Sentences with phrase «scale art up»

Not exact matches

We aim to make scale - up a science, not an art.

There are many, many smaller - scale arts projects in communities up and down the country that are making a vital difference to people's lives.

Yeakel created a timeline based on existing records from paleontology, archaeology, and art, which picks up about where the fossils leave off and zooms in on a much shorter time scale.

In addition, HIV infections remain stable or are rising among gay men in countries that have scaled - up HIV testing programs and access to ART.

Now, the scientists conclude, realizing the promise of early ART and PrEP depends on whether sufficient global political will can be mustered to provide sufficient human and financial resources to scale up HIV testing and treatment throughout the world.

French photographers Agnes Varda and JR collaborated to travel throughout France, taking large - scale black - and - white portraits and pasting them up as public art in places that don't make this country's picturesque travel reel — a row of abandoned miner's housing, a rural cluster of unfinished cottages, a chemical factory and a loading dock.

The latest incarnation of moviedom's iconic great ape is the sole convincingly emotional character in Kong: Skull Island, a decibel - defying mash - up of grand - scale monster movie, grunt - level military fantasy and state of the art effects showcase.

They have always been an effective way of making a point in a very visual way that anyone can understand, from the religious murals of the Renaissance to the political murals of the deep South and Northern Ireland; large scale art doesn't just decorate blank walls, it gets people looking up and taking notice.

Also re-styled are the R gearshift knob, carpet f loor mats with piping in «Art Grey», aluminium door tread plates with R - logo and the instruments with their blue pointers and a speedometer scale that reads up to 300 km / h.

Several recent exhibitions have taken up the charge as well, most notably this fall's blockbuster - scaled «Regarding Warhol: Sixty Artists, Fifty Years,» opening September 18 at the Metropolitan Museum of Art, which will travel to the Andy Warhol Museum in Pittsburgh next year.

Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.

We put up a large scale banner outside the city art gallery, proclaiming in English and Polish: «I'm not a feminist, but if I was, this is what I would complain about...» We got lots of responses.

First up, the agency is working to commission three large - scale sculptures, through an open invitation for proposals to be detailed on the arts commission website by the end of the month.

Il Lee's recent venture into a different medium, exemplified in the first public unveiling of his large - scale acrylic and oil on canvas work at the Metropolitan Museum of Art in 2010, has opened up a significant and exciting new direction for the artist.

At Sadie Coles, Urs Fischer's giant fried egg lies on the carpet, perfectly cooked, but out of scale to any but the most gargantuan appetite (and everybody knows collectors only peck at things, their appetites reserved only for beefed - up art).

His peers had blown up the language of Surrealism and the unconscious to the space of Cubism and the scale of political art.

He creates otherworldly and surreal encounters by a female nude with Cattelan's art, has Gilbert & George awkwardly interacting in their would - be home with an androgynous male model, and places Harland Miller's large - scale paintings of book covers into actual book covers held by 50's pin - ups.

We caught up with Charlotte Colbert during her exhibition for her new installation / large scale video sculpture «Benefit Supervisor Sleeping» and managed to ask a few questions about her art practice.

Since his first solo show in 1980, Jeff Koons has surprised the contemporary art world with assemblages featuring basketballs or vacuum cleaners, his scaled - up, stainless steel balloon animals and easter eggs, and his gold - plated, porcelain sculpture, Michael Jackson and Bubbles, 1988.

It includes small - scale paintings by «other art» artists of various trends, key pictures and objects by masters who make up the nucleus of the «Moscow conceptual school», works by classics of Sots - Art, Post-Modernist painting and photo - realism, as well as works by leading figures of the post-Soviet periart» artists of various trends, key pictures and objects by masters who make up the nucleus of the «Moscow conceptual school», works by classics of Sots - Art, Post-Modernist painting and photo - realism, as well as works by leading figures of the post-Soviet periArt, Post-Modernist painting and photo - realism, as well as works by leading figures of the post-Soviet period.

Made on a monumental scale, the paintings envelop the viewer from both their sheer size and the extensive expressive markings that make up the art work.

The large scale and raw, scumbled texture call up abstract art.

Also given prominent spaces are Channa Horowitz, who died last year, with large - scale, intricately constructed ink drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf) in Doha coming up later in March.

Concurrently with the military - industrial «space race» leading up to the moon landing, American artists began to experiment outside of traditional studio practice, intervening at a terrestrial scale to initiate the Land Art movement.

The Morgan hopes to convey the privacy and scale of the study, by staging it in the Thaw gallery off the new atrium (a tactic picked up by Rick Mather for the Virginia Museum of Fine Arts).

It is, though, a coarse weaving, as if blown up to scale of art.

After closing for three years, the museum has re-emerged in a massive new building, at a scale outstripping even New York's Museum of Modern Art, and houses a substantially beefed up collection of art after 1945 — albeit one funded more by Bay Area titans of retail and finance than the notoriously stingy millionaires of Silicon VallArt, and houses a substantially beefed up collection of art after 1945 — albeit one funded more by Bay Area titans of retail and finance than the notoriously stingy millionaires of Silicon Vallart after 1945 — albeit one funded more by Bay Area titans of retail and finance than the notoriously stingy millionaires of Silicon Valley.

