Sentences with phrase «scale polaroids»

Other big tickets to tempt the collectors include Hirst's foil butterflies at the Paul Stolper Gallery and Julian Schnabel's large - scale Polaroids at Colnaghi, both of which opened this week.

A leading voice of portrait photography, Dawoud Bey got his start as a street photographer in Harlem in the 1970s, then made sensitive, large - scale Polaroids in the nineties, and last year had a retrospective held concurrently at the Art Institute of Chicago and the Renaissance Society.

The show displays a selection of pieces displayed salon style as both a reference to early modernist salons but also to the clutter and natural chaos of her own workspace.The show includes photographs, collages, drawings, and large - scale Polaroids, displaying for us a more personal, introspective viewpoint that we haven't seen yet from the artist.

Not exact matches

Recognized for her large - scale, rhinestone - embellished paintings of powerful black women and pattern - rich interiors, this volume, produced conjunction with the exhibition «Muse: Mickalene Thomas: Photographs,» gathers the photography of Mickalene Thomas for the first time — portraits, prints and Polaroids — and features a nod to fellow contemporary African American photographers who inspire her.

In 2013 Somerset House presented a major retrospective featuring over 100 works including large scale prints, polaroids and drawings.

It includes 129 photographs spanning from 1968 to the present, ranging from black and white portraits to monumentally scaled composite Polaroids, to intimately scaled daguerreotypes.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

Daguerreotypes such as Kate Moss, 2003 show the same extreme level of detail on a small scale as Close's 20 x 40 Polaroids of the late1970s.

Chuck Close Photographs, on view from March 20 through October 2, 2016 features 86 images from 1964 to the present and illustrates the full range of the artist's exploration of photography — from early black and white maquettes, to monumental composite Polaroids, to intimately scaled daguerreotypes and recent Polaroid nudes.

This selection of historic Polaroids show both models and artworks in progress, many of which are also included in the Serpentine Sackler Gallery exhibition, such as the archetypal figure of the Cowboy, workers from the large - scale installation Lunchbreak, Man on Mower and Children Playing Game.

Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink - jet prints; from the subtle tonalities of gray - scale paintings and drawings to the exuberance of an 111 - color screenprint.

Polaroids and Scale Single and composite Polaroids figure prominently in the exhibition.

This exhibition will feature about 30 of Colburn's manipulated - found - footage and stop - animation films from the mid-1990s to the present, as well as Polaroids and large - scale collages.

In the early 1990s, the artist took Polaroids of the underside of a table and chairs in his kitchen and was struck by the expansive and immersive world they conveyed.2 He sought to re-create this experience in the round, and beginning in 1992 his work turned from handmade to industrially fabricated, from modestly scaled to nearly four times life - size, and from somewhat abstracted to more directly representational.

In the early and mid - 80's he created series of captions that explored classical aesthetics from many angles, using new techniques and scale, such as Polaroids, photogravure, platinum, dye transfer prints and Cibachrome.

The drawings, two - and three - dimensional collages, and most of the photographs are small in scale, which suggests that they have status as «sketches» and preparatory works, except for several black - and - white Polaroids.

Over the years her vocabulary and interests, including her ongoing experimentation with constructions, sets, and installations at the human scale, have provided a through - line and given a unity to her artwork, even as she has experimented with multiple processes, from cyanotypes and Polaroids to Cibachromes and video installations.

Something New in Painting (and Photography)[and even Printing] will also display two large - scale, digitally - altered photographs that have been inspired by his earlier collage work made up of polaroids and multi-screen videos.