Sentences with phrase «say about the film because»

Not exact matches

«Damien Lemaitre, vice-president of media for Spoke - Isobar said Instagram's platform made sense because of its huge adoption by Canadian teens, and that the team wanted to develop unique content for Instagram users excited about the film,» writes Marketing's Jeff Fraser.

«Every time I give out my name,» Reine said elsewhere in the film about her ongoing struggle, «I know I'm about to be judged because I know eventually they're going to Google me and see what's there, and they're going to judge me.»

«New York doesn't have a revenge porn law because our politicians are doing nothing about it,» Goldberg says elsewhere in the film.

Adult film star Stormy Daniels is now suing President Donald Trump, saying the nondisclosure agreement about their alleged 2006 affair is void because Trump never signed it.

Andrea Williams, CEO of Christian Concern, a group which has been supporting the film, told Premier about the protest: «It was [peaceful], as we said it would be because we're peaceful people.

Speaking about the hymn, she said: «This song is so important to me because I never wanted anything more than I wanted to be in the film The Color Purple.

There's something uncanny about a lawsuit in which Woody Allen pillories the defendant as «sleazy» and «infantile,» prompting said defendant to argue «that it can't have damaged his reputation by using his image because the film director has already ruined....

A life vice-president, said in new» soccumentary» film about Chelsea, Blue Revolution that, «I went and stood on a bank with a packet of sandwiches with my girlfriend who I eventually married, principally because she agreed to follow Chelsea, and we've been going since 1942,»

Asking him about his movies after he made LOVE ME with Neat films productions in Accra on his themes, he said Because love conquerors all.

I would encourage you to watch the film and make an informed decision about what is best for your health by doing a little research and not doing something because someone, including myself, says so.

I literally couldn't care less about any of them and the only reason I made it to the end of the film is because the DVD cover lied, saying it was half an hour shorter than it was.

One thing I will say about this movie is that is quite possibly one of the emotional films that I've seen in a while, and one of those reasons is because of the music, the music in this movie are brilliantly done and the film has little to none of it, but they know when to use it to the films advantage, and it works incredibly well when it is used.

Speaking of Burton, forget the Jews, because this film really looks bad for atheists, as I can see some Bible thumper saying that the most inaccurate thing in this (Snicker, snicker) Biblical drama is Burton's character feeling guilty about killing Christ.

A Walk in the Woods shouldn't be criticized for its simplicity, which is what some critics have said about it, because a film like this can't really do much more than it does.

But the whole film is a missed opportunity because the situations repeatedly defy credibility, and the humor never says anything remotely fresh about human nature or the world we live in.

Details about have long been difficult to come by, and Hardwick said the creators are being secretive about it because they want the film to be fresh.

It's like saying the Academy doesn't like movies about South Africa just because they didn't nominate «Invictus» while forgetting that they also nominated «District 9» out of a very slim field of films about that topic.

For a film that is supposed to be about the holiday spirit, «The Night Before» is rife with selfish and self - centered behavior by its major protagonists who, at times, seem to be friends simply because the script says so.

I didn't make this film, but I will say that the internet has changed everything in terms of distribution and because of iTunes and other outlets like that, length is no longer something you really think about, in my opinion.

Even when I'm not crazy about a particular film of his — or, say, anything he's done since 1995 — I just can't put him down too harshly, because he has the energetic and fun spirit of a guy who genuinely likes entertaining horror flicks.

A lot has been said about how this film marks a return to your roots — not only because it features a lot of the stars from «Brothers McMullen,» but because it also deals with similar themes and boasts a huge ensemble cast.

I said tries because you have learned about as much reading this intro as you will about Madalyn Murray O'Hair in the course of this disappointing, narratively flat film.

Because so many haven't yet sees the film, its plot must go undescribed, but suffice it to say it's about an encounter between a young woman (Dree Hemingway) and an old woman (Besedka Johnson) that spawns an uneasy relationship, during the course of which their pasts and presents come to light.

But because the less you know about this film the more fascinating it is, I won't cover those here except to say: Nicely done!

The film rates this high for me not just because of its technical skill (the ensemble acting is terrific, with Kelly Macdonald in particular doing great work in just a few scenes, and Roger Deakins's cinematography is as good as anything he's done with the Coens, and that's saying a lot) but because of its ambiguity: because the questions it raises about narrative and about society are as interesting as those raised by any other film (but one) of 2007.

As Creed director Ryan Coogler has said when talking about the talented women he's worked with, there's always room for strong voices, who will end up elevating the overall level of films being made, because they'll have different points of view and experiences, in addition to talent.

