He states that he didn't want to do a traditional commentary because if he had anything else to
say about the film then he would have put it in the movie.
Not exact matches
Well the picture was made under the title of Magnifico Straniero, so when it was Fistful of Dollars I didn't think anything of it, and
then about the fourth or fifth time that they mentioned this
film they
said Fistful of Dollars with Clint Eastwood, little tiny letters down there and I
said - I
said oh god, that's it, huh?
Since
then, I have been raving
about this guacamole on several occasions, so when he offered to help me
film this video, I really couldn't
say no.
«We're hoping if we can understand better the basic dynamics of the tear
film,
then we can start to understand what goes wrong if you have dry eye and start to think
about potential cures by studying simulations,» Maki
said.
Then, over the course of a series of more dramatic rebellions, the
film reveals more
about Moll's past, her capacity to justify violence, and the very real possibility that she might allow a serial killer to get away with his crimes, just so she can be with someone who
says he loves her.
How do you review a
film with a lead character so self - aware he's capable of reading
said review,
then cracking wise
about it with numerous inventively offensive putdowns?
What a surprise,
then, that VAMPIRE ACADEMY actually looks quite good, something which I thought I'd never
say of a
film about teenage vamps attending a sort of Hogwarts for blood - drinkers.
At first, I think they were a little reticent
about taking part in the
film, but
then they watched «Cartel Land» and called back and
said, «Let's do it.»
Then again, when the best you can
say about a
film is that it's faithful to the source material, perhaps you know something's wrong.
Then again, he also
says of Swept Away, «It's very fresh — they don't make
films about slapping women anymore,» leading the viewer to wonder if he's really got his finger on the pulse.
If there is a sucker born every minute,
then the same can also be
said of
films about confidence tricksters.
Then again, couldn't one easily
say the same thing
about the highest - grossing
film of all time, James Cameron's Avatar?
There have been talks
about the latest Cloverfield movie and how it might be straight to Netflix
film and
then Netflix goes ahead and releases a trailer during the Super Bowl that
says The Cloverfield Paradox will be available to stream right after the game?!?!?!
Years ago we did a
film about homelessness called Cathy Come Home and the Labour government
then, which was quite right - wing,
said, «Ah, this helps us understand homelessness,» but
then did nothing
about it.
Then, I wrote
about Ethan's love of the
film, and how he
said working with Sally was a «match made in cinema heaven.»
At one point, he starts telling me that Denis Leary sent him a letter praising another short
film he wrote and directed, 2010's Noleen, but
then he stops himself short,
saying: «Sorry, I've gone off on a thing
about how great I am.»
You've already made up your mind
about this
film and if you love it
then I
say God bless.
Todd Haynes»
film about the
then forbidden love between a housewife (Cate Blanchett) and a young girl (Rooney Mara), could also, Burwell
says, be considered «in terms of social meaning, but I think from the point of view of music's role, I was really looking at it as a love story, so that's a new thing for me.»
What can you
say about a
film that so swears
about its cerebralism as to discuss sickle cell anaemia at some length, and
then picturises a disturbing sequence of a 14 - year - old being admired by two sexual predators against an astonishingly and unironically sunny number?
As Sam Adams at CriticWire notes «the problem lies in foisting one ironclad interpretation upon the
film and
then praising or damning it for its point of view, without acknowledging that the argument
says much more
about the person making it than Frozen itself.»
And someone who uses his spotlight to talk
about something Olivia Munn
said in a book and proclaim that he «banged her a few times» when «she wasn't Asian,» only to go on Howard Stern to deny it ever happened and
then use an anti-gay slur in front of an audience should not be allowed to be a major force in a ceremony that celebrates the year's best achievements in
film.
However, for those of you who will only watch animations of the highest calibre, this probably isn't for you, but if you're easy going
about these things and fancy a nice, entertaining
film,
then I would
say have at it.
«The acting is so bad in the
film,» he
says,
then concedes, «You could
say the same thing
about Troll 2.»
Then again, the latter can be
said about the entire
film; it's supposed to be dark and mean - spirited, but it never goes beyond a somewhat dark shade of grey; perhaps the PG - 13 rating held more sinister — and possibly funnier — instincts in check?
Ron Shelton compares a script to sheet music, but
says that it unfortunately only gets played once; he
then goes on to talk
about Bull Durham being written in a single draft, with his
film's opening two - page monologue dictated into a microcassette recorder while driving the back roads of North Carolina.
If a
film about a fashion designer from two of contemporary cinema's most obsessively detail - oriented artists, for which one of
said artists actually learned to make couture gowns, can't get nominated for an award recognizing excellence in costuming,
then what hope is there for the rest of us?
I was
about to
say I hope Carey Mulligan takes it, but
then I realized I haven't seen any of the other actress - nominated
films, so I'm a little biased on that one.
Then again, that was the excuse for the first movie, and with the third and final book («Allegiant») being split into two
films, it's hard to imagine the same won't be
said about the next installment as well.
To which director Ridley Scott
said a hearty «watch me» —
then went
about re-casting the role with Christopher Plummer (
said to be Scott's original choice) and re-assembling the cast for a rush of last - minute re-shoots, promising to get the
film in as close to the original release date as possible.
That in itself is a great achievement but it isn't couched in such a way that you can deal with this
film by
saying that was there, that was
then, we know what we think
about that.
Both Marvel Studios» president Kevin Feige and Johansson herself have talked openly
about the possibility to do a Black Widow solo
film since
then, but nothing substantial has been
said about going forward with it.
If you find this boring and dull, slow and empty,
then you are not looking deep enough into it, so if it is light entertainment your after avoid, but if its a
film you will think
about for a long while to come... enough
said i think.
Me, I'm really wondering if anyone truly buys a book on the basis of a short promo
film (though it might be equivalent to a TV ad, I guess — but
then it's as you
said about print ads: most often, you're buying the author brand, not the book).
Then again, we have lots of questions for the Compensation Committee which includes James Caan, the 78 year old actor (
about whom NETE
says «We believe that Mr. Caan's tenure working as an actor and director in the
film and television industry, qualifies him to serve as a director of the Company «-RRB- and of Jon Najarian of CNBC (whom as this story explains, we believe has committed securities fraud by failing to file Form 4s for NETE stock he claims to have purchased).
Finally the artist mounted the podium, promising that food would soon be served — it was 11 PM — but, seemingly unaware that there were other events calling all over town, he wanted first to
say something
about the relief effort in Haiti, and
then there were more speeches and another
film.
Take Care of Yourself is only her second piece
about a partner, she
says, if you don't count No Sex Last Night, a
film about marriage made with her
then husband.
He thought for a minute, and
then said an amazing thing which ends the
film,
about realizing as he has gotten older, that life is not black and white.