Sentences with phrase «same kind of space»

If you like Yume Nikki, there are plenty of other 2D RPG Maker horror games that work in the same kind of space; Ib and The Mad Father are both quite interesting.
Again, don't expect the same kind of space at your seat that you'd find when flying Singapore Airlines business class.
These models deliver the same kind of space and more than you'll find in a more conventional hatchback, but more importantly buyers like the raised ride height of a crossover, as it gives them a better view of the road ahead.

Not exact matches

We started thinking about how the typical conference room setup — what would happen if we pulled the chairs and tables out of the room and had people hold that same kind of meeting in a non-sedentary space?
Bezos told the audience his hope is that the space industry will help create a new world by sparking the same kind of intense creativity and dynamism that the Internet has.
The coming bull run in the metals — because it too will be «globally attended» will be taking place in a sped - up investing environment, and with the tailwind of a «digital metals» kicker» — could offer the same kind of wildly unbalanced asymmetric opportunity currently being witnessed in the cryptocurrency space.
The same theory suggests that particles can flit in and out of existence in a kind of formless matter, even in empty space.
12 Even on the assumption of a Vitalism of essentially higher principles of that kind, which raise the organic, as an intrinsically higher level of reality, above merely inorganic matter, and constitute biology as an independent science, and even if we regard the entelechy factor as simple and indivisible, there would only be an eductio e potentia materiae when a new living being came into existence, if we excluded creation in this case in the way it is exemplified in the human soul, though that is not very easy to prove, and at the same time rejected the not at all absurd supposition that in the generation of new life below the human level what happens is only the extension of the entelechial function of one and the same vital principle to a new position in space and time within inorganic matter.
Finally, Whitehead's methodology of descriptive generalization would, on the micrological view, be seen as belonging within a particular tradition, i.e., as involving what might be called a «metaphysical reduction» of the empirical world to some foundational and actual element, on the same methodological lines as Leibniz's monads, Bradley's substrative feeling, Alexander's space - time matrix, or Heidegger's Being.12 In other words, Whitehead's actual entities are conceived as having a special kind of actuality of their own as the ground or foundation from which the empirical world derives.
What awaits him now are wide open spaces and, through Clint Capela, access to the same kind of vertical plane that made DeAndre Jordan a star.
Finally, if Wenger really cares that Arsenal go to the next level with Lacazette in the striker's role he will need to surround him with the proper kinds of players, those who compliment his skills and give him a legitimate chance to lead the line... if they can spread the opposing teams back line with Sanchez on the left and someone of consequence on the right (must purchase this individual), this would likely create some space for Ozil in the middle of the pitch... having 3 players who can not only create their own opportunities, but provide assists and make well - timed runs, could bring some much - needed directness back into our ticky - tack approach of late... unfortunately instead of making the tough decisions and spending the supporters money in the right places, we instead have wasted so much time bashing our heads against the same brick wall over and over again and expecting different results..
With Messi on the ball and Suárez occupying the back line, Paulinho's primary job at Barça has been to charge forward from midfield into space and make runs that have the same kind of effect on a defense that a winger's might.
In the same way that responsive parenting in early childhood creates a kind of mental space where a child's first tentative steps toward intellectual learning can take place, so do the right kind of messages from teachers in school create a mental space that allows a student to engage in more advanced and demanding academic learning.
Corner by corner, our house has become a place where they have their own spaces next to mine — doing the same kinds of things.
There were other options of course, for instance one could buy a flat built by a cooperative, but for all kinds of property there was the same strict regulation on whom you can allow to live with you (only close relatives) and how many people can live in a given space.
