Sentences with phrase «say about the film other»

I don't have much «good» to say about the film other than I liked it.

Elysium will mark the young directors second film and ever since its announcement not much has been said about the film other than it was going to be in the sci - fi genre with a lot of underlying sociopolitical messages.

I don't have anything too negative to say about the film other than I thought that the film needed more scenes with Brianna Hildebrand.

Elysium will mark the young directors second film and ever since its announcement not much has been said about the film other than it was going to be in -LSB-...]

Not exact matches

«In some of these cases, the people releasing these films or cartoons are trying to make a statement about free speech, which is fair enough,» says Bergen, referring to the film and other provocative recent depictions of Mohammed, Islam's founding prophet.

I try not to hold things other people say about these prospects against them, but if you say a guy is «relentless» it's sorta hard not to look for that on film.

Having all just finished college, each is deciding on what path to take in life, and its Jim who has chosen the most shocking path for the group of friends as he has chosen to ask his girlfriend Michelle, the infamous flutist of the first two films (the wonderful Alyson Hannigan, which, ya know, she is so good in it, we did nt need the other girl characters, which is sad to say, but eh, this was always about the guys so who cares?).

This is a tear jerker film of the upteenth degree but as others have said, this is a story about sisters and true love.

The film is not saying that one is better than the other, but Kumail himself has a speech about how he needs to do things his own way.

They know they are «running,» which is the film's way of saying that Ricky and Hec are learning about their true selves as they try to outrun others and connect through tough love.

Except to say that whoever thought it was appropriate to have these beloved characters shooting at each other and talking about killing each other (on top of Mater's disastrous cultural insensitivity) should never work on a children's animated film again.

So says professional killer Jackie Cogan at one point in Killing Them Softly, the third film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the late 2000s thanks to the greed and lack of scruples of Wall Street, it is easy to see Cogan as an ordinary employee of any company complaining about the lack of vision of his bosses and, on the other hand, the big bankers as Armani - dressing versions of the violent mobsters who inhabit the crime section of the newspapers.

Unfortunately, it won't sound so kind when I mention that this is about as much as I can say in a positive regard, as the film fails on practically every other fundamental level.

«This a fresh and original film from Gianni Zanasi about accepting yourself and others — dramatic, amusing and entertaining with a twist of mystery,» said a jury of four European exhibitors, adjudicating the award.

The same could be said about Jeff Baena's wacky «The Little Hours,» a film with echoes of Mel Brooks in its non-contemporary setting, broad physical comedy, unexpected punchlines, and gigantic ensemble (seriously, every other face is a recognizable one).

Lady Bird, a coming - of - age story starring Saoirse Ronan that The A.V. Club's own A.A. Dowd said is «so funny, perceptive, and truthful that it makes most other films about adolescence look like little more than lessons in cliché.»

I sat down with the real - life heroes, now actors, to discuss the fascinating concept of them playing themselves, what they learned about themselves and each other after doing so, and what the film says about bringing a community together to conquer despair.

Ever since The Sixth Sense we've been subjected to film after film trying to surprise us, and whilst some have succeeded and others have failed I think I speak for many when I say it's about time Hollywood moved on.

«I was talking to someone the other day who asked about it, and I said to them, «Have you seen how much female nudity there is throughout the history of film and TV?»

Ostensibly a documentary about a real - life horse whisperer, this film actually has more to say about how people treat each other than how they interact with horses.

What can one really say about these films in bite - size form, other than to continue to marvel at the simple brilliance of the idea, and to wonder how the intervening years, and the knowledge of the camera's returning presence, will affect the subjects this time.

I didn't make this film, but I will say that the internet has changed everything in terms of distribution and because of iTunes and other outlets like that, length is no longer something you really think about, in my opinion.

From Kevin Jagernauth's Playlist review: «This is a film that desires to say something about how we relate to each other, and how the often overlooked consequences of our actions can refract down avenues we could never expect.

Let's just say they involve a karaoke performance, nudity, a very hairy embrace, and finally, a from - the - heart statement about how we could and should live our lives, which in almost any other film would seem like treacle, but here is thoroughly earned and provokes the tears that lay beneath the laughter all along.

What I am about to say applies not just to Harry Potter, but to other book to film adaptions, such as Lord of the Rings.

«Simon Beaufoy [his co-writer on this film and Slumdog] and I were talking about this the other day,» he says.

There are lots of other things I could say about the film — most of the music seems incongruous and yet is utterly fitting, which I love.

After almost two weeks of reports conflicting each other about Deadpool 2 test screenings, some of which said the film was awful, some of which said it was great — a new report has apparently put an end to it.

