Sentences with phrase «same end of the screen»

Stereo speakers don't really do a whole lot for, well, stereo, if they're both on the same end of the screen... Ideally you'd want something like the front - facing speakers used on the Pixel 2 or the Nexus 6P before it.

Not exact matches

Apple is expected to adopt the same kind of screen for its high - end iPhone 8.

This is the same Darren Aronofsky who gave us the interesting yet baffling big - screen interpretation of Noah in 2014, complete with B - movie rock monster fallen angels and Russell Crowe as the main character who actually wants humankind to end.

To that end, they used capacitive sensing — the same kind of sensing the iPhone's touch screen relies on — to register touch, since it can tolerate a thin, nonactive layer between the user's finger and the underlying sensors.

The phones — available through AT&T in the U.S. but much more commonly used in Europe — cost $ 900 each and have the video camera positioned on the same side as the video screen, which allows callers to speak in sign language while observing the reactions of the person on the other end of the line.

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

Finally, to end my day, after seeing Pines at the «Princess of Wales» theatre venue in Toronto (seen above), my next screening was The Master in the exact same theatre.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Nearing the end of his career as at the start of it, Hoffman still has the same detachment on screen, as if he is at a remove from the events going on around him and should never be judged too harshly.

At the end of the film, actual brief scenes from The Room appear on a split screen next to the same recreated scenes in The Disaster Artist.

Meanwhile, news reports (from the same station playing in every home) constantly announces the coming calamity (the screen bug: «Countdown to the End of Days»).

On disc two, there are even more tasty extras including an alternate ending involving the Nightstalker characters hunting a werewolf, a blooper reel, picture galleries, and a creative segment that has writer David Goyer interviewing director David Goyer (yes, the same man) on the treatment of bringing his script to the big screen.

Thanks to one of those unfortunate scheduling snafus that crops up from time to time, the sole press screenings of Clint Eastwood's «The 15:17 To Paris» and «Fifty Shades Freed,» the theoretically long - awaited climax to the «Fifty Shades» trilogy, ended up taking place at the exact same time, obligating local critics to choose between looking at the Clint or looking at the — well, you know.

Sometimes those Cannes schedulers have a devilish sense of humor, to judge by the screening of «Happy End» on the same day as a rather more approachable dysfunctional - family movie, «The Meyerowitz Stories (New and Selected).»

The Iron Man sequels particularly suffered here: they lobbed a host of villains at the screen, from nutty henchmen like Mickey Rourke and Ben Kingsley to white collar technocrats played by Sam Rockwell and Guy Pearce, but each film ended in the same way: a pitched battle with a bunch of robots.

This time, my friend David Park — an actor, comedian and improv guru — joins me at the ArcLight Hollywood for a screening of «Happy Death Day,» a horror comedy in which a vapid college student (Jessica Rothe) keeps living the same day over and over again and keeps getting killed at the end.

In the same way a book is a bunch of pages bound together, an eLearning unit used to be a set of screens with a quiz at the end.

The kids have plenty of room in the 2nd and 3rd rows, while parents get to enjoy some of the same luxuries in higher end vehicles (touch screen control, heated seats, power everything, complete control of all areas of vehicle).

The interior has the same Volvo center console we have become accustomed to: a clean panel of controls stretching up and around the gear shifter and ending at a little - too - small infotainment screen, with the odd pass - through that is located next to the driver's right knee.

Unfortunately, the screen resolution continues to be the same 800 x 480 pixel, something that put's it in the league of many a high end smartphone.

As the creators of children's reading apps have all rightfully explained, any avenue to getting a child interested in reading a book, whether it's on paper or on a highly - advanced digitized screen, produces the same end result: a child who becomes a reader.

At the end of the year it wouldn't be a surprise to see a $ 125 Kindle 3 with pretty much the same features as Kindle 2 plus the new eInk Pearl screen and a $ 250 to $ 299 super Kindle that adds on a lot — including, perhaps, the ability to do more than just read.

They'll probably just end up releasing a 2nd gen Oasis that has the same 6 - inch 300ppi screen with some minor upgrades, like the addition of an auto adjusting frontlight and the option to change color temperature.

A cell phone is not the same thing as a large computer screen or a kindle, any yet your ebook may end up on any of them.

