Sentences with phrase «same piece of text»

Cloze passage task with word bank (filling in the blanks) and comprehension questions on the same piece of text.

Not exact matches

He casts McGillis in the same way he cast Dee Wallace Stone in The House of the Devil, as not only a reminder of his roots (and his indebtedness to them), but also a means through which he might resurrect the idea of character actors in ensemble pieces who provide a richness to the text simply by the fact of them.

It shows the same piece of artwork as before, but now there is a mirrored text

This lesson is taught after students have had several days working with the same piece of complex text.

An intro, a letters page, and a text piece on «how to get off your butt and draw a graphic novel» are nice bonuses and bookends for the meaty, meaty middle: the first installments of two serialized stories, «Heck,» by Zander, and «Crater XV,» by Kevin (which is a follow - up to Far Arden, starring the same central character, Army Shanks.)

The Met show features a number of early Kruger pieces with cutting texts, such as I Can't Look at You and Breathe at the Same Time (1981 - 84).

This catalogue, produced for the traveling exhibition of the same name, includes a text by curator José Roca and his interviews with the 12 artists, as well as a newly commissioned short - fiction piece by Bruce Sterling.

Famous for the provocative installations she made as one of the hell - raising Young British Artists — among them My Bed, her literally seminal 1998 installation, and the fairly self - explanatory Every One I Have Ever Slept With 1963 - 1995 — Emin brings the same emotional unburdening, the same raw vulnerability, and the same jolting power to her drawings and scrawled text pieces.

Applying the same magpie approach usually seen in her moving - image work, Price traces a meandering, somnambulant path from Giulio Paolini's Nécessaire (Necessary, 1968)-- a stack of blank, white sheets of paper, singing with potential — through artworks from all over the world, ranging from a 13th - century effigy to an ongoing text piece by Katrina Palmer.

Viewed aesthetically, the composition of the piece — the weight of the letters fluctuating with each line, the spacing between the lines methodically decreasing as the text progresses, the winding italics creating rhythmic markers on a background of «ghost text» from the same selection peering through a thin overcoat of white paint — encourage appreciation of the textural qualities of the written word.

Hall's intention here was to ``... play with the idea of memory, looking into a mirror and you see something different from the person who looked into it before you although it's the same mirror...» On entering the gallery space this same sense of introspection was collectively evident in the hauntingly forlorn sculptural installation by Anne Marie Taggart, the poignantly melancholic text piece by Ricki O'Rawe and the reflective performance interactions by David Frederick Mahon.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

There's body - centered, identity - searching work by Hannah Wilke, Carlee Fernandez and Ana Mendieta all in a row; a nostalgic assemblage by Betye Saar right across from an equally history - heavy sculpture by Saar's daughter, Alison; pithy, politically charged text pieces by Mel Bochner, Glenn Ligon and John Baldessari hang together in the same room as Bruce Nauman's neon pinwheel of weighty adjectives, also called Human Nature and the loosely the inspiration for this show.

Surprise, surprise, Teya Ryan was elected as a vice president at the Society of Environmental Journalists» first annual conference in 1991, Stephen Schneider was a speaker at that same conference (full text variation here), and an inset piece Gelbspan wrote within his very last June 1992 article at the Boston Globe quoted Schneider as saying «It is journalistically irresponsible to present both sides as if it were a question of balance... It is irresponsible to give equal time to a few people standing out in left field.»

Therefore, when I save a particular piece of writing and later edit it when I re-use it, I will add the edited version to that original text so that I have different wordings for expressing the same arguments, ideas, and facts.

This beast of a piece of hardware works with NVIDIA's own illuminated GeForce GTX Claw Logo lit up to the same intensity as the GeForce GTX text on the GPU set you'll be working with — glowy!