The exhibition also includes the paintings
Sand Morning (1973) and Arundel XI (1974), as well as a series of
black and violet
acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an
acrylic on paper made in her studio in Tokyo in 1966; two
acrylics on paper completed on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.
[14] The painting Vanescere (2007), a
black - and - white composition that depicts what appears to be a maelstrom of ink and
acrylic marks, some of which are
sanded away on the surface of the linen support, was a catalyst picture for this series.