Sentences with phrase «same films produced»

Not exact matches

The documentary Ronaldo — which is produced by the same team responsible for the superb Amy Winehouse and Ayrton Senna films — explores the forward's life, going into his psyche and shedding light on the man behind the myth.

We created a thin - film device that operates on the same principle but with two types of solid redox materials that produce a change in the potential difference in the cell over a heating and cooling cycle,» firstauthor Takayuki?Shibata says.

Produced for the USA cable network, Holiday Affair is a remake of the classic 1949 theatrical film of the same name, which in turn was inspired by John D. Weaver's short story «Christmas Gift.»

Based on the 1989 film of the same name, «Parenthood» is an hour long comedy - drama produced by Jason Katims and Ron Howard.

«The Purge 4» will be produced by the same team behind the first three films, consisting of Jason Blum, Sebastien K. Lemercier, and Michael Bay, Andrew Form, and Brad Fuller of Platinum Dunes.

An amusingly trashy rip - off of Jaws, the Roger Corman - produced Piranha marked the directorial debut of the great Joe Dante who has always infused his films with such wit and charm that any other shortcomings can easily be forgiven, and the same can be said here.

The script, written by Justin Marks and produced by Walt Disney Pictures is based on Kipling's eponymous collective works, as well as a live - action - CGI reimagining of Disney's 1967 animated version film of the same name.

iHorror reports that Curtis is being paid a modest salary for her work on the upcoming Halloween film, in exchange for a slice of the profits if it is successful, the same profit - participation agreement that Blumhouse previously entered into with Ethan Hawke, star of the Blumhouse - produced films The Purge and Sinister.

Furthermore, the film comes from the same producing team behind last year's «Get Out», which will surely put this drama at the top of many watch lists.

The same creativity I was using to produce the film — turning constraints into advantages, dead ends into possibilities — was affecting every artistic decision I was making.

The intentional changing or at least ignoring of it in casting the role of MCU lynchpin Nick Fury and producing a Black Panther film for 2018 and a Luke Cage television series for later this year doesn't bestow upon them immunity by any stretch of the imagination, but the Marvel Cinematic Universe seems relatively inclusive if at the same time mostly faithful to the mostly mid-20th Century created comic book origins - depictions of their headline characters.

And perhaps similarly to how the Edith Piaf biopic was certainly Marion Cotillard's movie, it seems TWC hope to do much the same thing here for Kidman — it is, after all her seventh film produced by Weinstein.

Taxi is a Hollywood remake of the slickly produced French film of the same name by Luc Besson.

After that, she appeared in both «Tiny Furniture» and «The Myth Of The American Sleepover» in the same year, as well as leading Adam Wingard «s «A Horrible Way To Die,» 2011 saw her return to producing with both Joe Swanberg «s «Silver Bullets» and the Greta Gerwig - written «The Dish & The Spoon,» before making her directorial debut in 2012 with crime tale «Sun Don't Shine,» one of the best - received films at SXSW (and edited by «Ain't Them Bodies Saints» director David Lowery).

The Zero Dark Thirty lead will star in and produce a film adaptation of the Jimmy Palmiotti / Joe Quesada comic of the same name.

The new Halloween movie, executive produced by John Carpenter and arriving in theaters next year, will begin filming in Charleston, South Carolina in January, and while plot details are still unknown, co-writer Danny McBride is assuring us that the new film will attempt to capture the same suspense, tension, and dread of Carpenter's 1978 original.

Earlier this month, Crime Scene Pictures announced they are producing Suspiria, based on Dario Argento's 1977 film of the same name with David Gordon Green attached to direct.

In many ways, the film closely resembles that of another Disney sport film from 2002, The Rookie, which as produced by the some of the same people.

It was announced that Common will executive produce and star in «Black Samurai» a TV adaption of Marc Olden's 1974 book series, which inspired the 1977 film of the same name.

The same can be said for the film industry, as they keep producing canine quandaries.

The film was produced by Sam Raimi's Ghost House Pictures, the same outfit that was behind The Grudge — a film that The Messengers owes more than a little to.

It must be understood that this is not a remake of a film of the same name produced in 1968 and starring the late, great John Wayne.

Jessica Tandy added an Oscar to her long, storied career in 1989 with her turn in Driving Miss Daisy, a film that already looked out of touch in the same year that produced Do The Right Thing.

This animated film, which can be seen in 3D in select theaters, was produced by the same studio (DreamWorks) that created Shrek, Madagascar and Kung Fu Panda.

When the streaming platform acquires or produces a viable prestige movie, Netflix will give the film a limited theatrical release in order to qualify it for various awards - season circles, especially the Academy — then makes it available for streaming, or has it debut on streaming the same day it premieres in theaters.

