The CEO & board can write
the same kind of story with Donegal...] Rather than seizing on Scenario C, simply because it offers the highest NAV per share potential, we may need to consider a compromise.
Unknowingly, they start working on
the same kind of story.
Francois Truffaut's powerful The Last Metro (1980) tells
the same kind of story, but has the foresight to prepare its rich layers right from the start.
they all play the same, have
the same kind of story driven element to them.
It's
the same kind of story we've been hearing every other week for years, that they and their children flew off to an exotic location and tied the knot.
«Nike [is] doing a new thing where all all the players stay in
the same kind of story line,» Reed, who will don a pink polo in his attempt to win his first major, told reporters after carding a 6 - under 66 on Friday.
For those who accuse Hong Sang - soo of essentially telling
the same kinds of stories in his films, the first half of his latest, «Right Now, Wrong Then,» will look especially like a case of auteurist déjà vu.
Not exact matches
Today, alongside the debut
of this Fortune cover
story, we kick off our third annual Brainstorm Health conference — which embarks on the very
same crusade: to reveal how a revolutionary
kind of analytics and other technologies are together solving some
of biology's deepest, darkest secrets.
«Instead, we heard the
same kind of tale
of woe, the struggling
stories, the
same defensive nature, with the only twist being a better control
of inventory and a sense that they can continue to plod along,» the «Mad Money» host said.
We have the
same kinds of discussions we'd have at a
story meeting at work.»
«A big chill came across Silicon Valley in the wake
of all these
stories, and people are hyperaware and scared
of behaving wrongly, so I think they're drawing all
kinds of parameters,» said a venture capitalist who spoke anonymously for the
same reason.
Your comment
kind of puts all believers in the
same basket, and while I agree that there are some who say they do but don't I would submit to you, that if this has been what you've seen you have really not seen the whole
story at all.
No one kept those
kinds of records which is why
stories such as Perpetua's became so important as symbols
of the persecution as a whole - serving much the
same role as Anne Frank does today for the holocaust... a symbol
of a sad and painful time.
I identify as the younger brother, and have had the
same kind of conversations with «older brother» types, almost envious
of the dramatic
stories of repentance.
Now incorporate the eastern philosophies (A huge portion
of what Jesus allegedly said came from the Buddha, Confucious and a few others) into this Jesus character... then tie the
story back in to the original god (but also ver2.0
of god,
same god, but a
kinder, gentler vengeful god)-RRB- and voila... the «new» testament.
Hereâ $ ™ s some
of the things that grabbed me: important theological / spiritual themes are developed through the
story such as good and evil, leadership, courage, love, forgiveness, and unity; good character development; convincing geographical descriptions; it does feel like the
same kind of worlds Tolkien, Charles Williams and C. S. Lewis wrote about.
I've always interpreted the
story of the Tower
of Babel as having the
same kind of meaning as Percy Bysshe Shelley's famous poem «Ozymandias».
Social media and the internet are exposing people to new
kinds of stories and experiences, but the
same thing could be said for almost any topic.
Our favorite reads this week taught us about all
kinds of food traditions, from Boston's Chinese food and Sweden's sourdough starter culture to Hainanese chicken and the evolving tradition
of soul food in the U.S.. Each
story left us hungry for more, and we hope they do the
same for you.
These are the
kinds of stories that cause women to look back, forward and all around — for surely other women like us have experienced, or will experience, some
of the
same traumas and dramas Schappell writes about.
I had no idea what
kind of stories I would get when I cast my net, I didn't know if I would get ten
stories, maybe all on the
same topic, or a bunch
of different accumulated
stories.
More birth
stories of the
same kind have been reported in his following four books.
Essentially, this is the
same kind of showy, disgust inducing tactic seen in similarly overblown killings in fictional
stories like the delivery
of the dead horse head in The Godfather, or even more gory acts in the
same vein in Game
of Thrones.
And we have a wonderful example
of a
kind of pack journalism, and we have to get those
stories out right away all at the
same time because you don't want to be scooped by the other guys who are writing the exact
same story, because that will make you look a stupid if you didn't have that
same story.
Haha, well it was quite the funny
story when he told me but then you know I was
kind of excited at the
same time knowing that meant there was new bedding in my future!
That's the
same story of midi skirts that is repeated (if you've missed it you can read it here), a
kind of clothes that at the beginning I hated and that now is one
of my favorites, a length that I considered silly that now is the center
of my universe because during life is nice to change style, not?
So the «new» posts
of Stories will start first Thursday
of February (next week), there'll be something new, but
same, but
kind of new.
«Stick to your own
kind,» goes the «West Side
Story» refrain, a phenomenon that sociologists call homophily: love
of the
same.
Long
story short they find oil and manage to build their own little military base at the
same time including some
kind of machinery, pump for the oil I think, nice.
SAME KIND OF DIFFERENT AS ME is based on the inspiring true story of international art dealer Ron Hall (Greg Kinnear), who befriends a homeless man (Djimon Hounsou) in hopes of saving his struggling marriage to Debbie (Renée Zellweger), a woman whose dreams will lead all three of them on the most remarkable journey of their live
OF DIFFERENT AS ME is based on the inspiring true
story of international art dealer Ron Hall (Greg Kinnear), who befriends a homeless man (Djimon Hounsou) in hopes of saving his struggling marriage to Debbie (Renée Zellweger), a woman whose dreams will lead all three of them on the most remarkable journey of their live
of international art dealer Ron Hall (Greg Kinnear), who befriends a homeless man (Djimon Hounsou) in hopes
of saving his struggling marriage to Debbie (Renée Zellweger), a woman whose dreams will lead all three of them on the most remarkable journey of their live
of saving his struggling marriage to Debbie (Renée Zellweger), a woman whose dreams will lead all three
of them on the most remarkable journey of their live
of them on the most remarkable journey
of their live
of their lives.
