To
say film critics lack relevance ignores the cyclical nature of abuse and neglect of women and people of color behind the camera.
Not exact matches
Critics say wait for other Steve Jobs
film, written by Aaron Sorkin http://t.co/cySnQbaRaG
What
critics said: «Pugh and the
film around her hold an audience transfixed and conflicted to the end.»
What
critics said: «It's at once minimalist and maximalist, cynical and dopey, a big - boy white elephant art
film that is actually a lean and mean suspense set - piece machine.»
What
critics said: «It knocks down a lot of the infrastructure the previous
films had created, and it does so in a way that feels organic and refreshing for the Marvel world at large.»
Garbo, then thirty - six,
said the
critics — the Legion primus inter pares — «dug my grave,» and she never made another
film.
Evangelical
critics have similar reservations,
said Bonk, as well as a concern about «whether a
film, any
film, can have the capacity to communicate the gospel without reference to local contexts.»
(That's my read — one web
critic says the
film fails because Stone never had the guts to take any point of view.)
«Calm down, dear,» he
said, a la Michael Winner, the beaming, bumbling
film director and
critic who epitomises smugness.
While getting a movie or TV show to
film in your home state is competitive,
critics say New York has already been a longtime on - location setting for major productions.
Here's what I like, and I don't care what professional
film critics say.
This lends to what
critics have
said about this
film being cliché ridden.
One scene in particular had me staring at two
film critic colleagues in disbelief, as if to
say, «Is this really happening?»
Many
critics have
said that this is similar to Star Wars, and I can see why, but there is still plenty of originality to the
film to make it a memorable viewing experience.
Yet as another
critic has
said, the
film is sad without being depressing.
The
film isn't great, but it certainly isn't as bad as what many
critics have
said about the
film.
The
film did only a fraction of the business of,
say, the previous year's Nightmare on Elm Street 3: Dream Warriors, but it did earn a few favorable reviews even as it repulsed
critics such as Roger Ebert.Thereafter, Fleming's career waxed extremely uneven from a critical standpoint, though his grosses remained generally favorable throughout and the projects kept rolling in.
I'd be lying if I
said that The Band's Visit isn't touching and uplifting and all those other audience - friendly emotions against which
film critics are believed to religiously steel themselves.
Find out what
critics are
saying about all of the major
films (and TV shows) debuting at this year's Tribeca Film Festival.
Below, find out what
critics are saying about all of this year's notable festival debuts, including films that screened out of competition or as part of the parallel Directors» Fortnight and International Critics» Week pr
critics are
saying about all of this year's notable festival debuts, including
films that screened out of competition or as part of the parallel Directors» Fortnight and International
Critics» Week pr
Critics» Week programs.
I can't
say I can fully blame the
critics, because even though, like I
said, I like this
film alright, it has more than just some decent, if annoying punk rock classics to give you (Yes, I'm going to
say it again) «heebie - jeebies» (There).
Critics raved and the
film was a hit, but Kubrick was frustrated by his lack of artistic control — he had no
say in the script or final cut — and largely disowned the work.
A Walk in the Woods shouldn't be criticized for its simplicity, which is what some
critics have
said about it, because a
film like this can't really do much more than it does.
The
film is fairly underrated and it does manage at being one of those
films that is much better than what the
critics said.
If I were to offer a
film critic style soundbite, I would
say that Collar X Malice is a slick, stylish, and sexy thriller.
In December 7, 2003 respected
film critic Roger Ebert
said Theron's performance in Monster was one of the greatest performances in the history of
film.
Some
critics went as far as to
say that this
film «scarred them for life».
If you aren't interested in what
film critics have to
say then stop reading them and most of all stop telling them to change how they approach cinema.
So who's to
say that Todd Solondz or Skip Woods or Peter Berg or Danny Boyle or Robert Frank or Lance Mungia or John Dahl or Vincenzo Natali couldn't very well go on to have some quite significant bodies of work... or at the very least become a
film critic.
We don't want to
say anything more — and frankly, the trailer makes it difficult to intuit much, save for some mysterious affliction that seems to render people immobile — but our
film critic A.A. Dowd caught the
film at Cannes this year and praised it,
saying Lanthimos «brings a thunderous, quaking dread to every square inch» of his latest project, like a «twisted slow - burn Cape Fear.»
