This is not a movie to see in the front row — intrusive close - ups, hand - held camerawork, colour
saturated night shots and a relentless synthesiser score all conspire to make Good Time, shown at London Film Festival, a wild ride.
This is not a movie to see in the front row — intrusive close - ups, hand - held camerawork, colour
saturated night shots and a relentless synthesiser score all conspire to make Good Time a wild ride.