Sentences with phrase «same life these characters»

Not exact matches

(n. 29) «Therefore, the priest's life ought to radiate this spousal character which demands that he be a witness to Christ's spousal love, and thus be capable of loving people with a heart which is new, generous and pure, with genuine self - detachment, with full, constant and faithful dedication and at the same time with a kind of «divine jealousy» (cf. 2 Cor 11:2)-- and even with a kind of maternal tenderness, capable of bearing the «pangs of birth» until «Christ be formed» in thefaithful (cf. Gal 4:19).

Over the last fifteen years or so I have seen (and been moved by) many of the aspirational / inspirational billboards sponsored by The Foundation for a Better Life, an organization that promotes common - ground character virtues while trying at the same time to avoid being a partisan in our contemporary....

In The Philosopher's Pupil (1983) a man's life is changed by his vision of a flying saucer; a key episode in The Good Apprentice turns on what appears to be the effects of a love potion; a young girl in The Green Knight exerts an involuntary telekinesis over the stones that she has collected in her room; in the same novel the goodness of a man named Peter Mir (Mir meaning, in Russian, both «world» and «peace,» as several characters note) seems to be contagious, bringing sweet dreams and love to those with whom he comes in contact.

I call a great character one who by his actions and attitudes satisfies the claim of situations out of deep readiness to respond with his whole life, and in such a way that the sum of his actions and attitudes expresses at the same time the unity of his being in its willingness to accept responsibility.

By the same token, conflict between rival groups within a society may be intensified by differences in their net reproduction rates; such differences may have implications for the tenor of civil life or the composition and character of the national directorate, factors that may play a decisive role in determining the climate for development.

It should be remembered that Jesus» death has this character because the same is true for his whole life.

Only thus will this destiny receive its true meaning and character even if, seen from outside, everything seems to be the same, whether we trustingly accept it or violently protest against the absurdity of life.

Hey just because you're too weak to find meaning in life without a fictional character telling you what to do doesn't mean that the rest of us are the same way.

Yet if all this meant that Luther had only a low view of human worth and character, one must also listen for his simul: at the same time, he cried — now in happy dread before the Holy — when God looks at the trusting one God sees not the «bad» or «useful» life but the new person.

The characters do not however come to life in the same way as they do in John Guy's approach.

The same is true of Genesis through Deuteronomy, Kings, Judges and all the other books, some of whose characters really lived and some of whom didn't.

Twenty years earlier, the same university's brochure had spoken of Catholicism, of Pius XI's depiction of the Christian Catholic character, and of endowment «with the redemptive merits of Christ which we call grace or supernatural life.»

«Christians... are not interested in horizontal conversions - a mere change from one's religious tradition to Christianity, leaving the person on the same level of character and way of life.»

kr If God is fictional then this would put your reasons on the same par as those of the teen girls who live and die for Twilight characters.

Satan did it, and fell... man, seduced by the father of lies, and lust for power has allowed pride to swell up in his heart, has done the same... Scriptures were written long ago, but we see them fulfilled with our own eyes (Dan.12: 4) There has never been time as such we're living in, when man is so advanced, yet the deprivation of human character on WORLDWIDE scale, is unprecedented from any time in history of mankind!

(Jon Lovitz would later create a similar character with the same name on Saturday Night Live, but Dad beat him to it by about a quarter of a century.)

While the role of the prophet has been altered, however, the central character of prophetism is the same — namely, concern with and the demonstration of the critical impingement of divine life upon human history.

Everything that is said in the Gospels about the character of Jesus must be subjected to the same tests of historical accuracy used in dealing with the events of his life and with his teaching.

It endures in the hearts and minds of children who grow up hearing and reading about magical people and places, and who find a real live world of those same characters in Glen, NH.

Psychologists who have studied attachment have found that when human kids have that same kind of licking and grooming - style bonding with their parents, especially in the first year of life, it gives them all sorts of psychological strength, confidence [and] character that, when they reach school age and even into adulthood, will make a huge difference in how well they do.»