But the soul of Ghibli, it emerges gradually, is really a trinity: Miya - san; fellow director - turned - partner - turned - creative rival, Isao Takahata, aka Paku - san (whose lovely «The Tale of Princess Kaguya» is in production at the same time as Miyazaki's «The Wind Rises «-RRB-; and in between the two, the unsung producing partner, Toshio Suzuki, whose unenviable job it is to keep those two antithetical personalities from flying apart, while also ensuring the films get made, bought, distributed, translated, and diversified into a line of plush toys and calendars that the world's Ghibli museums can sell.

I get the same sensation from the trailer to the Nerdist.com produced film, The Hive.

First off, Sam Raimi and the same team who produced the Evil Dead remake in 2013 will be working on the film.

Old School is written, directed and produced by the same forces that brought you that film, and I suppose it should come as no surprise that my feelings are exactly the same here.

You'll never have any doubt that the movie was filmed in the 1940s but at the same time, you'll never believe the film cells have survived the better part of a century and still produce a transfer like this.

The marketing makes you know that the film's produced by the same people who brought you 300 and with the Greek angle, as well as some of the action style that Zack Snyder has made popular today, it can seem similar, but it isn't the same.

The film didn't emerge from Tony Richardson and John Osborne's Woodfall Films, which produced «Saturday Night and Sunday Morning», «A Taste of Honey» and «The Loneliness of the Long Distance Runner», but it was very much part of the same movement of filmmakers coming to drama from documentaries and theatre, and looking to represent the lives of young working - class men and women more truthfully.

This is the same team that produced and directed August to June, Bringing Life to School, one of my favorite education films of the past year.

Produced by Walden Media, the same folks who backed the high - profile 2010 documentary Waiting for Superman, this feel - good film has already courted controversy.

Video continued to deliver the same message as film, but was much easier to produce and more cost - effective.

Created by Agenzia Armando Testa and filmed last May in Madrid, the commercial was directed by Kevin Fitzgerald - the same as the fortunate Alfa Romeo Giulietta launch film starring Uma Thurman - and produced by Think Cattleya.

It is produced by the same people who made the Enron film and the fund manager can be seen in The China Hustle's trailer describing the proliferation of Chinese equity market frauds as the largest financial crime in the last 25 years.

Sticking with Marvel though, the producers and other people involved with the Marvel films are not the same as the people producing the Marvel shows such as Agents of Shield or the Netflix shows.

Despite Rockstar's sometimes secretive aura, Houser is very direct and has strong views on GTAV's relationship with the movies («We don't need to hark back to film when technology allows us to produce our own response to real places»), on the lack of playable female characters («The concept of being masculine was so key to this story») and on game conferences like E3 and Gamescom, which he no longer attends («You don't play a videogame in a room with 20,000 people doing the same thing unless you're a lunatic»).

Previous reports revealed that Square Enix delayed the Magitek Armor DLC on Feb. 21 as Tabata and marketing manager Akio Ofuji stated in their last livestream that the delay was due to the exosuit's color scheme are similar to the Power Rangers, especially the upcoming film of the same name produced by Saban and Lionsgate.

Addams Family Values is an Action RPG based on the film of the same name produced by Ocean Software and released in 1995 for the Sega Mega Drive and Super NES.

will feature a 60 - minute documentary film under the same title, directed by Shanshan Xia and produced by 33 Studio NY.

This solo exhibition features Dunbar's legendary notebooks of the past 50 years, displayed for the first time, alongside works and films produced over that same period.

«Midnight,» the Takeshi Murata show currently at Ratio 3, San Francisco includes two works: his film «OM Rider» and a hologram from the same series featuring the film's central Teen Wolf-esque character, though the film's soundtrack, produced by Devin Flynn, C. Spencer Yeh, and Robert Beatty, fills up the space with a tense, claustrophobic ambiance that further visual prompting might distract from.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

I recently had the opportunity to tour the factory where Herman Miller, the other licensee, produces the same chair, and shot some video as well; I am not good enough that they could be called «porny» unless one refers to the cheap shaky films with bad sound, but perhaps I fill in some of those gaps in the process.

In the short film, produced by broadcasting students and language arts teacher Daniel Whitt, an array of students and staff hold signs providing insights into what makes each person part of the human species and, at the same time, unique.

This film seemed to take a sensible approach, or at least the show based on it, that would be a counter point to Patrick Moore's statement about how wind energy won't produce the same amount of energy as oil, coal and nuclear power.

The scenario painted in the film «The Day After Tomorrow» seems extremely unlikely, even to most climate change advocates, but one could easily make a far more convincing version, based not on the effects of climate change, but the efforts of some crackpot to «save the world» from same by implementing some well meaning scheme that could all too easily lead to a disaster far more immediate and possibly far more destructive than anything a few degrees of temperature rise could produce.

With respect to directors who include themselves and / or the fact that the studio also produces films of the same nature, but...