Sentences with phrase «same visual language»

A carry - over from Ursuta's Whites exhibition shown at the Kunsthalle Basel in 2015, the figures appear to be an extension of the same visual language used in Alps, giving bodily form to the horrors embedded within the surrounding walls.

Everyone has the same visual language that are in my paintings and I like that.

Not exact matches

To determine if people tune into visual rhythms in the same way they tune into the auditory rhythms of language, they showed videos of stories told in American Sign Language to fluent signers and measured brain activity as they watched.

This updates as you complete the aforementioned challenges, drip - feeding you a story that's not quite a visual novel but shares much of the same design language.

Indeed it is important to study how a visual language is created and several decades later un-created by the same people who first imagined it — this I I believe one of the most intriguing aspects of Greek cinematic history.

The plot to THE NEON DEMON is not nearly as important as its visual language, but I'll take a stab at it all the same.

At the same time, the museum hired a group of six paid advisers — two visual - arts teachers, two language arts teachers, and two history / social studies teachers — who worked with the museum over a period of about two years.

Extensive use of present and past subjonctif - The dialogue in formal French and the same in spoken language - Vocabulary French / English - 14 questions with answers included - A visual of 7 pages summarizing the use of the subjonctif divided in categories (each bubble) For teenagers and adults NB: There is another dialogue in my store that uses present subjonctif: histoire de famille Copyright © - Sophie DePons — www.french - amis.

At the same time, the arts have always encouraged flexibility and inclusion through their multifaceted media (i.e. visual art, movement, sound, and written and oral language).

With the ST Math visual instructional program, language barriers are removed, giving ELLs access to the same level of math rigor as other students.

Butler writes: «At first glance, the paintings convey a sense of joy, in the same way that Paul Klee's idiosyncratic visual language does.

And while sometimes that material was radically different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with content.

Ann Hamilton (Lima, Ohio, 1956) and Elena del Rivero (Valencia, Spain, 1949) share the same interest in the visual and tactile experiences of written language.

Talking about her work, Akunyili Crosby notes, «In much the same way that inhabitants of formerly colonised countries select and invent from cultural features transmitted to them by the dominant or metropolitan colonisers, I extrapolate from my training in Western painting to invent a new visual language that represents my experience - which at times feels paradoxically fractured and whole - as a cosmopolitan Nigerian.»

By bringing these different but related works together, «Snippets» presents a visual conversation between the participating artists on these same issues, connecting through ideas of language.

At the same time, she has experimented in developing her own visual language in relation to the figure and physical space.

Hierarchies are reduced: foregrounds and backgrounds (and positive / negative forms) compete for spatial resonance, while at the same time each is understood as its own «visual language.»

Despite their differing aesthetics and preferred mediums, this close knit community speaks the same cutting edge visual language through paintings, drawings, installations and mixed - media work.

Running through the same vein as Gagliardi is Baltimore native Jordan Kasey, who imbues her figures with a smooth, uncanny visual language all her own.

Kepes wrote his landmark publication Language of Vision 1944 in the same period in which these 80 photographs were made, asserting that «the visual language is capable of disseminating knowledge more effectively than almost any other vehicle of communication».

Many of the works he made in the 1940s and 50s share a visual language with Abstract Expressionism, and yet many other works that he made during that same period, like his 1957 etching «Under the El,» are purely figurative studies of people, places, and things.

From the YBA (Young British Artists) generation, from the 1980s up to the present, the language of visual and commercial radicalism in art is the Londonian, the same way as the lingua franca of today is and remains English.

I never worry too much about the vintage pieces we use coming from the same family, just as long as they share a similar visual language.