The propriety of these distinctions, is explained by the nature of the senatorial trust; which, requiring greater extent of information and stability of character, requires, at the same time, that the senator should have reached a period of life most likely to supply these advantages.

And since Lena has said that the character was inspired by real - life Jenna, it makes sense that Janice and Jenna have exactly the same personal style.

People connect with fictional characters through empathetic feelings, and neuroscience research has shown that the same hormones and chemicals associated with stress and attachment in real life situations are released while watching TV.

Spirituality, family goals and character are just a few of the dimensions that we take into consideration, so you can be sure you'll be matched with single Arabs who share the same life rules as you when it counts.

In the 1964 pilot episode, «Eleven Days To Zero», he was seen as the doomed first commander of the submarine Seaview, Capt. John Phillips, who is killed in an attempt on the life of Admiral Nelson (Richard Basehart); in «The X Factor», an episode from the following season, Hudson played the role of Captain Shire, who is killed off using the exact same footage depicting his character's death in the pilot episode.

The most prominent characters include Haven Hamilton (Henry Gibson), a socially conservative, arrogant country music star; Linnea Reese (Lily Tomlin), a gospel singer and mother of two deaf children; Del Reese (Ned Beatty), her lawyer husband and Hamilton's legal representative, who works as the local political organizer for the Tea Party - like Hal Philip Walker Presidential campaign; Opal (Geraldine Chaplin), an insufferably garrulous and pretentious BBC Radio reporter on assignment in Nashville, or so she claims; talented but self - involved sex - addict Tom Frank (Keith Carradine), one - third of a moderately successful folk trio who's anxious to launch a solo career; John Triplette (Michael Murphy), the duplicitous campaign consultant who condescendingly tries to secure top Nashville stars to perform at a nationally - syndicated campaign rally; Barbara Jean (Ronee Blakley), the emotionally - fragile, beloved Loretta Lynn - like country star recovering from a burn accident; Barnett (Allen Garfield), Barbara Jean's overwhelmed manager - husband; Mr. Green (Keenan Wynn), whose never - seen ailing wife is on the same hospital ward as Barbara Jean; groupie Martha (Shelley Duvall), Green's niece, ostensibly there to visit her ailing aunt but so personally irresponsible that she instead spends all her time picking up men; Pfc. Glenn Kelly (Scott Glenn), who claims his mother saved Barbara Jean's life but who mostly seems obsessed with the country music star; Sueleen Gay (Gwen Welles), a waitress longing for country music fame, despite her vacuous talent; Bill and Mary (Allan F. Nicholls and Cristina Raines), the other two - thirds of Tom's folk act, whose ambition overrides constant personal rancor; Winifred (Barbara Harris), another would - be singer - songwriter, fleeing to Nashville from her working - class husband, Star (Bert Remsen); Kenny Frasier (David Hayward), a loner who rents a room from Mr. Green and carries around a violin case; Bud Hamilton (Dave Peel), the gentle, loyal son of the abrasive Hamilton; Connie White (Karen Black), a glamorous country star who is a last - minute substitute for Barbara Jean at the Grand Old Opry; Wade Cooley (Robert DoQui), a cook at the airport restaurant where Sueleen works as a waitress and who tries unsuccessfully to convince her that she has no talent; and the eccentric Tricycle Man (Jeff Goldblum), who rides around in a three - wheel motorcycle, occasionally interacting with the other characters, showing off his amateur magic tricks, but who has no dialogue.

To me this allowed the stories to retain their own identities even though all the characters live and breath in the same ecosystem.

Well, since he was born in secrecy and after his mother passed away his main human contact is Carla Gugino «s character, an astronaut that lives in the same Mars base, Gardner finds a way to get that human connection he so badly wants.

It follows the same 11 minutes in the lives of several different characters from a variety of backgrounds.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

At the same time, hiring Shane Black to direct was a minor stroke of genius, the Kiss Kiss Bang Bang filmmaker reteaming with that film's star allowing Downey to breathe new life into a character that was on the verge of becoming stale.

