Sentences with phrase «same hit song»
The mainstream scientific view about humpback whale song is that it's all a kind of pop music evolutionary strategy; that the whales all like the same hit song, but it has to be a continually changing new «hit.»
https://dotearth.blogs.nytimes.com/ Not exact matches
All that being said, Swift's new song is catchy as ever — filled with the same attitude grunge as her other hits.
The plot of the video in relation to the song is difficult to pinpoint, but Bridges sings «I don't worry, don't worry, don't worry about people in my face / I hit»em with the style and grace, and watch their ankles break,» as he brushes off haters, and Elsessner appears to do the same.
Anyway, the new theme song has now appeared online and you can already tell it was composed by the same dude who worked on box office hits like the Avengers.
Or as he likes to put it: «They're singing the same song, even if they're hitting different notes along the way.»
While the title is the same as Justice vs. Simian's nine - year - old hit, that song is much stronger than most of what's actually in the movie.
This song from the Disney / Pixar hit «Coco» — which became the top - grossing film of all time in Mexico in less than three weeks and went on to gross over $ 655 million worldwide — was penned by Kristen Anderson Lopez and Robert Lopez, the same pair behind the Frozen juggernaut «Let It Go» (both a Best Original Song winner and a Top Five hit on the Billboard Hot 1song from the Disney / Pixar hit «Coco» — which became the top - grossing film of all time in Mexico in less than three weeks and went on to gross over $ 655 million worldwide — was penned by Kristen Anderson Lopez and Robert Lopez, the same pair behind the Frozen juggernaut «Let It Go» (both a Best Original Song winner and a Top Five hit on the Billboard Hot 1Song winner and a Top Five hit on the Billboard Hot 100).
Most famous for performances behind the CGI - created Gollum in Lord of the Rings and King Kong in Peter Jackson's remake, Andy Serkis looks like a mad troll and embraces the look in his incarnation of Ian Dury, the music - hall showman of the British punk scene who hit it big with the song immortalized in the film's title and embraced fame with the same excess with which he embraced booze and drugs.
Taking the traditional narrative beats of a decades - spanning biopic of The Four Seasons and including some of their hit songs along the way, Jersey Boys is a harmless picture but an instantly forgettable one all the same.
Haneke has suggested that this could be his swan song, which helps explain why it often plays like a greatest - hits collection, drawing together elements, obsessions, and even characters (Trintignant seems to be playing the same person he did in Amour) from his entire body of work.
Sequel to the 2008 hit, and yet another reminder of my long - standing contention that every ABBA song sounds the same.
The Erwin brothers» latest faith - based movie told the story behind Christian band MercyMe's hit song of the same name.
Strange Magic, told with about a 60/40 split between «70s hits and dialogue — leading to some artful integration of song and story and some very artless attempts at integration of same — feels dumbed down, lowest common denominator.
Created by the same brilliant, music - loving minds as Guitar Hero and Rock Band, Dance Central uses the Kinect to observe your stylin» dance moves as you groove along to hit songs.
The message of this installation hit a raw nerve in the artist's country; it launched an eponymous movement in Brazilian culture, beginning with the release by the musician Caetano Veloso of a song entitled Tropicália, followed by an album of the same name, which featured a collaboration with several other Brazilian musicians.
As Prince once said in an Art in America interview in 1987, «It's almost as if in this culture information touches a chord in us the same way a hit song makes you impulsively keep a beat with everybody else — because you know you're not the only one who thinks the song is great,» (R. Prince, quoted in J. Rian, «Social Science Fiction: An Interview with Richard Prince,» Art in America, Vol.
This idea is also encapsulated in the exhibition title, which references Extreme's 1991 hit song of the same name and continues Dault's use of pop culture references in her work.
A rework of Laura Branigan's pop hit, which in turn was an English - language cover of the song of the same...
The bass in the song «Luxury» by Jon Bellion still hits hard it just doesn't have the same kind of depth I'm used to, and that only gets exasperated if you click the «Bring the Bass» preset.