Sentences with phrase «same kind of artist»

They are not the same kind of artist.»

It seems that every other art site is only interested in talking to / talking about the same kind of artist: young and male.

Not exact matches

An artist shudders at a cascading miscellany and has no peace until he has managed some kind of magical shape which is inevitable and at the same time unexpected.

The best artists and scientists, according to Dr. Tolentino, are «the same kind of people» in terms of their unyielding commitment and dedication to their life's work.

The cinematography here is spectacular largely because Waititi has taken the time to allow his nations of visual artists to give their CGI and practical effects the same kind of weight and substance.

That the ambiguity of his stance was ultimately not sustainable is not lost on Tavernier, whose position as an artist in France has been the same kind of deliberate tightrope walk.

I began to realize that my relationship with the material and my relationship with the other artists was exactly the same kind of relationship that I would have with another actor when directing them.

is a deliriously biblical portrait of the artist as a godlike monster (for the record, I liked it), this new film by Paul Thomas Anderson offers a more graceful and far more complicated version of the same idea... Quiet, moody, and deeply perverse (I'll say no more), this fascinating movie reminds us that Anderson is the kind of alchemist - director who can turn somebody ordering breakfast into a classic scene.»

In recent years, «The Artist» and «Argo» have both been critical and commercial successes (and not coincidentally, Best Picture Oscar winners), and Disney are clearly hoping that the same kind of success follows for «Saving Mr. Banks,» which examines one of the family friendly company's most beloved films, 1964's «Mary Poppins,» and their own founder and figurehead, Walt Disney, here played by megastar Tom Hanks.

The same kind of thing as when you start out as a writer and you want to try and find an artist.

«All the artists are coming to this part of town and there's the same kind of atmosphere, where anything goes.»

Yet at the same time Rosa Bonheur is forced to admit: «My trousers have been my great protectors... Many times I have congratulated myself for having dared to break with traditions which would have forced me to abstain from certain kinds of work, due to the obligation to drag my skirts everywhere...» Yet the famous artist again feels obliged to qualify her honest admission with an ill - assumed «femininity»: «Despite my metamorphoses of costume, there is not a daughter of Eve who appreciates the niceties more than I do; my brusque and even slightly unsociable nature has never prevented my heart from remaining completely feminine.»

In an unusual collaboration, the group show, which is the first of its kind in the United States, will be a joint one with the Museum of Fine Arts, St. Petersburg, at the same time with the same artists.

This serves as a kind of prelude for the maze - like installation that dominates the main gallery, as the artist steers a viewer's attention toward a specific concept in much the same way the installation leads visitors to follow a specific path through the space.

Rutault, 72, who paints his canvases the same color as the walls on which they are hung, is known as a rather grumpy outsider, the kind of artist who's likely to skip his own openings.

What advice would you give to young artists today who are getting that same kind of attention early on?

Berlin - born British artist Frank Auerbach has long been undervalued in the eyes of auction houses even as they've struggled to generate the same kind of heat that has surrounded Francis Bacon.

Two directions cross-inseminated each other in order to produce fresh and utterly new results: a moment of free - thinking, fervent experimentation during the post-war boom in Southern California led artists to try their lucks with all kinds of new materials and techniques; at the same time, these bouts of explorations into newly invented materials and new techniques, corresponded with a moment of open, declarative celebration of the particularly striking beauty of light, ocean, and space in Southern California.

You have to see it over time, and you have to see different kinds of works by the same artist, and kind of live with it, live with the experience of that painting and come back to it until you sort of connect to it

These photograph show Ruff's subjects in affectless poses in a way that muffles individuality while at the same time casting it into barren relief — the kind of visual typologies that place the artist squarely in the legacy of the Becher's so - called Düsseldorf School of photographers, which also include Thomas Struth and Andreas Gursky.

The letter, whose high - profile signatories include artists Marina Abramovic, Ed Ruscha and Kara Walker, affirms the importance «that artists not perpetrate upon each other the same kind of intolerance and tyranny that we criticize in others.»

Artists such as Nevelson and David Smith became known for large - scale outdoor sculptures and public art, while Aaron Siskind sought to capture the same kind of energy and movement in his photography that Pollock was attempting to evoke through action painting.

Display # 7 by the same token — the surfacing of the paradigm of minimal art from the 60's defined a new way of focussing on things and made a relationship with things through that kind of dialectical debate that many artists participated with.

It is also the kind of ambitious fantasy that artists rarely get to execute, in the same category as Christo and Jean - Claude's 20 - year attempt to suspend six miles of fabric panels over the Arkansas River (a project he abandoned last year) or Michael Heizer's colossal «City,» a mile - and - a-half-long sculpture in the Nevada desert that the artist has been building since 1972 and which the public has never seen and perhaps never will.

I had to do it differently, because a certain kind of super-ambitious artist didn't want to be in the same place as fresh new talent.

«Teaming up allows artists to have access to the same kind of global reach that large galleries do, only you don't only have the option of being in a larger gallery and be among, like, 50 artists.»

In one small example, exposed seams and irregularities in the fabric create the same kind of visual stutters that another artist might achieve by painting sharp edges.

There are several artists in the contemporary pantheon who can be counted on to deliver much the same work they have been delivering for years (even decades) so I'm deeply appreciative that Ofili continues to shift the way he works and the kinds of images he produces.

If what the work conveys — that love is trauma, that death is inescapable, that sex is messy, that people hurt you and are sometimes also kind — remains the same as it long has, the artist's forms, and the experience of looking at them, are different, stimulating and pleasurable.

I don't know many other artists who induce quite the same kind of electric charge — a true frisson.

Leidy Churchman: «The Meal of the Lion» Murray Guy 453 W. 17th St., through June 6 On a handful of occasions over 20 years of teaching, I've walked into a student's studio and had to catch my breath at the kind of raw, sheer talent I felt, at the same time thinking that since there's almost nothing I could say to this artist to improve his or her game, I fell almost instantly into listening as carefully as I could, learning things I never knew I needed to know until I was told them.

All of these Art fairs like Abu Dhabi bring in visitors of 20,000 to 100,000 visitors and it would take a lifetime of Solo exhibitions if you were an Artist to gain the same kind of visibility, as Istanbul is one of the few Art fairs in the Middle - east.

I mean, it's the same kind of pursuit that leads to the Nobel Prize or to the standing of artists like Donald Judd or Jackson Pollock or Andy Warhol.

I have just come to the same conclusion myself: that Saatchi Gallery is indeed trying to champion the cause of supporting the arts and artists trying to make some kind of remuneration for their work.

«Ordinary artists are not getting the same kind of attention as those up for the Turner Prize because, unlike them, they are not dealing in sensationalism.

The difficulty in dealing with this kind of work is that when you inquire about the subject, you awkwardly end up putting the artist on the stand; at the same time, it's hard to maintain distance.

Heriar Garboushian, owner of the Garboushian Gallery noted that Seery's work left a powerful impression on him, noting that the only other artist that had the same kind of effect on him was Mark Rothko.

Sotheby's had selected items that it knew it could sell, he said — «artists who continue to make the same kind of things, like Christopher Wool, Robert Ryman, Rudolf Stingel and Agnes Martin.»