Angela Robinson, who wrote and directed the film, has managed to take what could have been a tawdry or salacious look into Wonder Woman's naughty roots and give her real - life characters — and their genuine love for each other — the same amount of respect that any vanilla, monogamous heterosexual historical figure would receive.

So much so that as Bale and Rodriguez make the rounds, it comes as an actual surprise that they don't run into the same low - and middle - life characters that Denzel Washington and Ethan Hawke encountered.

Chadwick Boseman, star of 42, essays another real - life character and with the same intensity and passion that be brought to Jackie Robinson, but with the raw ferocity due to the hardest working man in show business who became the Godfather of Soul.

Nolte's character is not a one - dimensional louse but a man whose sex life may reflect a deep sympathy for women — the same sympathy he feels for his wife, so steeped in sadness.

Perez's most spellbinding moment takes place in the middle of a crowded shopping mall, when her character, Carla, spots a mother holding a baby about the same age as her dead son and hovers over the child like a ghost, apparently unseen despite being inches away; the look on Perez's face communicates both intense longing and boundless wonder, as if she's simultaneously working through the reality of death and suddenly comprehending the miracle of life.

For Fast & Furious 6, director Justin Lin puts the same elements that made Fast Five successful (fast cars, macho posturing, thrilling fight scenes, larger - than - life action, and his main characters» «code of honor») in the juicer and mixes it all up.

Release: Friday, March 27, 2015 [Theater] Written by: Noah Baumbach Directed by: Noah Baumbach As the tagline suggests, life never gets old but can the same be said for aggressively hipster, disingenuous characters and convoluted stories?

His life up to now has not been easy despite his generally sunny attitude: He was born with a craniofacial disorder, which puts him, for comparison, in the same category as the Eric Stoltz character in the 1985 movie, Mask.

Where other directors — Allen, for instance — might treat this same setup and characters with a certain eye - rolling absurdity, Turturro's script, direction, and performance all point to a sober, old - school romanticism that suggests Fioravante's sexual prowess and financial success aren't so much an unlikely professional success story as a burden and a barrier to the life he wants to be living.

Paul Anderson seems to be making a living out of the same character these days.

Jolie plays Christine Collins, a character based on a real - life woman of the same name whose nine - year - old son, Walter Collins, went missing without explanation in 1928.

It was everything from watching performances to books and movies; not just ballet films, but films that were in the same «tone», such as The Double Life of Veronique (1991, Krzysztof Kieslowski) or had similarities in the characters» relationships, such as The Piano Teacher (2001, Michael Haneke).

Not to tell the same story again, but to pursue where the lives of these very different characters lead, with an audience which already holds them in great affection.»

I felt as though I was watching the slow decline of Kate's character — Her bike is stolen, relationships didn't work out for her, she was downsizing to a smaller apartment, she was messy and sloppy in her living conditions and relationships (she didn't rush her friend to the hospital when he hurt himself helping her move), she was about to lose her best friend to marriage (where she would have no place), she was starting to sleep around with the guys at work, her job was going nowhere, she was shallow, and if she continued to drink at the same rate she'd most likely incur health problems, lose her job and wind up living under a freeway overpass.

As in The Fugitive and The Hunted, Tommy Lee Jones plays a skilled tracker (I guarantee this guy loses his car keys all the time in real life) and is the same stoic character that he always plays.

Director David Robert Mitchell deals in wild abstractions while still managing a very real grip on reality, allowing his characters to live on a plane of existence parallel to ours, rightfully ripe with many of the same headaches.

Adapted from the novel of the same name by Dennis Lahane, Live by Night is massive in scope, containing a number of subplots, locales, and characters to go along with it.

Seeing the Mario and Dragon Quest characters brought to life on the same board is also a treat, especially for fans of both series.

As best frenemies Sin - Dee and Alexandra, respectively, Rodriguez and Taylor authentically embody the specifics of their character's lives — namely, of transgender sex workers on the streets of downtown LA — but at the same time enact a fascinating and immensely relatable snapshot of a tempestuous friendship.