Sentences with phrase «same kinds of movies»

Because I feel like I'm making the exact same kinds of movies I was making 5 years ago and 10 years ago.
by Walter Chaw The same kind of movie as Doug Liman's Mr. and Mrs. Smith but more so, Kiss Kiss, Bang Bang marks the hyphenate debut of star screenwriter Shane Black, and it's the kind of movie his Last Action Hero would have been had they aimed it at adults (and cast actors).
Maybe that willingness to colour outside the lines is ultimately to Green's credit — certainly, he's not cranking out the same kind of movie every time — but it doesn't result in this case in a film that is particularly distinguished.

Not exact matches

To achieve what essentially will be a new and dynamic art medium, Electronic Arts acts as a kind of production company with teams of draftspeople, writers, and musicians, who are signed up in much the same way as a record or movie company signs up talent.
It doesn't just show you products in the same category as others you've bought but offers intelligent suggestions for all kinds of content — music, movies and more — based on users who fit your profile.
Kind of like is the new godzilla they same monster as the old black and white movies showed?
It does not mean that one lives every day simply as if it were one's last — a kind of crazy living «for the moment» rather than living «in the moment,» to use a distinction made by the dying poet Ted Rosenthal in his book and movie bearing the same title, How Could I Not Be Among You?
And even when you say no a million times, your kids can still come back to you again and again and again with the same kind of question, «Can I watch a movie?
With the kind of ominous music and graphics usually associated with a Hollywood slasher movie, the advertisement displays an image of Mr. Cuomo, a Democrat, as «more of the same,» without naming him.
Do you remember how people would just arbitrarily send you messages because they liked the same movies as you or because you kind of look like someone they went to middle school with?
im a 53 year old female looking for a single divorce male between the age of 40 to58 im kind caring loving respectful hosent loyol looking for the same thing in a male i do nt want to be used for money i like to go to movies dinner out walks swimming camping i like to hold hands cuddle get to...
Loveflutter shows you matches who like the same kinds of music, books, movies, TV shows, and sports.
I am a hard worker, independent, like a lady that is the same, or close, and also like her to have a sense of humor, like dancing, dinners, movies, and be honest and upfront, sincere Looking for That One Special Someone I AM THE KIND OF PERSON THAT DESIRE TO MOVE FROM WHAT WAS TO WHAT Iof humor, like dancing, dinners, movies, and be honest and upfront, sincere Looking for That One Special Someone I AM THE KIND OF PERSON THAT DESIRE TO MOVE FROM WHAT WAS TO WHAT IOF PERSON THAT DESIRE TO MOVE FROM WHAT WAS TO WHAT IS.
It's in the nature of this kind of entertainment that when we see violence in movies we feel the kick of adrenalin, but at the same time we are also relieved because we know it's only a movie.
Starsky & Hutch is a breezy ride that no doubt will appeal to the same audience that loved Old School, but really, this is the kind of movie that's best enjoyed with lowered expectations.
Ok movie that follows the same path as Wrong turn, Timber Falls and hill have eyes.For a movie of this kind there is hardly any gore, but then the movie work well without it given us the standed volience you would expected from this type of movie.Well if you like your horror gorey and volient then forget this but if not give it a try, was «nt a waste of 80 mins.
There are powerful moments in «Unbroken,» to be sure, but it also feels like the kind of generically grand - scale movie that five other directors could have made in exactly the same way.
Their battle takes place inside Budd's trailer home, which is pretty much demolished in the process, and provides a contrast to the elegant nightclub setting of the fight with O - Ren Ishii; it ends in a squishy way that would be unsettling in another kind of movie, but here all the action is so ironically heightened that we may cringe and laugh at the same time.
Actually, it's like watching something other than a movie, like a bunch of bad acting, cheesy dialogue and laughably crap special effects, and like this kind of slapstick childish unfunny type of humour, all exploded onto your screen!!!! It's a bit like something you'd see on Disney Channel, like in the same league as Lizzie McGuire.
Its scenes and sensibility are all more than familiar, but it exudes a kind of nostalgic spy - movie charm and, at the same time, is so fresh and free of the usual thriller nonsense that it all seems to be happening for the first time.
i only wish those thousands went to work on movies of more substance than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous» films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them other than big name actors, CGI and a promise of action.
My favorite thing about Gary Oldman is that he's done all of this without ever phoning in a performance, offering the same kind of gravitas to B - movie junk food like Criminal and thoughtful thrillers like Tinker Tailor Soldier Spy (which earned him his sole Oscar nomination).
Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.
This is the kind of movie in which a wisp of wind blows through everyone's hair whenever they're in the same shot as the star.