One can ask what happens when Pollock blew up Surrealism and Cubism to the scale of public art.

Hang Up continues her work in large scale paper constructions that have been exhibited at Noyes Cultural Arts Center (2005), Las Manos Gallery (2006), and the Evanston Art Center (2006).

These enclosed tranches of landscape, culturally displaced and geopolitically charged, relate to Land Art exponent Robert Smithson's Non-Site series; while other homages to recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff KooArt exponent Robert Smithson's Non-Site series; while other homages to recent heroes of art history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Kooart history include Blow Up, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff KoonUp, which reveals itself as a playful destruction of the photographic work of German couple Bernd and Hilla Becher and the life - sized, white ceramic Pig (2012) which is both a scaled - up version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koonup version of a piggy bank from Monk's childhood and an imagining of an unrealised sculpture by Jeff Koons.

Curated by Yosi Sergant, former White House Liaison for the Arts and the former Director of Communications at the National Endowment for the Arts, Truth to Power, a large scale, pop - up exihbition from July 25 - 27th in Philadelphia will be presented as a part of the Democratic National Convention.

Benglis's willingness and ability to mix up gendered tropes with her heroic scales and sparkly colorful finishes while laughing irreverently at views of every moral stripe set her apart from the common customs of feminism and the sexism of the art world.

The Independent follows up on The Art Newspaper's story that Gagosian's Hong Kong opening for Damien Hirst will contain a scaled - down version of the diamond skull now on view in Italy:

These are the up and coming curators, artists, galleries and art institutions that are merging the social and market platforms on a global scale.

In the run up to his major exhibition, Academy of Tal R at Louisiana Museum of Modern Art, Denmark (until 10 September 2017), the artist was interviewed by Kasper Bech Dyg and Marc - Christoph Wagner over the course of six months while he was in the process of making his series of large - scale railcar paintings, Habakuk.

«The High Line Plinth will provide artists with an opportunity to work on a larger scale than ever before possible on the High Line, and to engage with the breathtaking vistas that open up around this new site,» said Cecilia Alemani, director and chief curator for High Line Art.

Bow Arts artist and King of the Bottletops, Robson Cezar has taken up residence at St Katharine's throughout July and August to create a large scale mural for St Katharine's Precint.

This is Tomorrow was nearly two years in the making, after architect and art critic Theo Crosby came up with the idea of mounting a large scale collaborative show at Whitechapel Gallery.

Stretching across the organisation's main premises on Golden Square and its smaller townhouse off Soho Square, the untitled show feels set up to be a triumphant return to the gallery world after a few years focused on large - scale installations for the British Library, St Pancras station and New York's Metropolitan Museum of Art.

Beyond a visible diversity, these pieces of art explore the mechanisms from where we give a meaning to the objects we believe we know: blew up press images reproducing well - known paintings, reworked old movies» extracts thought abstraction; rebuilt disseminated fragments... These large scales works on paper often participate in her installation's scenography.

Max Presneill is currently the Executive Director and Head Curator for the Torrance Art Museum as well as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitioArt Museum as well as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitioart fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitions.

Since 2010 however, KAWS has been receiving more attention from the more established art world and has been invited to exhibit at art institutions and galleries, with solo exhibitions and commissions for larger - scale works worldwide, leading up to his current show at PAFA.

As this season's biggest celebration of local art, «Open Call» is up through December 20th, and it's packed with over 250 small - scale works each for $ 300 or less — something for the Christmas check list!

For elite collectors and museums, Pollock's large - scale paintings remain among the most coveted works of modern art because they rarely come up for sale.

Unlimited Sector This edition of Art Basel's anticipated Unlimited exhibition is curated by Gianni Jetzer, curator - at - Large at the Hirshhorn Museum, and is made up of a range of large - scale works, installations, performances, and video.

O'Keeffe caused quite a stir in the art world when, in 1925, Stieglitz exhibited her large - scale paintings of flowers close - up, magnified, and cropped.

Colby Museum of Art, Waterville - Maine The 1950s saw American artist Alex Katz (b. 1927) take up and master painting directly from nature, lay claim to Abstract Expressionism's size and scale on behalf of figurative painting, and innovate with collages and cutouts.

One, «Alex Katz: Collages» at Colby College in Waterville — whose impressive art gallery has a large permanent Katz wing — is said to be the first comprehensive survey of this group of intimate - scale paste - ups, done very early in his career.

For this year's iteration of the public art installation that brings crowds to the park by the (currently closed) Bass Museum of Art, 20 artworks ranging in scale from large to momentous have set up shop for selfie - seeking tourists along Collins Ave between 21st and 22nd Streeart installation that brings crowds to the park by the (currently closed) Bass Museum of Art, 20 artworks ranging in scale from large to momentous have set up shop for selfie - seeking tourists along Collins Ave between 21st and 22nd StreeArt, 20 artworks ranging in scale from large to momentous have set up shop for selfie - seeking tourists along Collins Ave between 21st and 22nd Streets.

But the Broads are making an effort to buy more large - scale, visitor - friendly art installations in the run - up to opening the museum's new Diller Scofidio + Renfro building, currently scheduled for 2015.