Sentences with phrase «saturated color fields»

His bold use of saturated color fields make the artworks impressively iconic and individ...

His bold use of saturated color fields make the artworks impressively iconic and individual.

Ms. Yuskavage, age 53, gained an international reputation in the 1990s for using Renaissance - era techniques to paint cryptic images of women, often nude and set within epic landscapes or saturated color fields.

Not exact matches

They're pretexts for Katz to try out color combinations, and to place figures first against neutral (usually off - white) backgrounds, then against even fields of saturated color, and finally to cut away the backgrounds entirely, presenting the figures as freestanding cutouts.

The third painting, Gold and Black II from 1993, features a grouping of trees against a monochromatic field of saturated golden color.

From the «modular» shaped canvases of pristine color fields tapped from the minimal canon, to rudimentary line drawings on found cardboard and post-its, to saturated, unprimed canvases, unceremoniously stitched together, Bradley's evocations of exalted and disposable culture lend equivalency to the discrete elements as they champion the materials of their making.

The dye will saturate, run, and dry over the course of the exhibition — eventually turning the white felt from pale blue to almost black — transforming the material into a colossal color field painting, a rolling mountain landscape, or even the hump of a whale.

Challenging and re-inventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusColor Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illuscolor and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.

After visiting the Paul Klee Foundation in Bern, Switzerland in 1977, Natkin embarked on the Bern series, which finds the geometric and biomorphic shapes of his earlier Field Mouse pictures on expanses of strong, saturated primary colors applied using rags and sponges soaked in paint.

Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.

Paper pulp holds hues in a very special way; having the pigment attached onto its very stuff — literally, macerated and reconstituted fabric — the resulting work is saturated with color, which can be so vivid that it conveys the impression of something almost purely optical that hovers in our field of vision.

Likewise, Feeley's no - nonsense palette is remote from the saturated opulence to mainstream Color Field art (to which, contrary to various critical bids, it does not belong) and tempered by the systematic principles of industrial design, just as his contours are too pliant to conform to Hard Edge painting.

The visual history of the African diaspora is annotated through the inclusion of three African - American artists, two of whom were born in the 1930s: Mississippi - raised Color Field painter Sam Gilliam shows vast draped canvases saturated in a gradient of color waColor Field painter Sam Gilliam shows vast draped canvases saturated in a gradient of color wacolor washes.

Likewise, Feeley's nononsense palette is remote from the saturated opulence to mainstream Color Field art (to which, contrary to various critical bids, it does not belong) and tempered by the systematic principles of industrial design, just as his contours are too pliant to conform to Hard Edge painting.»

Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism's rigor, Pop's exuberance and the saturated tones of Color Field painting.

Still, I seek to update the medium through a North American hard edge / color field sensibility expressed through saturated colors.

Filling canvases with fields of deeply saturated color and layers of expressionistic brushstrokes, both subtle and bold, Gilliam was a part of the Washington Color School (late 1950s through mid -»70s) and has been associated with the Abstract Expressioncolor and layers of expressionistic brushstrokes, both subtle and bold, Gilliam was a part of the Washington Color School (late 1950s through mid -»70s) and has been associated with the Abstract ExpressionColor School (late 1950s through mid -»70s) and has been associated with the Abstract Expressionists.

Challenging and reinventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusColor Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illuscolor and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.