BOX 15, A-15-6; 30219214 / 734997 SAPA Part B - 1st Draft, c. 1972 Using Numbers - Numbers and the Number Line, JRM Observing - Observing the Weather Measuring - Making Comparisions Using a Balance, JE Alternate Auto - Instructional, Measuring 1 - 4 / Measuring Area, Gillis Classifying - Trees in our Environment, JRM, c. 1972 AAAS - Xerox Film Loops Guide, A11 Exercises - Shapes and Symmetry, Hansen, 1972 SAPA Part B - 1st Draft, 1972 Observing - Observing Color and Color Changes in Plants, HM Communicating - Identifying Objects and their Variations, RN Communicating - Different Kinds of Forces, AHL Communicating - Graphs, JRM Classifying - Observing Living and Nonliving Things, Smith Using Space / Time Classifying - Animals in Our Environment: Part B (alternate) Using Space / Time - Shadows, Smtih Alternate (Autoinstructional)- Using Numbers - Numbers and the Number Line Observing - Observing Soils, JRM SAPA Part B 2nd Draft, 1972 Measuring Area 1 - 4, CCP Measuring 1 - 4, Volume of Solids, Alternate 2, CCP Measuring 1 - 4, Volume of Solids, Alternate 1, CCP Measuring Length 4 - 6, Linear Measurement Using Metric Units, CCP Communicating - Intro to Graphing, JRM Communicating - Pushes and Pulls, AHL Communicating - Identifying Objects and Their Variations, RN Classifying - Trees in Our Environment, JRM Classufying - Observing Living and Nonliving Things, Smith Observing - Observing Color and Color Changes in Plants and Observing Changes in Mold Gardens, HGM Observing (alternate)- Observation, Using Several of the Senses, HGM, c. 1972 Using Numbers - Numbers and the Number Line, JRM Measuring - Making Comparisions Using a Balance, JWE Using Space / Time - Shadows, Smith Using Space / Time Relationships - Time Intervals, HGM Observing 10 - Observing the Weather, JWE Observing - Observing Soils Using Several of the Senses, JRM SAPA Part B Tryout Draft, 1972 Communicating - The Same but Different Observing 10 - Observing the Weather Observing 9A - Observing Soils Observing (alternate)- Using Several of the Senses Observing - Observing Change Classifying - Trees in Our Environment Classifying - Observing Living and Nonliving Things SAPA Part B, Observing - Changes in Molds and Other Plants, c. 1972 SAPA Part B Tryout Draft, 1972 Observing - Observing Changes in Plants Observing - Changes in Mold and Green Plants Measuring - Making Comparisions Using a Balance Measuring Length - Linear Measurement Using Metric Units Measuring Volumes of Solids, 1 - 4 Communicating - Pushes and Pulls Comparing Area, c. 1972 Using Space / Time Relationships - Shadows, 1972 Addition of Postive Numbers, Sums 1 - 99 (not being tried) SAPA Part B 3rd Draft (alternate), Using Numbers - Numbers and the Number Line, 1972 SAPA Part C 1st Draft, 1972 Classifying - Classifying Components of Mixtures, Livermore Inferring 2 - How Certain Can You Be?
But others of the same age and career stage will hold a new kind of position providing total scientific independence plus 5 years of guaranteed funding, staff, and lab space in an elegant, state - of - the - art building.
«When we look at the present day, we have a very high fidelity timeline over the last about 500 million years of what's happened on Earth, and we have a pretty good understanding that plate tectonics and volcanism and all these kinds of processes have happened more or less the same way over the last couple of billion years,» says Lindy Elkins - Tanton, director of the School of Earth and Space Exploration at Arizona State University.
The assumption that we make is that the universe in its expansion is fairly homogeneous; that one part is pretty much exactly the same as any other part, same physical rules, same basic kind of expansion of time and space, going on everywhere.
That same kind of raw energy can also be felt in the film's visual look, as cinematographer Salvatore Totino brings an uneasy quality to the wide open spaces of the old west.
It evokes the same feeling and is hauntingly beautiful, kind of making me feel like I'm on a space journey.
Blumhouse Untitled Horror - Friday, February 3 Rings - Friday, February 3 Same Kind of Different as Me - Friday, February 3 The Space Between Us - Friday, February 3
Tsui sets his avoidance dances in confined spaces (tiny apartments, backstage dressing rooms), but To's are set out in the open: a fountain in a public park, a street corner, a sidewalk (a similarly choreographed scene plays out as well early in Romancing in Thin Air, itself a kind of compendium of all of To's romantic comedies, where Sammi Cheng and Louis Koo wander outside the grounds of the hotel, oblivious to each others» presence despite occupying the same film frame).
If it were just the Avengers or just Thor going out into space and fighting him, we wouldn't experience the same kind of gravitas.
The dialogues and the body languages mixed mime the dynamics of the complexity of the reality, Paul Valéry, in a magnificent text of 1936 (Philosophy of the dance) say it is an art deducted from life, an action of the whole human body transposed into a world, in a kind of space - time which is not any more completely the same as the one in practical life.
-RRB- say it is an art deducted from life, an action of the whole human body transposed into a world, in a kind of space - time which is not any more completely the same as the one in practical life.
