Sentences with phrase «same kind of adventure»

The sequel picked up where the story of the last left off and gave the same kind of adventure, but it made everything bigger, flashier and arguably more cohesive and engaging.

Every day God invites us on the same kind of adventure.

Not exact matches

With The Dark Eye: Memory, Daedalic Entertainment produces a very classic - style adventure game, which manages to emerge among other same genre titles, trying to give a second life to this kind of game.

This is the kind of forest adventure that I assume happens all the time: you go in, but no matter how you try to get out — follow a stream, use a map, follow the stars — you just keep crossing the same goddamn log.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

While the jury is still out on whether Alden Ehrenreich has the same kind of cocky charisma that made Han Solo great in the original Star Wars trilogy, the movie at least looks like a thrilling heist adventure.

Kim and Klavan, who balanced adventure and kid's social issues so well in City of Spies (2010), do the same in another well - rounded adventure here, as the far - out (and kind of gross) climax mixes with genuine insight into dealing with parents, fitting into a new crowd, and handling the pressures of performance.

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Sam Glover: You wrote it with the idea that risk - taking and being careful about it can inform business and risk - taking in business, and I thought that was really accurate, because most people who've gone on adventures kind of feel the same way.

I wish I lived closer to my girls — we would love doing the same kind of day — instead we take pictures and share our adventures that way.