Sentences with phrase «scale abstractions created»

Le Brun's first exhibition with Lisson Gallery will feature a new series of large - scale abstractions created over the past two years, often involving great accretions of colour and gesture, towards final, «all - over» compositions.

Not exact matches

Today, the majority of these artists are best known for the large - scale, daring abstractions they created in the 1950s and 1960s, but the careers of each painter featured in the exhibition began to take off in the 1930s and early 1940s, when surrealism still held a central place among the avant - garde.

In these stills from the scene that appears in Belz's original trailer, Richter very thoughtfully creates classical gestural abstractions: Which remind me of nothing so much as the great, underappreciated - until - just - now, large - scale paintings of Willem de Kooning from the mid-1970s.

Ranee has created large - scale and medium - scale works in this exhibition that tip - toe on the border of control within the realm of abstraction and result in a beautiful culmination of calculated chaos.

Then in an improvisational approach she unfurls these memories and ideas onto her vast canvases weaving them together to inform the meta narratives which emerge in the spontaneous approach she takes in creating her large scale «abstractions».

The large scale Water Lily Paintings verge on abstraction and are unsurpassed in their pioneering efforts at creating viable pictorial structure from color, surface, luminosity, value, hue and chromatic shifts.

A series of flaming red coloured large - scale canvases, created for this exhibition, testify Lavier's on - going interest in the exploration of colour and the experience of abstraction.

Renowned for his large - scale paintings combining images from advertising and mass media with vibrant color and abstraction, Rosenquist has been credited with creating a unique brand of conceptual realism.

Diebenkorn returned to abstraction in 1967, soon after moving to Southern California and establishing a studio in the Ocean Park neighborhood of Santa Monica, where he created his most celebrated works — large - scale, color and light - filled abstractions.

Working often in large - scale, energetic multi-media abstractions, the artist creates erotic depictions of feral pubescent figures whose convulsive energy feminine iconography.

Though working on a diminutive scale as compared to Rosenquist's monumental compositions, Steele draws on rigorous observations of the real world to create fragmented images that waver between recognizable form and nonobjective abstraction.

Using a variety of media and a series of photographic processes, Ngyuen creates fantastical, large - scale installations, engulfing the viewer into an otherworldly vortex that fluctuates between representation and abstraction.

Adopting the language of abstraction and revolutionary aesthetics, Nolan typically uses a reduced palette of red and white and simple, inexpensive, utilitarian materials to create banners, posters, pamphlets, paintings and large - scale installations.

Otero interweaves traditional Spanish Baroque imagery with personal subject matter, employing unconventional techniques to create large - scale, dynamic expressionistic abstractions.

Bold color, high - contrast abstraction and repeated patterning create elaborate and visually arresting graphic pieces of intimate and oversized scale.

Using figurative representation and playful geometric abstraction, Brooklyn - based artist Ted Lawson is someone who loves to combine digital technology — such as 3D printing — with traditional art methods to create organic fine art as well as large - scale sculptures that explore humanity.

He creates large - scale paintings that exist in a realm between abstraction and representation, somewhat analogous to artists like Alex Katz and Henri Matisse who often depict exterior and interior...

There are also a grouping of large - scale paintings created over the last thirty years which plays with the boundaries between abstraction and figuration.

Widely recognized in Europe for his erratic paintings that maneuver around abstraction and representation, Pils creates large scale paintings bursting with energetic brushstrokes and mysterious narratives.

These paintings, created in multiple small - scale series, allow for repeated methodical experimentation with specific color fields and patterns, shifting away from the monumental scale of midcentury abstraction.

Often interweaving traditional Spanish Baroque imagery with the personal subject matter, Otero employs unconventional techniques, creating large - scale, dynamic, and expressionistic abstractions.

From far away many of these paintings appear to be large - scale gestural abstractions, but on closer inspection the viewer detects total flatness — the abstract paint marks were actually photographed and silkscreened on top of images of personal spaces, creating an image of abstraction rather than the abstraction itself.

The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper - real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Phillips uses planar form and geometric abstraction as a visual language, creating both small - scale sculpture and embossed print.

The final room in the exhibition will bring together, for the first time in the United States, a major grouping of large - scale paintings created over the past thirty years that play with the boundaries between abstraction and figuration.