So Paramount, in the wake of a disappointing 2017 that
saw big budget films like Transformers: The Last Knight and Ghost in the Shell underperform while the studio's would - be Oscar hopefuls Suburbicon and Downsizing were DOA at awards season, is looking to make some changes in 2018 and selling God Particle off to Netflix may be a cushy deal.
It's a shame that the movie won't do well, but gosh it's wonderful to
see a big budget film with the courage of its convictions.
Not exact matches
But in a year that's
seen a slew of
big budget releases and star - powered projects from some of Hollywood's most notable filmmakers (Martin Scorsese, Kenneth Lonergan, Mel Gibson) it was a $ 5 million
film with no major superstar names that brought home the night's
biggest award.
Even if it may feel a bit overlong, this fantastic sequel is perhaps even more thrilling than the first
film, this time investing more in the action and first - rate special effects with a
bigger budget to create something epic - and it is always awesome to
see Schwarzenegger as the
big hero.
Lister - Jones, who is currently
seen on CBS» «Life in Pieces,» said that this
film marked a return to her indie roots after getting a peak into the
big -
budget Hollywood studio system.
It's also a testament to Sheridan's writing that there's no romantic subplot squeezed in, bringing a dynamic you don't normally
see in
bigger budget films.
All in all, I'd rather
see this kind of
film than some bland,
big -
budget Hollywood product about the maturation process any day.
By far the best sci - fi
film I've
seen yet this year, and proof that international
films make for more interesting dynamics, Snowpiercer is easily the original action
film a summer full of
big budget explosions needs.
In place of story is a non-stop cavalcade of wire - fu fight scenes rife with CG effects, which impress when compared to those of the original, but in the world of action, offer little we've
seen before in better
films with
bigger budgets.
In a year made of horror
films that have delivered more unintentional laughter than genuine scares, As Above, So Below fits the bill as exactly the kind of low -
budget, lower - quality flick you'd
see released on the
big screen for the Labor Day weekend.
Those who are entirely unacquainted with the
film are encouraged to
see this
big -
budget sci - fi flick which holds a significant place in Disney history.
I would be cheating my own rules for this annual exercise if I were to crown Howards End as my
film of the year - I have in fact
seen it many, many times before and loved it for a long time (although never before was I able to enjoy the finesse of its narrative structure, and admire its sumptuous mise - en - scene and art direction - actually delivered on a shoestring
budget - on a
big screen).
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 23, 2011
BIG BUDGET FILMS Abduction (PG - 13 for sexuality, teen partying, intense violence and brief profanity) John Singleton directs this action thriller about a teenager (Taylor Lautner) who ends up on the run from a team of hit men when he tries to determine his true identity after
seeing his baby photo on a missing persons website.
He doesn't always make
big -
budget studio
films, but his work should be
seen and recognized.
But I guess that is why I am not a producer of
big budget films, because apparently there was something there that absolutely needed to be
seen again.
But I guess that is why I am not a producer of
big budget films, because apparently there was something there that absolutely needed to be
seen...
These elements are typically found in smaller independent
films but are incredibly rare to
see in
bigger budget films released by a major studio.
Director DJ Caruso reveals he only had a year to do pre-production,
filming, and editing on the young adult alien movie, which is the shortest turnaround he has ever
seen for a relatively
big budget movie.
It's not a
film that needs to be
seen on the
big screen, but Life of the Party is more light - hearted and jovial than most other movies playing in theaters right now (independent and
big -
budget films alike) and should please the steadfast members of McCarthy's fanbase.
It's strange to
see a
big -
budget sci - fi movie aimed explicitly at a family audience, and the
film plays like how - to survival tactics TV, only on a massively overblown scale.
Partly because it marks the return of the great Taiwanese helmer Hou Hsiao - Hsien for the first time in seven years, and partly because it
sees him working on a
bigger scope and scale than ever before: the
film's a
big -
budget (relatively speaking) wuxia picture.
«Birdman or (The Unexpected Virtue of Ignorance)» is one of the most thrilling
films I've ever
seen — which is pretty amazing, since it's not a
big -
budget, action - packed, superhero blockbuster.
Video game tie - ins for
big budget films are often
seen as a quick way to cash in on the hype and tend to lead to games which aren't up to standard.
Check out the original BioShock cinematic trailer - which gives an indication of the kind of scale and drama we could
see in an r - rated,
big budget, BioShock
film (viewer discretion is advised):
His
films have been marked as failures before ever
seeing the light of day, but they are forced to face this ridicule publicly, as orphans in a sea of
big -
budget films that depend on the star power of the names associated with them.