Sentences with phrase «scale black floor»

The simple four - inch - square white porcelain wall tiles — arranged in an offset brick pattern and grouted with grey — contrast beautifully with the small - scale black floor tiles, creating a sleek backdrop for the room's showpiece: the timeless vanity.

Not exact matches

bags of dry dog or cat food Baby wipes Large paper shredder Ammonia detector / sensor 3 Respirator Box of 20 disposable respirator Other Equipment & Supplies Small Scale (that measures in grams) Sweeping brooms Dust pans «Wet Floor» caution signs All - Terrain Vehicle Black - and - white laser printers (not color printers or inkjet printers, please) in good working condition Desktop computers (please, three years old at the most).

Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

A levitating concoction composed of a white semitransparent polyester scrim, a black attenuated aluminum beam and a black line painted on the wall, it has the scale of a spectacle; it takes up the museum's entire fourth floor.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.

Marian Goodman is showing the exquisitely pastel pods of the sculptor Nairy Baghramian, each fastened to the floor or wall by a black stem, creating a delicious distortion of scale.

The Whitney presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), a large - scale installation by Robert Irwin that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

Called «Other Side», the large - scale installation consumes Towner's upper gallery, presenting a façade of five wooden doors caught in a dense dark tangle of thousands of metres of black yarn extending from wall to wall, and from ceiling to floor.

Entitled Full Stop, Burckhardt built the full scale installation using only hot glue and black paint, and pieced everything together with a floor, roof, and elaborate work stations throughout.

Hoxton Square The ground - floor gallery at Hoxton is anchored by The Playground, a large - scale landscape in black punctuated by two white dots in the upper corners and two magenta strips in each of the lower corners.

Whitney Museum of American Art presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.