The Disaster Artist is about the the friendship between the eccentric Tommy Wiseau and naive Greg Sestero while they make The Room, a film about... the honest truth is - it's actually hard to say what it's about because there are so many story lines that are brought up and never revisited, but the IMDB describes it as the story of «Johnny, a successful banker who lives happily in a San Francisco townhouse with his fiancé, Lisa.

8:00 pm — TCM — To Have and Have Not It's said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway's worst book.

About Prieur I can say a little more, because I own a rather good 1980 collection of his film criticism, Nuits blanches («White Nights»), that includes an essay on «Artaud and the Cinema»; the book's jacket informs me that Prieur was born in Paris in 1951, writes on film and literature, and is — or was — the film critic for La nouvelle revue francaise.

Weinstein's alleged blacklisting of the two actresses led to both of them missing out on roles in Jackson's «Lord of the Rings» films because of negative things the disgraced movie mogul had said about them, according to the report.

«The studio have asked me to think about writing a sequel and it is one of the ones that I might do a sequel to because I think there's somewhere more to go with it in terms of the characters,» Edgar said during an interview with Empire «s film podcast.

Because I look at the audience response to films made by women about women that have done incredibly well and I'd say, «Well, that's a reason right off the bat.

And there's a great deal to say about Black Panther and its cultural impact and context, because the fact of the matter is no matter how good or bad the film may be, it is important.

Jordan went on to another large - scale, Hollywood financed film, The Brave One (2007), because, as he says, «Jodie Foster sent me the script, and I read it, and there was something very vulgar and compelling about the basic drive of the script.

Now, there is a lot to say about the film itself but the most important thing to address is simply the two leads played by Miles Teller and Shailene Woodley because without these two, I don't think the film would have been as good as it was.

Before you start wondering about conspiracy theories — this is from the man behind JFK, and tells the story of the whistleblower who took on the US government, after all — The Hollywood Reporter's sources say it's because the film isn't finished yet.

Say what you will about Roland Emmerich's ludicrous piece of revisionist history, because while the conspiracy theory at the center of his film may be a load of bullshit, it doesn't make «Anonymous» any less entertaining.

He states that he didn't want to do a traditional commentary because if he had anything else to say about the film then he would have put it in the movie.

«We can't have an administration dictating our coverage just because they don't like what we write about them in our newspaper,» Hanks» Bradlee says early in The Post, and it's this line that colors the whole film; this is essentially what this movie is all about.

It's not about looks, though, as Mockingjay 1 takes a moment to remind when some old guy says they shouldn't put Katniss in makeup because it makes her «look 35,» handily identifying exactly the demographic assembled for this film: tweens and everyone else pretending they didn't glance at J - Law's naughty selfies.

But, it never really materialised and I didn't have a lot of interest in it, so it wasn't really until Rupert Preston (Producer on PUSHER), who had distributed the first one (the Danish original in 1996), and I had worked with on all my other films up until DRIVE (2011) and was a very good friend of mine, and with that he was very interested in maybe doing a remake because we had been talking about it for a couple of years and he said now was the time do it.

It isn't because the film is necessarily so good or so bad that it's beyond words, but because you're unsure how to feel about said film until the credits finally roll.

It Follows succeeds as well as it does, in fact, precisely because it's willing to take a hard look at its generic baggage, subverting the slasher film's longstanding association with marked and discarded teen bodies to say something about the intense vulnerability of youth, as well as their insuperable and probably ill - fated hopefulness in the face of it.

It's not an overtly political film, but it is political because it's about someone who says «No» and in today's society, saying «No» is a political act.»

Fassbender said Kurzel had suggested in an early conversation about the film that Macbeth, shown in the midst of battle in the opening scene, has nightmares and visions of witches because of his battle scars, physical and mental.

«I'm from a place that I'd never been to and that nobody who I loved had been to because they couldn't afford to go,» says Coogler, who grew up hearing about Africa but went for the first time only late in the process of making his previous film, Creed.

I don't even know if it is fair for me to say anything bad about this film because there is no release date for a theatrical, DVD or VOD release.

«Because she was so invisible to her father she didn't grow up under the dominant gaze of his that my brothers suffered under, so Jean was able to eventually leave, escape, create her own life that in Jean's world is a very healthy happy life,» says Elizabeth Marvel about her role as Jean Meyerowitz in the new Noah Baumbach film «The Meyerowitz Stories,» which premiered on Netflix on October 13.

2:15 am (2nd)-- TCM — To Have and Have Not It's said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway's worst book.

Prognostication: The latest prediction of the end of the paper comic comes from filmmaker Morgan Spurlock: «I buy more comics now off of comiXology than I ever have because I don't even have to go to the store,» he said at a screening of his documentary film about Comic - Con.