The same year a retrospective exhibition of his work, David Goldblatt Fifty - One Years, began a tour of galleries and museums around the world.
Not exact matches
However, the
same thing can be repeated as my first
retrospective blog post from last
year.
That
same year, the artist had his first
retrospective at the Museum of Modern Art, New York, followed by two other surveys at the museum in 1967 and 1999.
MoMA included him in the 1946 Fourteen Americans exhibition; he represented the United States at the 1948 Venice Biennale; the Whitney organized a traveling
retrospective of his work in 1951; and that
same year, he participated in the São Paulo Biennale.
During the
same year, another
retrospective of her entire work, with wool pictures, ceramics, foam sculptures and collages was held at the WIELS Contemporary Art Centre in Brussels.
Kusama has received unwavering international acclaim and been the subject of a number of solo shows at iconic galleries around the globe, most notably her Tate
Retrospective in 2012, the
same year she famously collaborated with fashion house Louis Vuitton.
His first US
retrospective «Juan Downey: The Invisible Architect» was held last
year at MIT's List Visual Arts Center and the Bronx Museum of the Arts, and the Tamayo show presents many of the
same works, including «Plato Now», «The Invisible Eye series», «Video Trans Americas», and many beautiful topographical drawings and installations.
Both also had
retrospectives in the last three
years, at the very
same New York museum, and it might disappoint them both to spot a trend, rather than mere coincidence.
His work received also much attention in France where he participated in major exhibitions such as Electra, Musée d'Art Moderne de la Ville de Paris, 1983, Britannica, 30
years of Sculpture, Musée des Beaux - Arts André Malraux (1990), Le Havre, where he had his first French
retrospective in the
same year.
In 1977 the Light and Space artist Robert Irwin created a seminal, large - scale installation in connection with his
retrospective at the Whitney held the
same year.
After twelve
years of exhibiting avant - garde work in the Chelsea gallery district we're excited to bring the
same cutting edge aesthetic and ethos to uncharted territory, with this exhibition serving as a
retrospective of our evolution and a preview what's to come.»
A couple
years ago, we had a Barkley Hendricks
retrospective [at CAM] that was touring and at the
same time the MFA had an Alice Neel show across the street.
That
same year she was honored by a
retrospective exhibition entitled «Vera: The Renaissance Woman» at the Smithsonian Institution in Washington, D.C. Vera received a Cooper Union Presidential Citation in 1975.
Matisse, who was by then in his 60s, had been honoured with one the previous
year in the
same gallery, the Galeries Georges Petit in Paris, though it was still very unusual for living artists to have career
retrospectives at that time.
The
same year, Kara Walker gets her own Whitney
retrospective at just 37.
That
same year, the Corcoran Gallery (Washington, DC) also mounted Alma W. Thomas: A
Retrospective.
Compare this with
retrospectives for Franz West, Blinky Palermo, Michael Heizer, John Baldessari, William Eggleston, David Smith, Tim Burton, Stanley Kubrick, Robert Adams, Ken Price, and Ellsworth Kelly in the
same four -
year period, and you start to see how slow change is to emerge from even the most proactive museum staff.
Entitled «Axiomas para la acción» (Axioms for Action), the touring
retrospective, which opens tomorrow, is articulated around a core text of the
same name, which interprets 22
years of the artist's work along conceptual axes, rather than chronology.
The
same year as Deitch's first recreation of the salon, the Whitney Museum mounted a
retrospective of her work, and her esteem has only grown since then.
Eighteen
years later he received a major travelling
retrospective organized by the
same museum.
In tandem with an independently organized
retrospective at the Neuberger Museum of Art, Purchase College, State University of New York, this hometown survey of Fishman's fifty -
year - long career features the painter's esteemed large - scale gestural abstractions alongside a selection of intimate studio investigations — an assortment of miniature paintings, sketchbooks, and small sculptures — that share the
same physicality and unapologetic emotional punch as her bigger, iconic works.
A
retrospective of his work was held at ICP in 1980, the
same year that the book, Gjon Mili: Photographs and Recollections, which spanned fifty
years of his photographs, was published.
Housed in the
same private collection for almost 20
years, Dustheads was included in the seminal exhibition of the artist's work organized by the Fondation Beyeler, Basel in 2010 (and which later travelled to the Musée d'art moderne de la ville de Paris) and is widely referenced in the artist's monographs, including the cover of the catalogue to the 2006 Basquiat
retrospective organized by the Fondazione La Triennale di Milano.
In 2011 Dublin City Gallery The Hugh Lane showed a joint
retrospective exhibition of both Hamilton's and Rita Donagh's work called «Civil Rights etc.» That
same year, the Minneapolis Institute of Arts showcased Hamilton's work in Richard Hamilton: Pop Art Pioneer, 1922 - 2011.
