I also
saw no print flaws, as the movie always seemed clean.
Not exact matches
No issues with jagged edges or shimmering occurred, and I
saw no edge haloes or
print flaws.
Britain fared better, with my favourite sci - fi horror film in a long time, Glazer's Under the Skin, and my favourite entertainment film of the year, the conventional, but charming Pride, while the
flawed Mr. Turner impressively reflects the great painter's sun worship through Dick Pope's widescreen cinematography.Highlights of my year included being on the FIPRESCI jury at the Hong Kong IFF, where I admired Yang Hen's third feature, Na pian hu shui (Lake August), and a couple of first features among others, as well as attending the amazing HK film market for the first time, where I
saw one of my three 2014 «films for the ages», Tsai's Journey to the West; and
seeing a nitrate
print of Hitchcock's Rebecca at the George Eastman House in Rochester (where they are doing a three - day all - nitrate festival in May, 2015!).
As for
print flaws, I
saw a few specks and marks, but nothing excessive.
In terms of
print flaws, I
saw a couple of small specks but nothing more.
I
saw no moiré effects or jaggies, and the presentation lacked edge haloes or
print flaws.
No issues with shimmering or jaggies materialized, and I
saw no edge haloes or
print flaws.
Print flaws weren't a big issue, but I did
see some light grain and a little grit at times.
In regard to
print flaws, I
saw a little grain at times, and a few examples of speckles and grit also appeared, but these remained quite modest.
Now, yes, you do find these
flaws in some traditionally
printed novels, but generally you'll only find one, and it will be much less overt (and crippling) than the ones I've
seen in self - published novels.