Sentences with phrase «says ica»

«The gallery was purposely built for this installation,» says ICA Miami's director, Ellen Salpeter.

Zhang Ding says the ICA's Enter the Dragon installation will involve 26 musicians, bands, producers and DJs.

«Importantly, whilst the community can not control extreme weather hazard, it can exert significant power over its exposure and vulnerability through appropriate regulation and development practice,» says the ICA submission, adding that primary efforts should be focused on mitigating measures aimed at reducing the «brittleness» of the built environment.

Ding, who has made several pieces involving live music including transforming a Shangai art gallery into a nightclub, said the ICA project was as much about watching the audience as the improvising bands.

But everyone is saying the ICA is financially doomed.

Not exact matches

In San Francisco, the bank's community - development partners will include Working Solutions, ICA Fund Good Jobs and Pacific Community Ventures — groups that specialize in helping very small, mid-sized and larger businesses, respectively, says Peter Scher, JPMorgan Chase's global head of corporate responsibility.

«I was taken aback by the ICA,» says Technology, Innovation, and Education student Mette Bohnstedt.

Its EASY to say after the fact that ICA is great and beat the S&P 500 index..

«In Marfa, Texas, he set up 16 buildings with his art as he wanted it to be seen,» says Ellen Salpeter, director of the Institute of Contemporary Art (ICA) Miami and Judd Foundation board member.

«Many of these pieces have not been seen by the public ever, and what an opportunity for us,» says Salpeter, who co-curated the exhibit alongside Judd's son, Flavin, and the ICA's chief curator, Alex Gartenfeld.

This city formed an integral role in shaping and developing Morton's practice and career, first as a student and then as a teacher at the Philadelphia College of Art, and ICA was an early and avid supporter of Morton, creating a collaborative relationship that included commissioning and exhibiting her work in the early 70s,» said Amy Sadao, Director of ICA.

«We are thrilled to unveil ICA Miami's new permanent home in December and to sustain our commitment to free general admission, inviting the entire community to engage with our dynamic inaugural program,» said Ellen Salpeter, Director of ICA Miami.

We greatly appreciate all of Ellen's work, which has helped our young institution build its best practices and increase community impact, and wish her the best in her next steps,» said Irma Braman, Co-Chair of ICA Miami's Board of Trustees.

Alex Gartenfeld, Deputy Director and Chief Curator of ICA Miami, said, «The Everywhere Studio marks the first time ICA Miami has mounted such a far - reaching historical survey, placing the next generation of artists in dialogue with their predecessors and within an art historical framework.

«It has been a great privilege working alongside ICA Miami's visionary board and staff during this pivotal moment in the life of the museum,» said Salpeter.

«This survey marks an important moment to appreciate and understand the work of Ree Morton, who has been widely recognized as «an artist's artist» and whose impact on contemporary practitioners has directly influenced the work of many, despite her lack of greater public renown» said Kate Kraczon, the Laporte Associate Curator at ICA.

«The more I see these women, the more I love them,» Bronstein said, before I slipped into the 2016 Turner Prize exhibition and found ICA curator Matt Williams

Gregor Muir, Executive Director of the ICA, London and incoming Director of Collection, International Art at Tate, said: «This year's Frieze Art Fair contin - ued to stimulate the imagination with a reassuring degree of certainty, proving once again how London is a world - class centre for contemporary art.»

«We are very excited to welcome Mark Bradford and present his powerful work in Boston,» says Jill Medvedow, director of the ICA.

«We are delighted to open the ICA and welcome the Richmond, VCU, and art world communities into the building,» said Joseph H. Seipel, interim director of the ICA.

Her vision and leadership will be invaluable as we enter into this next critical chapter of our museum's history,» said Irma Braman, Co-Chair of ICA Miami's Board of Trustees.

«I am thrilled to be joining ICA Miami at this pivotal moment in the life of the museum and of Miami as an international arts destination,» said Salpeter.

says Helen Molesworth, ICA chief curator, who coordinated the exhibition at the ICA.

«You don't see Picasso in Miami very often,» says Alex Gartenfeld, chief curator of the Institute of Contemporary Art (ICA).

«I arrived here five years ago and the ICA was in a very difficult period of its life financially, and we had to scrap the music programme because it just wasn't viable,» Williams said.

