Sentences with phrase «same oil paints»

On the surface, the big colorful paintings resemble process - based abstraction, where the oil paint is skillfully blended on the surface to create the effect of a striped gradient, while the same oil paint underneath is softened and looks like pastel.

My grandparents had the same oil painting in their home, seeing it in this home has brought back lots of great memories, thanks!

Not exact matches

An 1843 oil painting of Brazil's Atlantic rainforest, and a recent burning event in the same forest.

HINT: Use the same color oil pastel as you will paint.

The same goes for taking that class you have always been interested in, but never took in school like oil painting, coed yoga, or Italian cooking.

Treating quirky adolescents with affection was already central in Bottle Rocket, Anderson and Wilson's only previous feature (in which Wilson played one of the leading parts), but for all that movie's style and grace, it bears the same relationship to Rushmore that a watercolor bears to an oil painting.

The book will apparently also include oil paintings of Marcel, and it will be published at the same time of an «interactive version of the book and a downloadable digital audio version recorded by Slate, who voices Marcel's character.»

You can see that from the lock screen, which uses the same abstract oil painting image as the Note 3.

And, as the subtitle suggests like an oil painting, it makes the game a whole lot more enjoyable playing the same area more than once because it looks so different.

By using a home made medium, which is described in the lesson, you can achieve the same wet - in - wet technique, which is usually associated with oil painting.

«Using the same photos, I ordered «top quality paper for oil paintings» from both FAA and ImageKind.

Ryan Cobourn, Daphne / Things Will Never Be The Same, oil on canvas, 60 x 46 inches, 2014 (courtesy of The Painting Center)

Quality — Using the same photos, I ordered «top quality paper for oil paintings» from both FAA and ImageKind.

Rassin's specialty is large scale oil paintings and fashion; transforming his artwork into what is wearable, beautiful art that is practical and lavish at the same time.

Noting that Stella's painting is contemporaneous with other uses of paradox of a politically difficult sort such as Godard's right - wing hero who quotes Lenin in Le Petit Soldat, made around the same time, one might also draw some conclusion from Stella's great work being one of negation of an elaborate sort, including of traditional aspects of oil painting such as its surface.

Otherwise, the elements and criteria of the work are much the same; pigment color and property, paint binder of oil or gum arabic, form or composition, and asymmetrical balances, dissonances, and harmonies.

Although Kahn didn't win the same accolade President Barack Obama surprised Joe Biden with on Thursday, the master of vibrant oil paint and pastels received a hefty honor the same day: the U.S. State Department's International Medal of Arts.

Her painterly approach toward representation heightens a fluid ambiguity - painting the thing or the person which is disappearing and emerging at the same time, as in the elegantly complex portrait sister (2008, oil on canvas, 32.5 x 21.5 in.)

And it is not at all certain that sprayed auto paint resonates to the same pitch as did hand - applied oil paint.

Sooke is joined at Tate Britain by Christie's Head of British Art on Paper, Harriet Drummond, to admire a selection of watercolour studies of Lake Lucerne from the Turner Bequest, which comprises around 30,000 works on paper, including watercolours and drawings, 300 oil paintings and nearly the same number of sketchbooks, compiled during his tours of Europe.

With the curators adopting a comparative approach, juxtaposing original photographs and oil paintings in a simplistic these two works depict the same subject matter kind of way, little is left to the imagination.

Comic strips, squirts of oil paint, art magazine illustrations, and a host of textiles jostle for attention, and gestural paint strokes drawn directly from the vocabulary of Abstract Expressionism carry the same compositional weight as newspaper clippings of car thefts and department store advertisements.

It dries rapidly, but allows artists some of the same flexibility as oil paint.

Other highlights of Happenings: New York, 1958 — 1963 include Jim Dine's «Car Crash,» 1959 — 60, a dark oil and mixed - media painting on burlap with crosses, exhibited during «Car Crash» (performed at Reuben Gallery, November 1 — 6, 1960), and «The Valiant Red Car,» 1960, on loan from the Smithsonian American Art Museum, the painting that hung in the lobby of the gallery during the same performance.

In much the same way, the structural ambiance of Stephanie London's Mid-Century Rose (oil on linen, 2014) would seem to owe almost as much to Joseph Alber's Homage to the Square series as it does to traditional horticultural painting.

Thinning his oil paint, he taught himself how to use it with the same sense of fluidity that he'd known with watercolor and that he was learning to experience with ink.

