Maybe that willingness to colour outside the lines is ultimately to Green's credit — certainly, he's not cranking out
the same kind of movie every time — but it doesn't result in this case in a film that is particularly distinguished.
by Walter Chaw
The same kind of movie as Doug Liman's Mr. and Mrs. Smith but more so, Kiss Kiss, Bang Bang marks the hyphenate debut of star screenwriter Shane Black, and it's the kind of movie his Last Action Hero would have been had they aimed it at adults (and cast actors).
Because I feel like I'm making the exact
same kinds of movies I was making 5 years ago and 10 years ago.
Not exact matches
To achieve what essentially will be a new and dynamic art medium, Electronic Arts acts as a
kind of production company with teams
of draftspeople, writers, and musicians, who are signed up in much the
same way as a record or
movie company signs up talent.
It doesn't just show you products in the
same category as others you've bought but offers intelligent suggestions for all
kinds of content — music,
movies and more — based on users who fit your profile.
Kind of like is the new godzilla they
same monster as the old black and white
movies showed?
It does not mean that one lives every day simply as if it were one's last — a
kind of crazy living «for the moment» rather than living «in the moment,» to use a distinction made by the dying poet Ted Rosenthal in his book and
movie bearing the
same title, How Could I Not Be Among You?
And even when you say no a million times, your kids can still come back to you again and again and again with the
same kind of question, «Can I watch a
movie?
With the
kind of ominous music and graphics usually associated with a Hollywood slasher
movie, the advertisement displays an image
of Mr. Cuomo, a Democrat, as «more
of the
same,» without naming him.
Do you remember how people would just arbitrarily send you messages because they liked the
same movies as you or because you
kind of look like someone they went to middle school with?
im a 53 year old female looking for a single divorce male between the age
of 40 to58 im
kind caring loving respectful hosent loyol looking for the
same thing in a male i do nt want to be used for money i like to go to
movies dinner out walks swimming camping i like to hold hands cuddle get to...
Loveflutter shows you matches who like the
same kinds of music, books,
movies, TV shows, and sports.
I am a hard worker, independent, like a lady that is the
same, or close, and also like her to have a sense
of humor, like dancing, dinners, movies, and be honest and upfront, sincere Looking for That One Special Someone I AM THE KIND OF PERSON THAT DESIRE TO MOVE FROM WHAT WAS TO WHAT I
of humor, like dancing, dinners,
movies, and be honest and upfront, sincere Looking for That One Special Someone I AM THE
KIND OF PERSON THAT DESIRE TO MOVE FROM WHAT WAS TO WHAT I
OF PERSON THAT DESIRE TO MOVE FROM WHAT WAS TO WHAT IS.
It's in the nature
of this
kind of entertainment that when we see violence in
movies we feel the kick
of adrenalin, but at the
same time we are also relieved because we know it's only a
movie.
Starsky & Hutch is a breezy ride that no doubt will appeal to the
same audience that loved Old School, but really, this is the
kind of movie that's best enjoyed with lowered expectations.
Ok
movie that follows the
same path as Wrong turn, Timber Falls and hill have eyes.For a
movie of this
kind there is hardly any gore, but then the
movie work well without it given us the standed volience you would expected from this type
of movie.Well if you like your horror gorey and volient then forget this but if not give it a try, was «nt a waste
of 80 mins.
There are powerful moments in «Unbroken,» to be sure, but it also feels like the
kind of generically grand - scale
movie that five other directors could have made in exactly the
same way.
Their battle takes place inside Budd's trailer home, which is pretty much demolished in the process, and provides a contrast to the elegant nightclub setting
of the fight with O - Ren Ishii; it ends in a squishy way that would be unsettling in another
kind of movie, but here all the action is so ironically heightened that we may cringe and laugh at the
same time.
Actually, it's like watching something other than a
movie, like a bunch
of bad acting, cheesy dialogue and laughably crap special effects, and like this
kind of slapstick childish unfunny type
of humour, all exploded onto your screen!!!! It's a bit like something you'd see on Disney Channel, like in the
same league as Lizzie McGuire.
Its scenes and sensibility are all more than familiar, but it exudes a
kind of nostalgic spy -
movie charm and, at the
same time, is so fresh and free
of the usual thriller nonsense that it all seems to be happening for the first time.
i only wish those thousands went to work on
movies of more substance than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous» films because in essence they are one - in - the -
same, simply just the flavor
of the week
kind of flicks that have no real pull behind them other than big name actors, CGI and a promise
of action.
My favorite thing about Gary Oldman is that he's done all
of this without ever phoning in a performance, offering the
same kind of gravitas to B -
movie junk food like Criminal and thoughtful thrillers like Tinker Tailor Soldier Spy (which earned him his sole Oscar nomination).
Never in a million years would I have guessed that the
same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait
of a much seedier L.A.. It's not just a total creative 180, but
kind of the opposite
of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the
kind of characters — black and transgender prostitutes, immigrant cabbies — that the
movies rarely acknowledge, let alone put into starring roles.