The
retrospective will include vibrant new paintings of the artist's home and garden in Los Angeles, which will be united for the first time with earlier works depicting the
same subject across 35
years.
In the
same year he had a
retrospective at the Chicago Art Institute, and a major exhibition at Berlins's Neue Nationalgalerie.
And if the Museum of Fine Arts, Houston's recent Degas
retrospective marked the culmination of Gary Tinterow's first five
years as director, the Blanton's newly reopened, reimagined permanent collection galleries do the
same for Wicha's, whose ascension came with nothing like the fanfare that greeted her Houston counterpart.
The
same year, Calle had her first one - woman show, a
retrospective, at the Musée National d'Art Moderne at Centre Georges Pompidou in Paris.
That
same year, the California Palace of the Legion of Honor, in San Francisco, presented a
retrospective of his career.
Over the past twenty
years Murphy, who has yet to have a major museum
retrospective, has created a body of work that easily puts her in the company of Vija Celmins and Sylvia Plimack - Mangold, but, for reasons that I can not fathom, the art world has not accorded her the
same status.
In the
same year Moore had his first
retrospective at Tate in London.
The Gallery of Modern Art, Washington, DC held a
retrospective of his work later the
same year.
Does her work force gendered response more understandingly than, say, that of Sue Williams or Eva Hesse (1936 - 1970), whose
retrospective filled the
same space at SFMOMA two
years ago?
The first time the artist staged a major exhibition at Los Angeles County Museum of Art in 1965, and a
retrospective at the Hirshhorn Museum in Washington, D.C. in 1981 and the
same year was elected to the National Academy of Design as an Associate member and became a full Academician in 1984.
In 2007, his work was the subject of a solo exhibition at the Museum of Contemporary Photography, Chicago, and in 1999 a thirty - five -
year retrospective was presented at the Museum of Contemporary Art, Chicago that toured the
same year to the Los Angeles County Museum of Art.
The significantly larger and more ambitious two - part Richter abstraction, Gelbgrün (Yellow - Green)(1982)-- which exhibited at documenta 7 in Kassel, Germany, that
same year, as well as in the artist's acclaimed «Panorama»
retrospective at Tate Modern in 2011 — sold to a telephone bidder for # 9.5 million, near its high estimate of # 10 million, and came to # 10.8 million with fees.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing
same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One
year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4
years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes
retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career
retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
Chadwick died at Lypiatt Park in 2003, the
same year in which he was given a major
retrospective exhibition at Tate Britain.
Titled Brice Marden: A
Retrospective of Paintings and Drawings, the show traveled to the San Francisco Museum of Modern Art in 2007, and finally to Berlin's Hamburger Bahnhof, Museum für Gegenwart in the
same year.
In 1957, the
same year Hofmann's
retrospective exhibition was held at the Whitney Museum of American Art, Hofmann was approaching his retirement from a long and prosperous teaching career as he became increasingly focused on devoting himself to painting.
That
same year he had his first museum exhibition at Museum of Fine Arts, Houston and received a
retrospective exhibition from the Hirshhorn Museum and Sculpture Garden, Washington, D.C in 1983.
In the
same year, the Stadtische Galerie im Lenbachhaus in Munich held a major
retrospective of her painting.
The
same day, the Cisneros Fontanals Art Foundation (CIFO) begins their celebration, entitled Triángulo, of three major figures in Cuban geometric art: Carmen Herrera (who, last
year, enjoyed a major
retrospective at the Whitney), Loló Soldevilla and Sandu Darie.
Frankenthaler posed for a Rolex watch ad in 1990, the
same year that a
retrospective of her work was on exhibit at MoMA.
Katz has been the subject of many one - man shows throughout his career, including a major
retrospective at the Whitney Museum of American Art in 1986, the
same year he painted Clearing.
Former guards include Jackson Pollock, Sol LeWitt, Robert Mangold and Mel Bochner, who will be honored next
year with a
retrospective at the Jewish Museum in New York — the
same institution that fired him as a guard in 1965 for sleeping on duty.
Following last
year's much larger
retrospective in the
same space, which focused on Freilicher's long and important friendships with New York poets like John Ashbery, Frank O'Hara and James Schuyler, this current, smaller show of work across four decades helpfully turns a spotlight back on her under - appreciated distinctiveness.
It is this spirit of channeled «child - assistance» that I most admire in the work of Richard Tuttle, who, during the
same month that his major, two -
year American traveling
retrospective closes in Los Angeles, takes us by surprise with a massive new body of work at Sperone Westwater.