«Bringing to the fore one of the most seminal artists of our era, this exhibition is a prime example of the significant programming ICA Miami has produced since its founding and that we will continue to present in our new home,» said Ellen Salpeter, director of ICA Miami.

«Eddie and I are honored to provide support for ICA Miami's new public programming series, ICA SPEAKS, which underscores the institution's dedication to serving the local community,» said Kinga Lampert.

Thanks to our new expanded home, the show also marks the first time in our history that ICA Miami will have the space to bring together historical and recent works to address key forces in contemporary artistic practice, and contemporary life and society,» said Alex Gartenfeld, Deputy Director and Chief Curator.

They bring rigorous global perspectives and wide - ranging institutional experience into dialogue with innovative approaches to interdisciplinary programming,» said Ellen Salpeter, ICA Miami's Director.

«We embarked on the construction of ICA Miami's new home to create a vital and enduring cultural resource for our community that fosters appreciation for the work of the most innovative artists of our time,» said Irma Braman, Co-Chair of ICA Miami's Board of Trustees.

«The inaugural program of the new ICA Miami represents an expansion of the depth and breadth of our programmatic approach,» said Alex Gartenfeld, Deputy Director and Chief Curator.

«As a Richmond native, I am elated to join the curatorial team and to craft a film program that extends the reach of the ICA's other programs, while continuing to showcase the work of filmmakers of color both locally and on the international stage the ICA provides,» says Enjoli Moon, the newly appointed adjunct Assistant Curator of Film.

«We are thrilled to unveil ICA Miami's new permanent home and to sustain our commitment to free general admission, inviting the entire community to engage with our dynamic inaugural program,» said Ellen Salpeter, Director of ICA Miami.

The cross-section of community present inside and outside of our walls this weekend was beautiful to witness,» said Joseph H. Seipel, interim director of the ICA.

«We are so fortunate to have found an ICA director who has such deep and far - ranging experience in contemporary art and a clear commitment to scholarship,» said Joseph Seipel, Dean, VCU School of the Arts.

In our current geopolitical moment, her questioning of borders and boundaries is more relevant than ever,» said Alex Klein, the Dorothy and Stephen R. Weber (CHE» 60) Curator at ICA.

Alison Myners, the chair of the ICA council, said she was delighted to welcome Kalmár as director.

Gregor Muir, Director of ICA, said: «Art Night builds on the ICA's experiences of working in unusual locations with our Off - Site programme and adds to its rich history of presenting ambitious cross-disciplinary work by leading artists.

«This show is about acknowledging that we are living in a world where the digital and internet is our primary means of expression, that it's become very important particularly in terms of our identity,» said Katharine Stout, chief curator at the ICA.

Prior to my appointment to the ICA, their visual arts program was, to say the least, uninspiring, and they appeared to have lost the trust and interest of contemporary artists.

«There really is no other organisation like the ICA — indeed it is the birthplace of all ICAs,» he said.

«As a medium grounded in conceptual innovation and material reality, sculpture is a significant focus of our programming at ICA Miami,» said Alex Gartenfeld, ICA Miami's Deputy Director & Chief Curator.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

«Engaging audiences with art beyond the walls of the museum and throughout our community is central to ICA Miami's mission and should be an everyday occurrence,» said Ellen Salpeter, Director of ICA Miami.

This exhibition faces critical issues of race head - on, exploring and engaging issues of identity for black Americans as explored by an emerging generation of innovative artists,» said Amy Sadao, Director of ICA.

Freiman, commenting on Smith's appointment in a press statement, said that «with her extensive leadership experience in university and contemporary art museums, [Smith] is the ideal addition to the ICA, and will greatly help the institution inspire new ways of thinking, encourage discourse, and foster collaboration.»

«I wanted to be part of propelling ICA LA and its long history in Santa Monica forward as it moves to its new home downtown,» Bradford said in a statement.

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

«In ten years, the ICA has established a collection of great variety, ranging from historically significant work of figures such as Eva Hesse and Louise Bourgeois to the contemporary explorations of leading artists such as Kara Walker and Paul Chan,» said Eva Respini, Barbara Lee Chief Curator.

Executive Director, Ekow Eshun, said: «Matt Williams is an exceptionally talented curator who brings significant expertise and insight in new directions in contemporary art and curatorial practice to the ICA.