There was no real news about Star Trek 2, other than saying the film will be a few years after the first film and that the characters will be considerably more familiar with each other.

Soft - spoken but intense, Taylor had obviously pondered the deeper significance of the film, but he also had some interesting things to say about film acting in general and about his other film, the sequel to LAURA CROFT.

Just the other day, Academy Award - nominated screenwriter Taylor Sheridan (Hell or High Water) gave an update on the project, saying, «If Sicario is a film about the militarization of police and that blending over, this is removing the policing aspect from it.»

In our conversation he talks about why he likes working on stage and screen projects with the film's writer - director Martin McDonagh as well as several other top - flight helmers he has acted for in the past including George Clooney — with whom he says he grew close to over the course of two years he spent with him on Confessions Of A Dangerous Mind in which Rockwell played Chuck Barris, the game show host who claimed he was a CIA agent.

The film rates this high for me not just because of its technical skill (the ensemble acting is terrific, with Kelly Macdonald in particular doing great work in just a few scenes, and Roger Deakins's cinematography is as good as anything he's done with the Coens, and that's saying a lot) but because of its ambiguity: because the questions it raises about narrative and about society are as interesting as those raised by any other film (but one) of 2007.

The 23 - year - old actress - who next stars as Charlotte in Richard Curtis» romantic drama About Time, which is released on September 6 - said it has been thrilling to go from one spectrum to the other in both films.

Or might other nominated films — including «Call Me By Your Name,» «Dunkirk,» «Lady Bird» and «Get Out» — have something to say about that?

Jury protocol entails some discretion about what I saw, but I can honestly say that, between the three feature juries doing duty this year — the others being Arturo Ripstein's international competition jury and the «Cineasti del Presente» jury under Dario Argento — most of the films that I valued, in whatever section, were honored one way or another.

Edgerton hopes the film will open a «broader discussion about being kind to each other,» he said.

I don't know about others but I would really appreciate some closure at the end of these types of films but sadly I guess the majority of people just say «Oh well, they beat the spirit.

• Always eager for a «look, we said something about it first» story, Steve Weintraub calls an exclusive (seriously, we need to define this term already) on a story Eric Roth has been talking about here and there for a while now... his desire to pen a space film, among other scripts the writer is working on, all reported elsewhere long ago.

It happens repeatedly in the film, and each time, it says something different about where Alma and Reynolds's relationship is at that particular moment, and about what each wants from the other.

It says a lot about the state of women and other marginalized groups in film that Trainwreck is being marketed (and praised) as «not your mother's romantic comedy.»

Check out what Karpovsky had to say about bringing those two wildly different features to life and also a little about his SXSW entry, «Good Night,» as well as a couple of other film ideas he has brewing in the video interview below.

The film is said to be about one white couple and one black couple; if cast, Nyong» o and Duke will play one, while Moss and another actor will play the other.

One of the best things one can say about Ryan Coogler's Black Panther is that it doesn't feel like most of the other Marvel films.

A smart, sophisticated comedy about the challenges of love and marriage amongst modern day New Yorkers, Freundlich's fourth feature film centers on the romantic escapades of two couples: a successful actress (Freundlich's real - life significant other, Julianne Moore) and her stay - at - home husband (David Duchovny), and said actress» slacker younger brother (Billy Crudup) and his aspiring novelist girlfriend (Maggie Gyllenhaal).

I was about to say I hope Carey Mulligan takes it, but then I realized I haven't seen any of the other actress - nominated films, so I'm a little biased on that one.

During a recent interview with Oregon Live, none other than Patrick Stewart, Professor X himself, made some very interesting comments regarding the film, saying, «What I'm excited about is that we have been talking about a Wolverine movie, which would team Hugh Jackman and myself together.

But, it never really materialised and I didn't have a lot of interest in it, so it wasn't really until Rupert Preston (Producer on PUSHER), who had distributed the first one (the Danish original in 1996), and I had worked with on all my other films up until DRIVE (2011) and was a very good friend of mine, and with that he was very interested in maybe doing a remake because we had been talking about it for a couple of years and he said now was the time do it.

Say what you will about the artistic merits of a film like Nine 1/2 Weeks — an obvious comparison — but the characters played by Mickey Rourke and Kim Basinger seemed, at a minimum, to enjoy being in each other's presence.

When actor David Strathairn signed on to do the film, saying of the story, «I loved it immediately... it's about the big and small banana peels we all slip on,» Buzz and Aaron knew that there must be others who would understand why one embraces such a journey.