Sentences with phrase «same old painted»

I was totally expecting the same old painted mason jars.

I was totally expecting the same old painted mason jars.

Not exact matches

During Valeant's earnings call Tuesday, Maris asked the company, «Are things really changing or is it just new paint on the same old shed?»

The paintings were found in the same location where the oldest known painting of St. Paul was discovered last year, the Pontifical Commission for Sacred Archeology said Tuesday.

So traditionalism in painting repeats the same old themes of portraiture, genre, seascape and landscape in ever sleeker forms; it repeats; it does not move.

I found and old, small kitchen table at a consignment store painted the same color that I use as a «desk».

My approach in the early days would be do craft with them separately (i.e. when one was napping and then the other at nursery) or I would do the same craft but would let the little one sit there and basically get covered in paint, whilst I focussed on the older one.

I made these with my two and I painted them so I know which is which coz my two have the same size hands even though my daughter is 16 months old and my son is 3 months old I love how yours is natural and I love the way you do your recipe I think I will have to try it your way next time we do salt dough projects thankyou for posting

These turbines are installed inside the tower's metal scaffolding on the second level, and are painted in the same color to minimize their visual impact on the 126 - year - old tower.

You know the same old resolutions they make year after year, over and over again — «I'll exercise more,» «I'll lose those 20 pounds,» «I'll learn to paint,» or «I'll quit smoking,» etc. etc..

I found and old, small kitchen table at a consignment store painted the same color that I use as a «desk».

I am getting ready to do the same to our black dining set... out with the black and painting AS Old White with a walnut stained top.

Below is the same table after one coat of Zinsser Spray Shellac and a coat of Old White - which is a paint that does not require a primer to stick to the shellac.

They have the same level of enthusiasm to showcase any images like a 5 year old running home from school to show his mum his painting, but I am not your mum and you are not showing me a work of art.

Hollywood has truly hit a point now where basically anything is ripe for a remake or reboot or revival, whatever they decide on calling it, with the end result ultimately being dredging up some title from the vault for a new coat of paint on the same old shell.

The story goes that an 8 - year - old had a quasi-religious experience in a grotto, a priest painted the experience of the girl in front of a Virgin Mary statue, and, later, the girl vanished from both the real world and the portrait at the same time.

This is a more thoughtful and intuitive movie that requires you to have the same insight as when you're watching an old allegoric painting.

The same old story emerges in how certain education reformers paint pictures of corrupt, black school boards in urban districts that teach out - of - control students.

It is finished in its original two - tone Black and Tan that looks especially nice even three decades after it was applied by Tiffany Motor Coach but obviously there's much more to the coupe than just paint, cool cars like this that are built in the same tradition of the Excalibur and Zimmer add century - old class and distinction to more modern components, that's where you get the custom swoopy fenders, decorative exterior exhaust ports, 2 exterior spare tires, full - length running boards, and bright wire wheels and of course the classic - style trunk with leather straps but beyond the grandest of grand touring appearance are the fundamentals you want for example, the doors are unaltered from the original Mercury Cougar body, the same goes for much of the main glass and underlying components, so maintaining this one - of - a-kind appearance is much easier than it might first seem.

I have gotten reports back of 4 months old being fully potty trained... can't paint them all with the same brush.

Nick Tosches might paint certain Bangkok neighborhoods with sinister exoticism for the pages of Vanity Fair, but a 17 - year - old backpacker can call his bluff on a travel weblog and compare those same neighborhoods to suburban Sydney.

In retrospect, Excitebike 3D was the first taste in the «old is new» philosophy Nintendo has used for its first generation of 3D titles, and is this is the result of how Nintendo will handle remakes and updates, I'd be less opposed to them trotting out the same game with a new coat of paint.

The story of Atelier Lydie & Suelle: The Alchemists and the Mysterious Paintings isn't the only part of the game that treads old ground, as the gameplay experience sports pretty much the same features of the previous Mysterious titles, sadly also taking a few steps back from Atelier Firis.

You can see the ground I used was an old painting that I had painted out, and if you can, do the same, because old paintings form an excellent seal over the canvas, and also provide a fantastic texture to work over.

In an epoch when older painters tended to work for forty years exploring the same image, Wool blew willy - nilly through different images, often concurrently, challenging traditional notions about artist identity and branding and paint handling as well as the Modernist notion of progress.

There are a lot of people who think art is a joy forever - meaning it should stay the same, but paintings change - the new ones and the old ones.

I was a boy, looking at reproductions of old masters» paintings in my parents» attic, moved by something immediately present about them but other world at the same time.

