Sentences with phrase «saw less sea»

The only other year on record that saw less sea ice in April was 2016.

Not exact matches

Two dominion and for morning sea own first signs winged you may every, lesser sea unto saw lesser.

Strangely, just as welfare states are drowning in a sea of debt whilst also increasingly being seen as at least partly responsible for lower levels of family formation and employment, the Church has started to question welfare states rather less.

The artwork is vivid and the animation nothing less than spectacular (the parting of the Red Sea alone is worth the price of seeing the movie, and seeing it again).

As the Arctic summers are getting warmer we may see an acceleration of global warming, because reduced sea ice in the Arctic will remove less CO2 from the atmosphere, Danish scientists report.

MIAMI — One of the first sea - level rise maps Broadway Harewood saw was a few years back, when climate activists gathered in his neighborhood to talk about how global warming would affect people in less - affluent South Florida communities.

With less than 14 inches of sea - level rise, most of the 90 U.S. coastal cities studied outside of Alaska would see a 25-fold increase in disruptive and damaging flooding by around 2080, 2060, 2040 or 2030 under the low, intermediate - low, intermediate and intermediate - high scenarios, respectively.

Rohling: Yeah, so what we see is that for a current level of forcing, so 1.6 watts per meter square net forcing, if we look in the relationship that we now recognize between sea - level change and climate forcing, we're are, more or less, looking at in the equilibrium state, natural equilibriumstate, where the planet would like to be that is similar to where we were 3.5 million years ago and that's where we're looking at sea level, you know, at least 15 meters, maybe 25 meters above the present.

He said that sensitivity includes water vapour and arctic sea ice, but I suspect that the changes in sea ice in the models are much less than we are seeing in practice.

It's chattier than any other Murnau I've seen (and not just the ones that eliminate intertitles altogether like The Last Laugh and Tabu: A Story Of The South Seas), which makes it seem a bit less poetic than it really is.

For a test of this transfer's mettle, check out chapter 10, «Intolerance»: Light sources fixed (lamps) and in flux (the cloud - covered sun) interact on the sea green walls of Sister Aloysius's office, never to band or to produce anything less than the million subtly different shades you'd see in real life — and these colours have a vividness that is achieved without sacrificing Meryl Streep's Grim Reaper - like complexion.

Beaded Sea Star: Astropecten articulates: Less commonly seen than the Reticulated Sea Star, the Beaded Sea Star prefers a soft bottom.

Less often seen by most people are the enormous colonies of sea lions and seals that come to island beaches to breed.

Of course, exploring the area by sea kayak is an informative and fun way of getting to see the fabulous sights and, on land, the views are no less impressive - if you're willing to trek a little.

Dugongs, those «sirens of the sea» are resident in the area though less frequently seen.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

In our paper published last night in ERL we show the newer Church & White data set with less smoothing in Fig. 3 (orange line), and you can see it is more «wiggly» — hard to tell whether these wiggles are true oscillations in global sea level or again an effect of the limited number of gauges.

If you download 1998 - 2009 cloud cover here, and sea surface temperatures here, you can see that, except for a cloud band from ~ 0 to 10 degrees N, cloudiness is generally less where SST is warmer, though there are lots of details and spatial variation that lessen the correlation.

However recently I've found myself wavering on the issue of how fast we'll see a transition to a virtually sea ice free state (less than 1M km ^ 2 off the Canadian Arctic Archipelago and the north of Greenland) and it's because of the PIOMAS volume results.

One thing I would have liked to see in the paper is a quantitative side - by - side comparison of sea - surface temperatures and upper ocean heat content; all the paper says is that only «a small amount of cooling is observed at the surface, although much less than the cooling at depth» though they do report that it is consistent with 2 - yr cooling SST trend — but again, no actual data analysis of the SST trend is reported.

The buoy, which cost about $ 2 million to develop and build, had been in the water for just less than 2 months (see Pulling Energy From the Sea).

As for the amount of the bet, look at the paleontological evidence for when temperatures were about 3 C higher than preindustrial levels, find the difference in sea levels, call it a conservative 1 meter, now total the world property values for the land that is less than 1 meter above sea level and see how much that is.

Though most of the CMIP5 models project a nearly ice - free Arctic (sea ice extent less than 1 × 106 km2 for at least 5 consecutive years) at the end of summer by 2100 in the RCP8.5 scenario (see Section 12.4.6.1), some show large changes in the near term as well.

Taylor also debunked the notion that less sea ice means less polar bears by pointing out that southern regions of the bears» home with low levels of ice are seeing booming bear populations.

It's still cutting - edge research and there's no smoking gun, but there's evidence that with less sea ice, you put a lot of heat from the ocean into the atmosphere, and the circulation of the atmosphere responds to that... We've seen a tendency for autumns with low sea ice cover to be followed by a negative Arctic Oscillation.

«Now I think we're seeing a feedback that involves less sea ice that allows more heat to be transported into the atmosphere.»

If sea ice cover was 50 % less 5,000 years ago and polar bears were very much alive and well, it is hard to see how claims of their extinction are credible from future ice loss.

At the same time, the ice in the Beaufort and Chukchi Seas is seeing less multiyear ice drifting in from the Canadian Arctic, with more first - year ice prevalent in 2011 than in past years.

Yet there's something fascinating about being able to see a tiny model of one of these great behemoths and know that its location on the sea is less than an hour old.

And while you might not see a difference in graphics power between two phones while playing titles like Candy Crush or Fruit Ninja, there's a vast sea of games that can bring lesser phones to their knees.

The first three encounters with Captain Crow will have the player fighting a team of monsters that vary slightly from one fight to the next (e.g. a fencing fox and two lesser monsters); the fourth fight will see the player against Gracos, king of the seas, now in Captain Crow's employ.

Regardless of what you read in the paper or see them screaming at you about on cable news, anyone looking at the right data (patting myself on the back and saying «I told you so») could tell you that — even though there was a sea of foreclosures a few years ago — with less and less people missing mortgage payments foreclosures of the future would be down.