This is the
kind of movie in which a wisp
of wind blows through everyone's hair whenever they're in the
same shot as the star.
It's
kind of the
same situation we had with Manhunter and The Silence
of the Lambs: they're both adaptations
of connected books, yet the two
movies have really nothing to do with each other.
The
same kind of doubling up is elsewhere in the film: T'Challa's beguiling bratty sister (a delightful Letitia Wright) is also the
movie's brilliant weapons and cybernetics expert.
Just sticking to relatively recent television (as opposed to something like the
movie version
of From Hell), The Alienist arrives after The Knick and Boardwalk Empire featured a New York only slightly further in the future, Peaky Blinders and Penny Dreadful have done the
same across the pond (the latter featuring an alienist character
of its own), and Netflix's Mindhunter tackled the»70s codification
of the
kinds of criminal profiling that Kreizler fumbles about with here.
Specifically the
kinds of movies that seek to elevate our sporting heroes (both real and fictional) to superhuman status by perpetuating the popular belief that true greatness is not measured by one's physical attributes but by the presence
of a deeper - lying, infinitely more powerful strength that is less easy to quantify yet at the
same time undeniable.
«Old Dogs» is the
kind of movie where the jokes are set up like dominoes, knocked down in the
same scene, and rebuilt as the next sequence starts.
There is another
movie too that has the
same kind of theme, which, although it's a bit outdated and simple in terms
of special effects, it's quite a nice
movie.
Director John Krasinski will not be getting the
same kinds of criticisms for his A Quiet Place, a monster
movie that is earning rave reviews out
of SXSW this year.
A magician doesn't do the
same trick twice and this is the
kind of a
movie that probably is best to see once on the big screen.
That's a grave error, because the
movie features more
of the
same kind of silly action sequences that were the highlight
of the first sequel.
It's morally ambiguous, without rooting interest, without
movie stars (unless you count Eric Bana), and with the
same kinds of actions being repeated over and over.
The constant attempts to capture the
same lightning bolt in the
same bottle would be
kind of funny, if not so frustrating for us
movie - goers.
The 1954 Japanese version
of the film is just so grounded, and this harrowing tale about nuclear war, and at the
same time a badass monster
movie, so it's
kind of amazing.
«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle
of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The Book
of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery
of Love» from Call Me by Your Name «Visions
of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic
Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City
of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend
of the Sword «Have You Ever Wondered» from Lake
of Fire «I'll Be Gone» from Lake
of Fire «We'll Party All Night» from Lake
of Fire «Friends Are Family» from The Lego Batman
Movie «Found My Place» from The Lego Ninjago
Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates
of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from
Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea
You could think
of Dead Rising as being the sort
of comedy remake they would do as a reboot to the Resident Evil series in say a decade or so from now...
kind of the way they are rebooting all sorts
of tv series now but making them comedies... I should also note here... I am aware there is actually a Dead Rising
movie already... I haven't seen it but I hope it's good and has the
same humour as the game.
There are wry flashes in the whole TV - world sequence — most obviously betokened by the presence
of Joan Rivers (played by her own daughter Melissa Rivers)-- but when the calls start coming in, and the mop proves a hit, we seem genuinely to be dealing with the
same kind of triumphant epiphany you'd find in a sports
movie.
As fitting as it might've been to have the first Marvel Cinematic Universe
movie about a black hero in theaters while the first black commander in chief was in office, Narcisse feels it wouldn't have conjured the
same kind of pop - cultural moment.
It's
kind of weird that two
movies with «beasts» in the title were composed by the
same person.
It's the
same kind of Latin goon that American
movies always ask Mollà to play.
OK, so it's not the Iron Man / Hulk buddy
movie of our dreams (which I guess we
kind of already got in the Avengers
movies), but this sounds like fun all the
same: Mark Ruffalo's understanding is that Thor: Ragnarok will be a buddy
movie starring the God
of Thunder and the Hulk.
This is the
kind of movie where most people know what they want and are pretty sure what they will get, that being «more
of the
same, please.»
In their big, expensive, hyper - marketed Christmas studio
movie, they're doing the
same kind of Fox - mocking that Jon Stewart does every night.
It also occurred to me that
movies about sexual freedom, such as Crash, Baise - moi and 40 Days and 40 Nights, tend not to receive the
same kind of praise as films about sexual repression like this, Trouble Every Day and Romance.
The MacGuffin
of Night Moves is the
same as the microfilm - bearing South American juju from North by Northwest or the bird statue beneath the opening titles
of The Maltese Falcon — some
kind of clay effigy pregnant with some
kind of contraband, representative in 1975
of the extent to which film has been entirely co-opted by the way audience expectations govern
movies.
And I asked that
same question
of my agent as this
movie starts getting all this
kind of buzz.
It's also fun just to see all
of these
kind of techniques put together side by side but still know that Wright's
movies never feel
same - y or that he's run out
of ideas.
«L.A. Confidential» is the
kind of great
movie that could come out in 1977 or 2017 and make the
same waves it made in 1997.