It's kind of the same situation we had with Manhunter and The Silence of the Lambs: they're both adaptations of connected books, yet the two movies have really nothing to do with each other.
The same kind of doubling up is elsewhere in the film: T'Challa's beguiling bratty sister (a delightful Letitia Wright) is also the movie's brilliant weapons and cybernetics expert.
Just sticking to relatively recent television (as opposed to something like the movie version of From Hell), The Alienist arrives after The Knick and Boardwalk Empire featured a New York only slightly further in the future, Peaky Blinders and Penny Dreadful have done the same across the pond (the latter featuring an alienist character of its own), and Netflix's Mindhunter tackled the»70s codification of the kinds of criminal profiling that Kreizler fumbles about with here.
Specifically the kinds of movies that seek to elevate our sporting heroes (both real and fictional) to superhuman status by perpetuating the popular belief that true greatness is not measured by one's physical attributes but by the presence of a deeper - lying, infinitely more powerful strength that is less easy to quantify yet at the same time undeniable.
«Old Dogs» is the kind of movie where the jokes are set up like dominoes, knocked down in the same scene, and rebuilt as the next sequence starts.
There is another movie too that has the same kind of theme, which, although it's a bit outdated and simple in terms of special effects, it's quite a nice movie.
Director John Krasinski will not be getting the same kinds of criticisms for his A Quiet Place, a monster movie that is earning rave reviews out of SXSW this year.
A magician doesn't do the same trick twice and this is the kind of a movie that probably is best to see once on the big screen.
That's a grave error, because the movie features more of the same kind of silly action sequences that were the highlight of the first sequel.
It's morally ambiguous, without rooting interest, without movie stars (unless you count Eric Bana), and with the same kinds of actions being repeated over and over.
The constant attempts to capture the same lightning bolt in the same bottle would be kind of funny, if not so frustrating for us movie - goers.
The 1954 Japanese version of the film is just so grounded, and this harrowing tale about nuclear war, and at the same time a badass monster movie, so it's kind of amazing.
«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The Book of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery of Love» from Call Me by Your Name «Visions of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend of the Sword «Have You Ever Wondered» from Lake of Fire «I'll Be Gone» from Lake of Fire «We'll Party All Night» from Lake of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea
You could think of Dead Rising as being the sort of comedy remake they would do as a reboot to the Resident Evil series in say a decade or so from now... kind of the way they are rebooting all sorts of tv series now but making them comedies... I should also note here... I am aware there is actually a Dead Rising movie already... I haven't seen it but I hope it's good and has the same humour as the game.
There are wry flashes in the whole TV - world sequence — most obviously betokened by the presence of Joan Rivers (played by her own daughter Melissa Rivers)-- but when the calls start coming in, and the mop proves a hit, we seem genuinely to be dealing with the same kind of triumphant epiphany you'd find in a sports movie.
As fitting as it might've been to have the first Marvel Cinematic Universe movie about a black hero in theaters while the first black commander in chief was in office, Narcisse feels it wouldn't have conjured the same kind of pop - cultural moment.
It's kind of weird that two movies with «beasts» in the title were composed by the same person.
It's the same kind of Latin goon that American movies always ask Mollà to play.
OK, so it's not the Iron Man / Hulk buddy movie of our dreams (which I guess we kind of already got in the Avengers movies), but this sounds like fun all the same: Mark Ruffalo's understanding is that Thor: Ragnarok will be a buddy movie starring the God of Thunder and the Hulk.
This is the kind of movie where most people know what they want and are pretty sure what they will get, that being «more of the same, please.»
In their big, expensive, hyper - marketed Christmas studio movie, they're doing the same kind of Fox - mocking that Jon Stewart does every night.
It also occurred to me that movies about sexual freedom, such as Crash, Baise - moi and 40 Days and 40 Nights, tend not to receive the same kind of praise as films about sexual repression like this, Trouble Every Day and Romance.
The MacGuffin of Night Moves is the same as the microfilm - bearing South American juju from North by Northwest or the bird statue beneath the opening titles of The Maltese Falcon — some kind of clay effigy pregnant with some kind of contraband, representative in 1975 of the extent to which film has been entirely co-opted by the way audience expectations govern movies.
And I asked that same question of my agent as this movie starts getting all this kind of buzz.
It's also fun just to see all of these kind of techniques put together side by side but still know that Wright's movies never feel same - y or that he's run out of ideas.
«L.A. Confidential» is the kind of great movie that could come out in 1977 or 2017 and make the same waves it made in 1997.
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