In addition to painting, he draws using oil stick in the same vigorously gestural language, and several of the works on paper, as fresh and intimate as diary entries, will be available at the Quogue Gallery.

It has remained an important medium for Melissa Meyer, whose oil paintings also treat color in the same way.

These works are a series of black enamel and oil paintings, they are presented alongside unique works on paper and prints from the same period, which are regarded as his most important and productive output as a draughtsman.

Accompanying the film is an exhibition of the same name at the Noordbrabants Museum in the Netherlands, which features some 119 oil paintings from the film.

Other records set at the sale included $ 1.1 million for Brazilian artist Candido Portinari's oil on canvas titled Navio negreiro, 1950, against an estimate of $ 700,000 / 900,000 and $ 794,500 for Argentinian artist Emilio Pettoruti, for the oil painting Concierto, 1941, which was estimated at $ 300,000 / 500,000 and had been in the same private collection since it was acquired directly from the artist.

In the same vein, Varejão turned the 1976 Brazilian census, which allowed citizens to describe their skin tone in their own words, into 33 colors of oil paint, packaged in tubes labeled with names like «Coffee with Milk» and «Sun Kissed.»

Benson discusses her process: «For the most part for these paintings, I feel like they are a collage of different painting moves and I approach it the same way you would if you're making a Photoshop file... In the beginning of the painting, it happens really fast and I can do the first four to five moves pretty fast within one to two days and even up to the first oil move.

That same year, the artist produced a series of oil paintings based on an algorithm that processed the most successful works at a Phillips auction.

Combining oil painting and textile collage, the colour palette is very much inspired by a 19th century approach, with Fritz Bornstück working like an impressionist in the field, while at the same time turning the works around to pull them in a decidedly more contemporary direction, inflicting contrasting architecture and items on the classical compositions.

The same year his painting in oil on photo paper was included in a group exhibition called Erotic Art at the Sidney Janis Gallery.

GCC commissioned a Thai painter in Kuwait to create oil paintings of members of the collective in the same style he paints sheikhs.

As Colen progressed in the series, painting several iterations of the same animated frame, the image became successively less coalescent, the rendering more individuated and further from the idea of the perfectly blended oil painting.

Featuring a selection of 80 figurative works and landscapes in a wide range of materials and media including pencil, ink, oil stick and charcoal, drawings, prints and paintings, Alex Katz: Seeing, Drawing, Making demonstrates how the artist explores and elaborates the same image through diverse media.

The Henry is pleased to present a focused exhibition of works by the celebrated artist Sean Scully with a presentation of the artist's photographic Harris and Lewis Shacks portfolio, from the museum's permanent collection and October a large scale oil painting from the same period.

The artist takes great interest in mixing media, subverting the traditional use of black charcoal, oil - paint, paint - stick, gouache, oil pastel and cardboard onto the same surface.

There are hanging sculptures in the same materials, and in clay, wool and spray paint; floor works and thin, towering sculptures made of Johnson's baby oil bottles, crystal glasses and wax.

Thomas made the oil on canvas painting in 1969 and sold it to an African American college student who visited her home studio that same year.

11/9/17 Artist Talk — Ben Schwab Everything Is Different, But Still The Same, Oil on canvas, 88 x 138 inches, 2017 Getting Here From There New York artist Ben Schwab grapples with the theme of «getting here from there» in his collection of cityscape paintings.

By the same token, though, the rich blue palette (many of the paintings are simply titled «Night Studio») is visually hypnotic, and the heady scent of linseed oil (some are still wet) cuts directly to the heart.

This small oil work is a study for a major painting of the same name, featuring brusque brushstrokes and remnants of a confederate flag, exemplifying the artist's tendency to blend abstraction and figuration.

Christopher Dean, Middle Age Hard Edge Abstractionist from St Marys Seeking Same, 2007 Oil on canvas, 45 x 45 cm February 27 — March 8, 2007 This exhibition focuses on Christopher Dean's ongoing examination of monochromatic painting using the colour pink.

Highlights are Ruscha's early Standard Oil painting in 1963, and how it evolved to a blind embossed print in 2011, and juxtaposed rows of photographs taken from the same LA rooftops in 1961 and again in 2011.

At the same time his palette grew darker; he even produced a series of black pictures painted in oil and enamel paint on unprimed cotton duck canvases.

Keith Martin's masking tape improvisations echo the same layered narratives in his oil paintings, and watercolor collage was so important to Grace Hartigan that she called it a «second expression.»