse he needed to invite Scott to his home.

The same elements emerge during Kramer, particularly in the earliest scenes.

«Nothing's been the same since New York, clinic» Tony Stark (Robert Downey Jr.) notes in an early scene in the new superhero adventure, treatment Iron Man 3.

In one early scene, Offerman's superior officer demands (after an opening chase filmed with an atypical aesthetic) that they go through their next mission (movie) exactly the same way they did their first one.

For all the interracial differences that hang over the question of the settlement where Johnny lives, this early scene also exposes intraracial confusion among members of the same race with unfathomable experiences.

His early exit from the scene rather stops the audience in their tracks; unfortunately, the same goes for the film.

Full of the same warm camaraderie as the camp scenes in the main game, the game shifts to the past as Gladio seeks out Cor Leonis, a briefly seen adviser to the party from 15's early chapters.

Moving to New York City the same year, he became immersed in the downtown art scene, and was a pioneer of early video art influenced by Warhol's screen tests and French New Wave directors such as Jean - Luc Godard.

James Welling's oeuvre refers strongly to the history of American painting and at the same time connects with the critical, post-modern debates that were current in the Pictures Generation scene in the early 1980s, where concepts of authorship, originality and representation were prominent.

Rail: I recently read Brian O'Doherty's description of Edward Hopper disdaining regionalist «American Scene» painting such as Grant Wood and Thomas Hart Benton, but at the same time making what have become these iconic American scenarios like Early Sunday Morning (1930).

Just a couple quick examples: the boreholes were an early dissenter and entered the scene around the same time as MBH; Wally Broecker published a letter in Science criticizing the MBH curve very shortly after it's publication; divergence and curve standardization issues associated with the tree rings were widely being discussed by the late 90's and Esper et al. (2002) was an important later contribution in that regard, the prospect of a localized or global LIA and MWP was (and is) a hot topic before MBH, and so on.