Even the screenwriters get blasted in most of the reviews posted online, similarly to TheWrap's
film critic Andy Klein «s review, who
said «the four credited screenwriters — the returning Creighton Rothenberger & Katrin Benedikt, plus Christian Gudegast («A Man Apart») and Chad St. John — make things move fast enough to keep you awake, but not fast enough to finesse its plot absurdities past an alert viewer's mind.»
It may be surprising for you to learn that in a country with more than one billion people, the fastest growing
film industry in the world, and a 10 billion rmb (1.5 billion usd) box office gross in 2010 alone, there is hardly any professional
film criticism accessible to its public.When I
say hardly any, I mean that there is an absence of professional
film critics who work for major, national publications and media outlets, and thus a lack of regular
film reviews of new Chinese movies, at least for the mass audiences.
Todd McCarthy at the Hollywood Reporter is another
critic to single out Vikander's performance, while also
saying the
film itself is lacking:
After I saw it at the Toronto
film festival last September — where Rudolph and Willis
said they were proud of having made it even if nobody saw it — it received nominal runs in New York and Los Angeles, cities where viewers and
critics are regarded by distributors as being more demographically significant than those in Chicago, and then early this year it came out on video.
In addition, see what
critics have to
say about the
film, so far.
Michael Keaton plays a somewhat fictitious version of himself in director Alejandro González Iñárritu's latest movie «Birdman,» which
film critic Michael Phillips
says is «just plain fun to watch.»
Junge, detained in Russia for a period at the end of World War II before finding work as a magazine editor, treats the unseen Heller like a priest; one might
say that her regret drives the piece, resulting in not a lurid
film about Hitler (which has disappointed those
critics out for something pulpier), but a deathbed confession.
Or maybe it's because she's married to Lou that she can't stop thinking of Daniel... Following up «Away from Her,» Polley's second
film is sharply dividing
critics and audience in Toronto: Many find it simultaneously exhilarating and depressing; others find it ugly and hateful; a third faction seems to be kicking against the
film not for how it
says what it
says, but, instead, for what it
says in the first place.
It's not as bad a
film as some
critics (especially Erhlich) are
saying; there's always pushback when a mediocre
film gets promoted too hard.
Furthermore, all four
critics» organizations have voted to disqualify Disney's
films from year - end awards consideration until
said blackout is publicly rescinded.
The
film critic David Ehrlich has tweeted that the
film feels like it wasn't even made by humans, and I'd go further, to
say that the movie dehumanizes its leading woman and attempts, disconcertingly, to dehumanize its audience.
The Online Film
Critics Society's Governing Committee
said, «This year's nominations and
films recognised represent the rich variety of
films on the global stage in 2016.
Even
critics of last year's Amores Perros have admitted that an insurgence of Mexican productions into the highly populated art house distribution crowd is increasingly inevitable (the best simile that could be imagined is that the rise of Mexican cinema is like the push for Germany and Japan's permanent inclusion on the UN Security Counsil — hey, as art
film distributors are
saying, we're still working with the inclusion of Iran and Taiwan).
«In the face of massive marketing for big studio
films, it is the ultimate underdogs who have emerged as
critic's darlings and fan favorites,»
said Tim Gordon, president of WAFCA.
The late
film critic Pauline Kael famously
said of the popular Fred Astaire - Ginger Rogers pairing, «He gave her class and she gave him sex.»
SOUNDS: My fellow
film critic Eric D. Snider
said it first, but I'll make sure he's not the last... Clint Mansell's score blends perfectly with the original music with «Swan Lake.»
After all, the
film is already shattering box office records and receiving glowing reviews from
critics, so it's safe to
say Marvel Studios has a pretty firm grasp on what works and what's better left to our imaginations.
While I'm a fan of the divisive space epic Prometheus, there's no denying that with
critics and audiences alike Scott has been in quite a steep rough patch these past few years and so it's with no shortage of competition that I
say that his latest, Exodus: Gods and Kings, is easily the worst
film of his 40 - year career.
Critic Bob Mondello
says little is not a word he'd use to describe anything about the
film.
While it's entirely possible that «Demon» will appeal more to U.S. audiences after its June 24 release than it did to
critics who saw the
film at Cannes, at the festival, Refn
said his intention was to make a «primal» movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.