Although digital versions of these games may not include the same kind of physical manipulation of pieces or physical movement through space that are intrinsic to the old - school versions, they still call on skills of problem solving, vocabulary, patience, perseverance, and memory which means that we parents can offer them to our kids without much guilt or angst.
But Beszel shares the same physical space with another city, Ul Qoma; elaborate rules exist allowing the two to exist simultaneously in space and time, separated by the Breach, a kind of fifth dimension demilitarized zone.
And since over 90 % of the company's cash flow is supported by long - term commercial contracts, Enbridge shouldn't suffer the same kind of shocks to cash flow that a lot of other companies in the energy space can / will.
And it's time to help your puppy have the same kind of feelings for her crate, by learning how to crate train a puppy correctly.Crate training allows you to give your dog her personal space inside your -LSB-...]
they simply fall under the category of «in kind» donations, the same as if you donate a box of goods to the salvation army or goodwill and get a receipt with a blank space on it for the estimated value... only this is simpler and much less subjective.
They don't require the same kinds of exercise areas dogs do, but some kennels provide additional space for cats that enjoy wandering around a bit.
These days it just seems like the same photos: blonde girl wearing bikini, blonde girl doing yoga, doing that photo where you are showing your back and holding someone's hand, the heart over the sunset, looking at the ground or out into the distance as if you just took a candid shot, food... I'm actually kind of envious that they feel so comfortable in their space.
Dead Space 3 has standard shotguns and assault rifles — the same kind used by the game's human enemies, the first of which I spot in a valley on the ice planet of Tau Volantis.
That's the same process for any game, but especially when you're looking in that kind of space, when you're trying to think outside the box a little bit and introduce a new idea of how to interact between your physical toy and your digital games.
It's easy for them to all feel the same: they come to town, you land on their space, you often get a card of some kind.
Now, every major game seeks the same kind of dominance over its space — Call of Duty is an illustrative franchise, since it now requires three large developers working on it in order to deliver content at the rate that would mean there is never a vulnerable opening for competitors to threaten its dominance.
It's about working hard to realize your dream of running a successful farm the same way all the other Harvest Moon games have always been, and making space for friends, or family, or exactly the kind of life you want to live while you're at it.
It's the kind of comedy that makes Snipperclips a great game to play for an audience, whether on a live stream or just for friends gathered in the same physical space.
This serves as a kind of prelude for the maze - like installation that dominates the main gallery, as the artist steers a viewer's attention toward a specific concept in much the same way the installation leads visitors to follow a specific path through the space.
Two directions cross-inseminated each other in order to produce fresh and utterly new results: a moment of free - thinking, fervent experimentation during the post-war boom in Southern California led artists to try their lucks with all kinds of new materials and techniques; at the same time, these bouts of explorations into newly invented materials and new techniques, corresponded with a moment of open, declarative celebration of the particularly striking beauty of light, ocean, and space in Southern California.
Another very different kind of socially engaged artistic intervention into lived urban space that has garnered a lot of media attention is Superflex's copy of the executives» restroom in the New York JPMorgan Chase headquarters installed inside the Olympic Restaurant in the same building as the exhibition with its entrance on 115 Delancey Street.
So we see one of these forms is the letter V, standing upright, like we're used to seeing in the alphabet or in a book, and then he's playing around with three other forms of the same letter, kind of leaning on the other one, upside down, and sort of, in the same space, making up the composition.
Most entered the press preview on Tuesday, March 1, 2016 with expectations of some kind of throwback to the cutting - edge experiences they had endured in the same space, perhaps a Metropolitan Museum version of the Whitney Biennial shock therapy.
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
In her most recent paintings, Slappey explores the same kind of pleasure / fear emotional response but within interior spaces.
And the same kind of argument can be made for any other limiting factors, from money to space to raw materials to psychological or social factors.
In the atmosphere the absorption of visible light's energy by the electrons of the gas air does not create heat, the energy is used in motion through space (think petrol in the car used for motion through space), as the electron is moved in its orbit and when returning to ground state when it spits out the same energy as entered; the right kind of energy and an electron can be moved out of its orbit completely.
If it could, then you could just as easily argue that two space heaters placed next to each other could heat each other up to millions of degrees with the same kind of infinite loop.
Would the climate just movement be able to attract the same kind of coverage away from the COP space?
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