MOCA was bound to have more or less
the same number of exhibitions, and better ones make better use of the money.
Not exact matches
«TV is triage these days,» New Yorker critic Emily Nussbaum wrote recently,
of the unwatchable
number of television shows on the air right now, and you could say the
same of viewing art
exhibitions in Venice during the biennale.
Group
exhibitions by several commercial galleries, the formation
of a
number of different artists organizations and the revival
of the California Art Club [26] all played a role in spreading the artistic philosophy and stylistic influences
of the Early California painters and creating a commercial marketplace for artists who became part
of the
same tradition.
In that respect the
exhibition deals with a
number of spatial metaphors such as barricades, boundaries and fences or so - called «gated communities,» and at the
same time the destruction or penetration
of these types
of partition.
In his second
exhibition at Pace (October 22 to December 4, 2010), he paired twenty paintings, all
of which measured 22 by 28 inches, with the
same number of drawings, all
of them around 8 by 10 inches.
In the
same exhibition, she also showed a
number of floor sculptures made from alum which appeared quite formal and solid, several
of them for example mimicking the steel columns
of the gallery, but which will slowly change in chemical composition and break down if submitted to particular external conditions.
The
exhibition of the
same name at CCA is not a direct response to the narrative
of this story, but, instead, stages a
number of artworks that explore similar ideas
of how our perceptual and physical behaviours are transfigured by objects, images, and new technologies.
That
same year, Round established the decorative arts company The Grantchester Pottery at Wysing, with fellow residency artist Phil Root, and subsequently both The Grantchester Pottery and Round have contributed to a large
number of exhibitions and events at Wysing.
The museum also stages recreations
of original works from early land art
exhibitions, includingthe British artist Richard Long's A Line the
Same Length as a Straight Walk from the Bottom to the Top
of Silbury Hill (1970/2012)-- a large white clay spiral drawn on the gallery floor that corresponds to the
number of steps Long took to reach the top
of the largest prehistoric man - made hill in England.
For this
exhibition, a small
number of related paintings are presented in a similar but new configuration from their 2008
exhibition at Steve Turner Contemporary in Los Angeles, under the
same title.
The
exhibition features a large
number of Craig - Martin's highly - individual paintings, ranging from Painting and Picturing, created in 1978, to Eye
of the Storm, dating from 2003, which was shown to great popular and critical acclaim in an
exhibition of the
same name from IMMA's Collection in 2005.
Among the
exhibitions opening the
same week at Hong Kong's expanding
number of international galleries is Tracey Emin's «I Cried Because I Love You», at White Cube and Lehmann Maupin galleries (until 21 May).