Despite its more rustic feel, the antique Javanese house, at the end of the garden in the back of the main house, has the same modern comforts, such as AC, flat screen TV, DVD player, like the other rooms.

- Rock Pikmin were planned but ultimately put on hold - Rock Pikmin would have been heavy with short reach but high attack power - Co-op play was planned for Smash Run, but the 3DS processor was unable to display multiple fighters on the same screen - Co-op power - ups for Smash Run were also scrapped alongside co-op plaY - Sakurai initially considered including four versions of each Special - One example includes Mario launching a double fireball - Special rules for 4 - on - 4 Team Battles were considered, but not included - Mii Fighters» Specials were originally going to be included as in - game rewards, but they ended up as default content

- starts you off in a small town - in town you can visit shops, talk to people and accept a quest - the quest puts you in the middle of a volcano - your end goal is defeating the gigantic fire beast Ifrit - team up with a Goblin and Chocobo - fight multiple enemies, including some unfriendly Chocobo - enemies leave behind loot like recovery items and materials for crafting - by pressing L or R, you get access to four attacks - attack names include Plunder Slash, Mercurial Thrust and Trinity - charge a power meter and then hit L+R at the same time for special movies - one special lets you change into Cloud with very powerful attacks - run with the B - button - camera switching is handled by the D - Pad - info on the upper screen that gives you constant battle updates - bottom screen shows the status of all the characters, plus a map

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

General fixes • Significant improvements to the Squad Join interface • Removed FIND ME A SQUAD option • Allow players to join empty Squads alone, thus having 1/4 Squad members • Change order of options to LEAVE SQUAD, INV A FRIEND, SWITCH TEAM • Disable Privacy flag when 1 man Squad • Reset Privacy flag from Private to Public when Squad drops to 1 player • All occupied Squads will now show up colored blue on the Squad selection screen • Players who choose not to join Squads will also show up as Blue in the «Not in a Squad» line • Squads that are currently empty will display as white — if you wish to join an empty Squad, you can choose the first one marked with white text • Added round duration and ticket summary at end of round screen • Fixed sound for when climbing ladders • Fixed and issue with some weapons» sounds in first person view • Fixed a swim sound loop error • You should no longer be able to damage a friendly vehicle when sitting in an open position • Grenades now drop to ground if you get killed while attempting to throw it • Spawn protection now should work in Conquest so you no longer should spawn too close to enemies • You should no longer spawn too close to enemies in TDM and SQDM • Fix for missing input restriction during intro movie, causing players to potentially fall and die while watching movie if moving controller (or having a controller with a bad stick zone) • Combat areas on Kharg Island in Rush mode tweaked in order to disallow defenders to access the carrier ship after first base is taken and being able to enter the AA gun • Fixed a problem with revived players not being able to get suppressed • Fixed a problem with the camera when being revived in co-op • Spotting VO now plays when spotting from MAV / EOD bot • Fixed several issues regarding the kill card, including showing wrong weapons used for the kill • Fixed that sometimes you would be stuck on a black screen when kicked from server • Fixed so when a team captures two flags at the same time, the UI does not show wrong owner of the flag • Fixed a problem where the capture progress bar was shown as friendly when the enemy was capturing • Fixed a problem with the bipod deploy sound • Fixed a problem that you could be spawned in with no weapons after being killed while using the EOD bot • Fixed problems with health bars not displaying health properly when using EOD bots • Fixed a problem with flickering name tags • Fixed a problem where you could damage friendly helicopters • Fixed a problem where you could get stuck in the co-op menu when attempting to join the session twice • You should now be able to spot explosives • You should no longer spawn in home base if your selected spawn point is disabled while waiting to spawn (e.g. if your teammate dies right before you are about to spawn) • Damage from bullets will now continue to cause damage even after the firing user is dead • Fixed several client crashes • Fixed a problem where players could get stuck in the join queue • Fixed the repair icon on the minimal • Fixed a problem with changing camera on certain vehicles • Fixed a problem with the grenade indicator when in guided missile mode • Fixed a problem where the machine could hard lock when joining a public coop game • Fixed a problem where the headset attached icon would not show up in the UI • Fixed a problem with the falling antenna on Caspian Border.

Our control scheme ended up like this: walking by touching the right / left side of the screen, jumping by touching the screen with two fingers at the same time, and you control the gravity with motion controls.

