For this project, Rush built a camera that can handle ultra-large format negatives, enabling him to scrutinize objects on a shelf with
the same kind of clarity that was possible when he photographed the pocket watch and stamp with his first Nikon.
The wounds did not have
the same kind of clarity as those on the other wards, and opportunities for compassion were less straightforward.
Not exact matches
However, the low - beam lights seemed to throw a little short and didn't project with the
same kind of distance and
clarity that many other cars do with LED and xenon units.