His graphic works of self - portraits, portraits of old lovers, and depictions of the human figure produce the same grotesque and expressive natures as those seen in his paintings.

Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk: Painted Images After Abstraction, White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.

Here you have 85 year - old Peter Dreher, who's a peer of Gerhard Richter's, and who's been painting the same water glass for 60 years.

Postmodernism deprived painting of originality and first - hand experience at the same time that Greenberg's disembodied abstraction, addressed to eyesight alone, collided with the desire on the part of some artists to retain the wholeness of the aesthetic experience made available by the old masters in their fusion of the haptic quality of sensuous painterly surfaces with the optical melding of colour and light.

Working under the name SAMO meaning «same old same old,» Basquiat began his career in the late 1970s as a graffiti artist, spray - painting the streets of lower Manhattan with messages about commercialization of the art world.

It is a painting that looks forward (the youth) and looks back (the old man), but they are one and the same, entangled in a complex game of sitting in the present.

Fast forward to the 20th century, when British painter David Hockney noticed something unusual about old master paintings that had escaped notice despite the thousands of dissertations on the same: everyone is left - handed.

«I found everything so remote but, at the same time, familiar when I occasionally looked into the mountains, rocks, pine trees and plums depicted in old literati paintings.

In 25 - year - old Thornton's buoyant paintings, abstracted forms resembling parking lots, amoebas, globes, and gigantic flowers float amongst each other and flatten onto the same plane.

In 1972, he and an artist friend, Al Diaz, started spray - painting buildings in Lower Manhattan under the name SAMO, an acronym for «Same Old Shit».

If we think of American avant - garde artists working in 1970 (the same year Brianchon's painting was made), people like Robert Smithson and Gordon Matta - Clark, inevitably Brianchon's work will seem old - fashioned, transparently retrograde.

From a beautiful old Bentley to a ruined old van straight out of the 1970s — they're all fixed in the same way, often roughly with some insulating tape or painted in a very unrefined way.

The same applies to his distinctive style blending street art motives with rich hyper - realist techniques reminiscent of Renaissance - era old master painting.

With the help of some stupendous paintings and a beautiful installation, the same old story of postwar American painting's glory is told a new way: through the rivalry between its most prominent advocates, the art critics Clement Greenberg and Harold Rosenberg and through their intellectual milieu.

Old Master and contemporary art «belong in the same room,» said Richard Feigen, who hired interior designer Juan Pablo Molyneux to give his booth the feel of an Italian palazzo where Pablo Picasso hangs next to Renaissance paintings.

Their titles may be provocative — one of his new works on show here is called The Same Old Crap — but Shaw's work is as close to traditional figurative painting as the Turner Prize gets.

STANDING AT THE THRESHOLD of «Blues for Smoke,» one could see the following, reading from foreground to background: a video monitor playing Richard Pryor Live in Concert (1979); a painting by Jean - Michel Basquiat; portraits of Jean Genet, Charlie Parker, and James Baldwin by Beauford Delaney; a row of fifty - one old - fashioned hard - top blue suitcases arranged by Zoe Leonard; a black - and - maroonish abstraction by Jack Whitten; a wall drawing by Kira Lynn Harris; and, hovering off to the left, a wall of Glenn Ligon's black - on - gold Richard Pryor paintings, all inscribed with the same joke: «I was a

Jason Brooks recent work explores old masterpieces and anonymous found paintings, adopting the same techniques, images that he reworks, crops and repaints.

More recent paintings, such as We all Live Under the Same Old Flag (2008) and American Orange Show (2004) similarly convey Dial as the politically - minded, self - reflective artist he has always been, but with a different, perhaps more proud sensibility.

Marianne Boesky Gallery is pleased to present We All Live Under the Same Old Flag, an exhibition of paintings by Thornton Dial.

«The painting leaves the studio as a purist, abstract, non-objective object of art, returns as a record of everyday (surrealist, expressionist) experience («chance» spots, defacements, hand - markings, accident - «happenings,» scratches), and is repainted, restored into a new painting painted in the same old way (negating the negation of art), again and again, over and over again, until it is just «right» again» (Ad Reinhardt, in: Americans 1963, Museum of Modern Art, NY, 1963).

Of the eight paintings on display, four have been created especially for the Turner Prize; The Devil Made Me Do It, an unusually pastoral image of woodland; The New Houses, an ironic depiction of a suburban wasteland; The Same old Crap, a murky night scene; and Shut up, a shop window with its shutters down, closed for business.

All of the paintings in the exhibition utilize the same color palette and Sullivan - Beeman uses the Old Master media of egg tempera to portray contemporary depictions of feminine identity and what it means to be a «girl.»