There are still eight rounds for each event, and it really is the exact same mode as basic single player; it just allows you to go directly to the next event instead of returning to the menu screen at the end of each game.

In the same way as Red Game Without A Great Name; Green Game: TimeSwapper also does not feature any multiplayer modes, although local multiplayer could have provided a race between two mechanical birds to survive the traps and compete for who reaches the box at the end of the level in the fastest time, while pass the Vita multiplayer could have produced the same idea albeit as an individual time trial rather than being on the same screen.

The same screen dilemma happened for me at the beginning of the game and at the end with the same exact screen from the beginning.

As Tetris gets faster and faster, it is almost as if instinct takes over but the end is always the same: a flat parp as you hit the top of the screen, the playing field fills up, and your score's displayed.

The display of two Warhol silk - screened canvases, derived from a Polaroid portrait of New Orleanian Tina Freeman, along with a number of Polaroid outtakes from the same portrait session, detail the beginning and end points of his extended art - making process.

The pair — from Johannesburg and London respectively — showed their 2015 film, Rudiments large screen in a darkened booth, along with work from their most recent exhibition of the same name, which closed in Lisson's London space at the end of October.

End the day with at least an hour of screen - free time, and start the day the same.

Moreover, the research firm also coughed up other details about the screen, such as the lack of a physical home button in place of virtual on - screen buttons, which in the end will render a more compact handset — in fact, even with its large display, the overall device footprint might still be the same as the 4.7 - inch iPhone 7, instead of the Plus model.

The screen is a IPS 1920x1080 matte finish screen that provides excellent colors, though it is not as high end as some other laptops such as the Razer Blade, it does deliver, and dell uses the same model of screen in their 15» Alienware.

It'll retain the same screen resolution as its predecessor, 1600 × 2560, and potentially launch with one of Huawei's high - end processors, either the Kirin 960 or Kirin 970.

However, it's a «global world» that allows cost efficiency in getting screens from American glass manufacturer Corning, chips from Broadcom plants in Texas and the TrueDepth camera system assembled in the same state with everything going to China and back near the end of the process.

In a slightly less controversial subject, we fully expect to see the end of the smaller Pixel phone with chunky bezels around the screen, and instead expect that Google will fully embrace the bezel-less revolution in the smaller model — much the same as the Pixel 2 XL.

The iPhone X's screen supports both high - end wide colour gamut HDR standards, including HDR10 and Dolby Vision, and the same True Tone display ambient light adapting feature as the iPhone 8 and Apple's various iPad Pros, though with six channel sensors instead of four.

If this ends up being basically the same model rebranded for a different market, it seems likely that its 9.7 - inch screen will boast a resolution of 2,048 by 1,536 pixels and that the aforementioned hexa - core system - on - chip is in fact the MediaTek MT8176V featuring a dual - core ARM Cortex - A72 and a quad - core ARM Cortex - A53.

Just like in most of the high - end devices, the LG G Pro 2 comes with the multi window option where you can use two apps at the same time, sharing the screen.

But unlike in previous Android OS iterations where the search bar was sitting near the top of the home screen, the same item has been placed at the opposite end near the bottom of the display.

The phrase «high - end compact» makes sense here because whenever a flagship smartphone (which now is over 5 - inch in most of the cases) is launched, there is a smaller variant of it also made so that the users get the same experience, interface but a smaller screen if they didn't like the large device.

A low - end device running a Snapdragon processor with a cheap 1366x768 screen, basic keyboard, and passable trackpad, running full Windows 10 with support for all of the Windows app library, all for the same price as a Chromebook — the choice between the two is all but a given for schools and businesses.

I'm in this dilemma right now, the performance boost and improved battery life over my current S6 Edge are what tempts me to get it (I managed to live without the micro-sd and the water - resitance aspects although these features are good bonuses to have, I'm not considering them that much), on the other hand the design and the looks of the phone are nearly the same although in case I go with the new Edge variant the bigger screen will comr in handy, that's why I'm hesitant to decide although all in all the S7 Edge is a better phone than the S6 Edge, I might end up getting one after all

In failing to verify the results, the screening company also reportedly failed to meet its obligation under the Federal Consumer Reporting Act (FCRA), which says if a CRA provides a database report without verification, the subject of the report must be notified at the same time as the end user of the report.