Never in a million years would I have guessed that the
same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait
of a much seedier L.A.. It's not just a total creative 180, but
kind of the opposite
of a sell - out move: Trading a formulaic
story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the
kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.
Films that might have fit this putative strand included the charming but overlong Timeless
Stories, co-written and directed by Vasilis Raisis (and winner
of the Michael Cacoyannis Award for Best Greek Film), a
story that follows a couple (played by different actors at different stages
of the characters» lives) across the temporal loop
of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns
of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means
of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the
same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family
of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode
of Angel where David Boreanaz turned into a Muppet.
The duo have given us such recent gems as Half Nelson and Sugar, so you can bet I've been keeping a close eye on their next project, a dramedy entitled It's
Kind of a Funny
Story, based on the novel
of the
same name.
Since then, the two have also written and directed the equally strong 2008 baseball drama Sugar, as well as last year's It's
Kind of a Funny
Story — which, okay, isn't quite on par with the others, but it was pretty cute all the
same.
Misher's previous credits include It's
Kind of a Funny
Story and The Scorpion King, while Muschietti is coming off his feature directorial debut with Mama (after first directing a short film
of the
same name).
They're essentially all the
same — a rags to riches
story where the subject overcomes some
kind of personal demon, usually drug addiction)-- and Taylor Tate's «Get on Up» doesn't appear to buck that trend.
Although Baumbach and Gerwig didn't intentionally set out to turn «Mistress America» into some
kind of companion piece to «Frances Ha,» they did want to tell a
story with the
same sort
of framework, at least when it comes to its central characters.
«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle
of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr
Story «Your Hand I Will Never Let It Go» from The Book
of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery
of Love» from Call Me by Your Name «Visions
of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City
of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend
of the Sword «Have You Ever Wondered» from Lake
of Fire «I'll Be Gone» from Lake
of Fire «We'll Party All Night» from Lake
of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz
Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates
of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from
Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea
Adapted from the 2010 John le Carré novel
of the
same name, Our
Kind of Traitor tells the
story of a milquetoast academic from England who gets tangled up in an international criminal conspiracy linked to the Russian mafia and the British Parliament.
This is the
kind of storytelling and getting into a world and the reality that you can achieve by following a
story over time and just telling it in a way that uses the
same storytelling devices that a narrative feature would use.
Based on the bestselling book, which inspired both a sequel and a children's adaptation, «
Same Kind of Different as Me» is the true
story of a wealthy Texas white couple, Ron and Debbie (Greg Kinnear and Renee Zellweger), who befriend a violent homeless man (Djimon Hounsou).
Emulating blockbuster productions is a bit
of a double - edged sword, as it will attract a sizable audience which likes those
kinds of films, but at the
same time, they are also so well - known and oft - watched, if you aren't going to bring anything new to the
story, you are likely to be greeted by scorn and derision, even among fantasy fans.
There is a generosity
of spirit that exists in the characters and
stories Gerwig writes, and it's the
same kind of welcoming star power that she puts into her acting roles.
So many news to share with you guys, to begin i want to thank my faithful readers to follow the site and the social media accounts (twitter and instagram), today the site celebrates its 11 years online, and it's because michelle's fan base gets bigger day by day and your support to the site that my interest is still here, i love michelle and her carrer in the
same way since the begining, but her choices made me a bigger fan and picked my interest, i'm particulary fan
of all her last movies, all her upcoming movies intrigues me, they're all so different and more my
kind of movies, the last movie i saw in theaters was OZ, and my two favorite movies
of Michelle are shutter Island and Me Without You (not very known, but if you find it, you should watch it, for the
story, for Michelle, the music) so i look forward to see her in All The Money In The World (December 27 in france) and The Greatest Showman (End
of January), so thank you for your visits, your nice comments, generally i always put a new design for the site's birthday but i didn't have the time, so when we will get a new photoshoot, i will change the design, i like this one very much, and again THANK YOU
Sure the
story's essentially the
same and the special effects budget has obviously been spent, but the tone here is also a more menacing one than Robert Wise's 1951 film, which points to a certain intelligence to which we're not typically accustomed in these
kinds of projects.
The love
story in The Big Sick may be fairly unconventional, but no romance clears the
same kind of hurdles as The Shape
of Water, which casts Sally Hawkins as a mute woman who falls in love with a sea creature (Doug Jones) and communicates with him through glances, dancing, a shared love
of hard - boiled eggs, and eventually sign language.
Heroes
of Normandie [$ 14.99], the digital port
of the Devil Pig Games» board game with the
same name, is precisely the
kind of wargame that creates
stories not only because it usually has you command a very small number
of units over a pretty small battlefield, but also because the game is constantly celebrating its inspiration: the classic, bombastic WWII movies like The Dirty Dozen and A Bridge Too Far...
As a final plus, with a starting price around $ 30,000 in front - drive form and roughly $ 2,000 more for an all - wheel drive version, the 2012 Chevrolet Traverse boasts the
same kind of compelling value
story when purchased as it does on the residual side
of the equation.
All
kinds of people are looking at it with big eyes,» said Mike Smith
of Orlando Dodge.It's the
same story at Luke Potter Dodge in Winter Park.
When my first draft was ready, I was told that there were already many
stories about dogs and that I should write the
same story but with another
kind of animal.