Sentences with phrase «same paint language»

What got me most was the magic of feeling I was listening in on conversations between color groupings — how the reds and blues seemed to be speaking (or perhaps singing) in slightly different dialects of the same paint language, some mute or just whispering, other maniacally chatty, muttering or even yelling bloody murder — all which keeps your eye moving back and forth trying to figure out what it all means.»

Not exact matches

Butler writes: «At first glance, the paintings convey a sense of joy, in the same way that Paul Klee's idiosyncratic visual language does.

Tyler's process uses these same digital techniques and incorporates them into previous painting languages, not an easy feat.

He aims to bring painting into conflict on several fronts at the same time — with its own history, with its clichés, and with the ubiquitous power of the pictorial languages of advertising and pop.

In addition to painting, he draws using oil stick in the same vigorously gestural language, and several of the works on paper, as fresh and intimate as diary entries, will be available at the Quogue Gallery.

Everyone has the same visual language that are in my paintings and I like that.

We understand the languages of modernism the same way a Buddhist devotee would have understood a Mandala or a Confucian literatus the brushwork of a landscape painting.

Talking about her work, Akunyili Crosby notes, «In much the same way that inhabitants of formerly colonised countries select and invent from cultural features transmitted to them by the dominant or metropolitan colonisers, I extrapolate from my training in Western painting to invent a new visual language that represents my experience - which at times feels paradoxically fractured and whole - as a cosmopolitan Nigerian.»

It is also the type of thing that gets made when the language and history of painting are no longer able to tell us anything new, and the same forms and ideas are endlessly recycled.

These two bodies of work both adapt the visually coded language of logos while the Text Paintings co-opt the textual language of this same form of powerful, one way corporate communication which defines our culture.

During the same period, Smith translated this language into the two - dimensional, using painting to examine the interplay between space and form.

His body language is often described in the same terms as his paintings: strong, vital, powerful.

During the same time, his most creative period, he translated this language into two dimensions, using painting as a medium for the interplay between space and form.

While I remain rooted in the language of paint, I've begun to mine and recombine facets of different types of spaces in the same way I have often harvested art historical image.

He was doing the same in painting... He was letting the languages and the forms carry him.»

Despite their differing aesthetics and preferred mediums, this close knit community speaks the same cutting edge visual language through paintings, drawings, installations and mixed - media work.

Here the artist has arrived at a new structural language of color that was to define his most famous body of works, The Seagram Murals, painted at the same time and which today constitute the celebrated Rothko Room at the Tate Modern, London.

The idea is to let children living in the same city appreciate the diversity of cultures, languages, etc., by means of games, art and music (painting, theatre, dancing, etc).

While courts in other jurisdictions, including Wisconsin, New York, New Hampshire, Maryland and Massachusetts have held that the same standard pollution exclusion language as that in the ICI policy does not preclude coverage for a child's injuries arising from ingestion of lead - based paint, the courts applied a variety of analyses to arrive at this conclusion.